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mannerist

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Journal Article
Modern Language Quarterly (1988) 49 (1): 76–79.
Published: 01 March 1988
... The fuzzy eclecticism is evident too in the organization and content of the book. Between the framing prologue and epilogue Greenwood has five chapters whose rubrics convey a cluster of paradigms, thematic and struc- tural, which he sees as Mannerist traits in his chosen plays: (1) “On the Poet...
Journal Article
Modern Language Quarterly (1970) 31 (3): 380–381.
Published: 01 September 1970
... verbal with sensuous, visual splendor in writing court masques; and as a mannerist he imitates “skillfully the works of the great masters who preceded him and yet brings their art into a different dimension” (p. 94). Carew’s chief masters are Donne, Jonson, and Sandys, and though he takes...
Journal Article
Modern Language Quarterly (1973) 34 (4): 464–467.
Published: 01 December 1973
... that it constitutes a style rather than a period, or that it is one of sev- eral currents running through the Baroque period. In truth, there is no Ba- roque or Mannerist “period,” but there are several discernible styles in litera- ture and the other arts during the chronological period under study which...
Journal Article
Modern Language Quarterly (1975) 36 (1): 81–82.
Published: 01 March 1975
... in the study of self, Montaigne’s conception of movement, his anthropology, his religion, the interpenetration of his conservative and revolutionary tend- encies, his style, the mannerist and baroque elements of his work, and the absorbing problem of the unity of the Essais. And this brief summary...
Journal Article
Modern Language Quarterly (1975) 36 (4): 418–425.
Published: 01 December 1975
... Steadman’s analysis of the mannerists (pp. 152-57). He mini- mizes as much as possible the importance of their theory and points out that Zuccaro shared crucial ideas with Quattrocento theorists and that mathematics continued to be stressed in the Cinquecento. All this, however, will not help us when...
Journal Article
Modern Language Quarterly (1980) 41 (1): 106–109.
Published: 01 March 1980
... to) but of the plays as well. The true merits of Brecht's adaptation of Sophocles' Antigone, for example, can be grasped only in light of the fact that Brecht chose Holderlin's "manneristic" version as his model. Hence the absurdity of Dickson's claim that "in the Holderlin translation on which Brecht based...
Journal Article
Modern Language Quarterly (1988) 49 (4): 362–377.
Published: 01 December 1988
..., 99 (1984): 845-84. The Story of a Novel: The Genesis of Doctor Faustiis, trans. Richard and Clara Winston (New York: Alfred A. Knopf, 1961), p. 158. TIM ARMSTRONG 365 naissance art, particularly in those mannerist gestures that direct...
Journal Article
Modern Language Quarterly (1988) 49 (4): 362–377.
Published: 01 December 1988
..., 99 (1984): 845-84. The Story of a Novel: The Genesis of Doctor Faustiis, trans. Richard and Clara Winston (New York: Alfred A. Knopf, 1961), p. 158. TIM ARMSTRONG 365 naissance art, particularly in those mannerist gestures that direct...
Journal Article
Modern Language Quarterly (2019) 80 (1): 29–36.
Published: 01 March 2019
... to such a conventional wedding scene as the one from Emma .” But Brontë, in sending up Austen’s wedding as a bit of mannerist playacting, also transforms her enabling social convention into a constraint that limits the private desiring individual. In a Brontë novel, “social conventions are, in an essential way, opposed...
Journal Article
Modern Language Quarterly (1981) 42 (2): 184–191.
Published: 01 June 1981
... to Spenser. . . . It is in- deed a mannerist display of poetical mastery, with the young Milton . . . showing himself now almost ready to embark upon the great baroque work for which he has been so carefully preparing his pow- ers. (pp. 29-30) And given Martz’s perception...
Journal Article
Modern Language Quarterly (1971) 32 (2): 158–167.
Published: 01 June 1971
... However reluctantly, the new scholar of seventeenth-century literature must begin to filter the stock definitions and undertake a fresh reading, reinvestigation, and careful reflection before relabeling a particular art category, historical epoch, or “manneristic” tendency. Of necessity, the new...
Journal Article
Modern Language Quarterly (1978) 39 (1): 15–26.
Published: 01 March 1978
... designated as late Renaissance, early Ba- roque, or Mannerist, is characterized by a sense of crisis, disenchant- ment, and alienation which affected virtually all aspects of human endeavor. l1 As a participant in the sack of Rome, in most of the Florentine polit- ical turbulences, and in some...
Journal Article
Modern Language Quarterly (2006) 67 (3): 333–361.
Published: 01 September 2006
.... 1 Amanda Sebestyen, “The Mannerist Marketplace,” New Socialist, March 1987, 38. 2 See Elisabeth Mahoney, “ ‘But Elsewhere?’ The Future of Fantasy in Heroes and Villains,” in The Infernal Desires of Angela Carter, ed. Joseph Bristow and Trev Lynn Broughton (London: Longman, 1997), 73 – 87...
Journal Article
Modern Language Quarterly (1976) 37 (1): 68–81.
Published: 01 March 1976
... of the nineteenth century reaches a final, mannerist development; so, too, in his criticism the long and concurrent tradition of emotively impressionistic criticism finds one logical conclusion in his process of critical discourse by image- making. . Impressionism remains a critical dirty...
Journal Article
Modern Language Quarterly (1965) 26 (1): 135–149.
Published: 01 March 1965
... tended to introduce, with great result- ing confusion, the descriptive stylistic terms developed by the historians of art: “Renaissance” (in a special sense), baroque, mannerist, rococo. Although many of these critics and scholars have failed to make clear whether they were discussing...
Journal Article
Modern Language Quarterly (2006) 67 (2): 171–211.
Published: 01 June 2006
... in the painting admits to nostalgia: the manneristic exchange at its center plays at an “intimate distance” from the viewer, who is left well outside the circle of costumed observers who solemnize the scene.26 This military triumph seems a little quaint, framed in the left middle ground by a repous- soir...
Journal Article
Modern Language Quarterly (1965) 26 (1): 184–202.
Published: 01 March 1965
...)- and when the sixteenth century has run over half its course. Does this mean that the Renaissance in French tragedy will last for only half a century? I think not. For although “mannerist” and “baroque” things apparently begin to happen to it before and after 1600, and although Corneille seems...
Journal Article
Modern Language Quarterly (2007) 68 (2): 221–241.
Published: 01 June 2007
... the door for the rediscovery of what existed there in place of the Enlightenment: the baroque. As Chiampi puts it succinctly, “This ideological content renders precarious any attempt to reduce the Neo-Baroque to a retrograde and reactionary mannerist aesthetic which would be a mere reflection...
Journal Article
Modern Language Quarterly (2008) 69 (1): 119–140.
Published: 01 March 2008
... as appropriating the spectators’ gaze, channeling it through the mobile camera lens, and as involving the audience mainly in visual attrac- tions. The stage is regarded as mannerist, the cinema as driven — or at least haunted — by an impulse to record reality. Insofar as the fol- lowing discussion of Dragon...
Journal Article
Modern Language Quarterly (2001) 62 (4): 425–452.
Published: 01 December 2001
... marker—chief periodizations applied by Western commentators to their own most recent history have been Renaissance (sometimes adjusted toward its end in certain disciplines—art and literary history most notably—by the addition of baroque and mannerist subperiods...