...James O. Crosby Copyright © 1956 by Duke University Press 1956 QUEVEDO, LOPE, AND THE ROYAL WEDDING OF 1615 By JAMES 0. CROSBY Early in October, 1615, the Spanish Court traveled to Burgos to witness the marriage of Princess Anne of Austria, Philip...

...William E. Wilson Edmund Villela de Chasca. Private edition, distributed by the University of Chicago Libraries, Chicago, 1941. Pp. iv + 192. Copyright © 1942 by Duke University Press 1942 350 Reviews Lope de Rueda’s Comedia de “Los Engaiiados.” An Edition...

...,” that the chief flaws of Profeysor 1x0’s book lie. GI OKIA .\LEDOPT Orcgott State College Lope de Vega: EL principe despeiiado. A Critical and Annotated Edition of the Autograph Manuscript by HENRYW. H~E.Bloomington : Indiana...

... Wirkung aufgezeigt, die Grillparzers grundliche Kenntnis der spa- nischen Literatur auf dessen eigene Dichtungen hatte. So wies Artur Farinelli in seinem Buche “Grillparzer und Lope de Vega” insbe- sondcre auf den Einflul3 dieses spanischen Dichters hin, in dem Grill- parzers meisterhafte...

... with the two most popular Spanish Potticas in the eighteenth century, those of Luzan and Rengifoe5He is hostile to Luzan for his allegedly unjust treatment of such classical authors as Gongora, Lope, and Calderon, and of the Spanish Golden Age theater in general. Alegre’s words are harsh: “Luzan...

... Professor S. G. Morley makes the following comment on the paucity of research of this type: “So far as I am aware, the comparative vocabulary and syntax of the dramatists of the siglo de or0 offers a practically un- touched field for research. No one has undertaken to ascertain whether Lope’s...

...), and Rimas várias flores do Lima ( Varied Verses, Flowers of the Lima , 1597). The second of these probably left the Lisbon printing house of Simão Lopes shortly before, or just after, Bernardes’s death. 1 Bernardes was also highly regarded. His debut book was reprinted in 1601, 1608, 1616, and 1622...

... Gonzglez, bouffon ‘pour rire’ ”; Don W. Cruick- shank, “ ‘Pongo mi mano en sangre baiiada a la puerta’: Adultery in ‘El niCdico de su honra’ ”; Victor Dixon, “ ‘El castigo sin venganza’: the artistry of Lope de Vega”; Peter N. Dunn, ” ‘El principe constante’: a Theatre...

...). The opening strategies of’ the Autobiography are economic: “castle building” compensates forthe deficiencies in l’rol- lope’s life; later; writing and selling writing fill the deficiencies (pp. 15-16). In a discussion of’ the fictional devices Trollope uses in An Autohiugraphy, James K. Kincaid...

... proof of ancestry, than for the lowborn, for whom scanty ancestry records existed (27). The Spanish comedias typically capitalized on such contradictions. For instance, Lope de Vega s play La villana de Getafe (1609 14; published 1620) depicts Spaniards spreading rumors about each other s mixed ancestry...

..., arising from his preconceived ideas of what Gallegos “should write,” that the chief flaws of Profeysor 1x0’s book lie. GI OKIA .\LEDOPT Orcgott State College Lope de Vega: EL principe despeiiado. A Critical and Annotated Edition...

... that “the realistic novel, as Trol- lope describes it, is a thoroughly rhetorical, not representational, work of art” (p. 7). In so doing, it promises a corrective to that criticism-so prevalent where Trollope is concerned-which approaches the novels as windows on life itself, and therefore fails...

... on.” And determining the result demands setting the martyr drama in the context of the play as a whole. For Saint Genest bears witness to the wider, desacralizing impact of dramatic vraisemblance . Unlike its model in Félix Lope de Vega’s Lo fingido verdadero (staged ca. 1609; published 1621), where...

... UPEZMORALES. Madrid: Ediciones Alcal5, Colecci6n Romania, Serie Literaria, 1968. 259 pp. 225 ptas. Short indeed is the history of Castilian drama before Lope de Rueda, yet its importance-apart from its intrinsic worth-as the period of germina- tion and initial impulse is undeniable...

... in Sydney’s Avcadia. Pp. 58. $1.00. No. 5: Marckwardt, Albert H. Charac- terization in Chaucer’s Knight’s Tale. Pp. 23. $0.50. No. 6: McClennen, Joshua. On the Meaning and Function of Allegory in the English Renaissance. Pp. 38. $0.75. No. 7: Lincoln, J. N. Saint Ursula, the Infanta Isabel, and Lope...

... ‘jardin espiritual’ de Pedro de Padilla: Peculiaridades bibliogrhficas”; Eugenio Asensio, “Dos romances del tiempo de Felipe 11: ‘La muerte de Egmont’ y ‘Los amores de Gonzalo Chach William L. Fichter, “An Inedited Sonnet Attributed to Lope de Vega”; Jack Sage, “Valentin de...

... value his work could welcome a study which would take Trollope’s theoretical remarks to be more than apology or bluster. Kendrick’s book is written in such a spirit, but it fails to fill the gap. In broadest terms, The Novel-Machine argues that “the realistic novel, as Trol- lope...

... quality. In Lope de Vega he finds “a deep ambivalence about the demands of the consuming audience,” in Mateo Alemán “a largely unsuc- cessful attempt to channel the principles of literary consumption into moral Johnson Review 441 didacticism...

..., as purchasers of a commodity, had become the arbiters of meaning and artistic quality. In Lope de Vega he finds “a deep ambivalence about the demands of the consuming audience,” in Mateo Alemán “a largely unsuc- cessful attempt to channel the principles of literary consumption into moral Johnson Review...

... recognized how consum- ers, as purchasers of a commodity, had become the arbiters of meaning and artistic quality. In Lope de Vega he finds “a deep ambivalence about the demands of the consuming audience,” in Mateo Alemán “a largely unsuc- cessful attempt to channel the principles of literary...