... for contemporary literary theory. Bourdieu’s Derrida’s Kant: The Aesthetics of Refusing Aesthetics Jonathan Loesberg In the closing pages of Distinction, a sociological analysis of the way in which class membership constitutes both physiological and aesthetic taste and an argument...

...Thomas Pfau Copyright © 1999 by Duke University Press 1999 The Voice of Critique: Aesthetic Cognition after Kant Thomas Pfau he following, somewhat speculative remarks constitute part of a Tlarger project concerned with the historical transformation...

...Robert Kaufman © 2000 University of Washington 2000 MLQ 61.1-07Kaufman.ak 6/1/00 2:29 PM Page 131 Everybody Hates Kant: Blakean Formalism and the Symmetries of Laura Moriarty Robert Kaufman verybody Hates Kant would do...

...William Crisman Copyright © 1991 by Duke University Press 1991 “THUS FAR HAD THE WORK BEEN TRANSCRIBED”: COLERIDGE’S USE OF KANT’S PRE-CRITICAL WRITINGS AND THE RHETORIC OF “ON THE IMAGINATION7’ By WILLIAMCRISMAN...

... poetry, Hegel, Goethe, Wordsworth, and Freud. The Translatability of Cultures: Figurations of the Space Between , coedited with Wolfgang Iser, appeared in 1996. Descartes’s Cogito, Kant’s Sublime, and Rembrandt’s Philosophers: Cultural Transmission as Occasion for Freedom Sanford Budick...

...Sanford Budick © 2000 University of Washington 2000 03-Budick 10/3/00 9:44 AM Page 481 Kant’s Miltonic Test of Talent: The Presence of “When I Consider” in the Groundwork of the Metaphysics of Morals Sanford Budick...

...John Hennig Copyright © 1947 by Duke University Press 1947 TWO IRISH BULLS IN KANT’S “KRITIK DER URTHEILSKRAFT” By JOHNHENNIG Anmerkung § 54 of Kritik der Urtheilskraft, at the end of the first Abschnitt...

... way in happiness” (ll. 524–25). Far from standing alone, Armytage’s statement flows immediately from his repeated identification of a kind of “meditation” (l. 524). Contrary to Wordsworth’s later disclaimers, he learned much about this activity of meditative mind from Kant’s theories of the sublime...

..., ignored for his philosophical skepticism by the philosophes who were sure they had found positive knowledge. Only Thomas Reid and Immanuel Kant, I said, saw what Hume had accomplished and tried, each in his own way, to avoid the devastating results for the intellectual world.1 I reiterated...

...: Oxford University Press, 1985), 126. Wang 0 Romantic Sobriety 49 1 equal, and its own version of repentance and resolve that traces Coleridge’s philosophical education from associationism to German critical thought, from Hartley to Kant.31 Kant’s usurpation...

... to be “his own primal political scene” (89). Two of Goldsmith’s most arresting arguments for the seriousness and timeliness of the inoperative disposition come in his engagement, at once historical and theoretical, with Kant and Milton. Blake almost certainly never read Kant. But Kant’s response...

... the aesthetic after the many attacks on it over the past thirty years.1 This two-pronged reclamation project is pursued through an intensive engagement with Immanuel Kant’s Critique of Judgment, followed by a sur- prisingly convincing demonstration of the Third Critique’s...

... engagement with Immanuel Kant’s Critique of Judgment, followed by a sur- prisingly convincing demonstration of the Third Critique’s resonance in the thought of writers as diverse as Hannah Arendt, Jürgen Habermas, Friedrich Nietzsche, Ludwig Wittgenstein, Ernesto...

... engagement with Immanuel Kant’s Critique of Judgment, followed by a sur- prisingly convincing demonstration of the Third Critique’s resonance in the thought of writers as diverse as Hannah Arendt, Jürgen Habermas, Friedrich Nietzsche, Ludwig Wittgenstein, Ernesto...

... engagement with Immanuel Kant’s Critique of Judgment, followed by a sur- prisingly convincing demonstration of the Third Critique’s resonance in the thought of writers as diverse as Hannah Arendt, Jürgen Habermas, Friedrich Nietzsche, Ludwig Wittgenstein, Ernesto...

... the aesthetic after the many attacks on it over the past thirty years.1 This two-pronged reclamation project is pursued through an intensive engagement with Immanuel Kant’s Critique of Judgment, followed by a sur- prisingly convincing demonstration of the Third Critique’s...

... with Kant and Wordsworth. Kant’s autonomous yet “transpersonal” ethical self opposes both egoism and “heteronomous,” external constraints on moral freedom and creativity. In a more embracing vision, Wordsworth attempts to reconcile aesthetic and lyric subjectivity with comprehensive...

... provide a bare overview of the main authors or works considered: chapters 4, 6, and 12, see below; chapter 5, Hyginus, the Bible, Foucault; chapter 7, Cicero, Horace, Ovid; chapter 8, medieval frescoes; chapter 9, Cicero, Agamben, Kant, Machiavelli; chapter 10, Luther, Descartes; chapter 11, Leibniz...

... by our secularization stories, though, it ought to be here. It was Swedenborg’s apparent serenity alongside his astonishing claims about the spirit world, not the mere claims themselves, that so perturbed Kant. It perturbs my own inner Kantian, the part of me that would insist (if somebody asked me...

... the sublime has tended, in current accounts of the politics of culture, to provide a kind of bridge between the aesthetic and the political (much as Kant proposed the aesthetic as a bridge between the rational and the practical, the first and the second critiques). On one side, Anglo-American...