Search Results for juliet

... takes pastoral seriously. HAROLDTOLIVER University‘of Calfornia, Irvine Shakespearean Metadrama: The Argument of the Pluy in “Titus Andronicus, ” “Love’s Labour5 Lost,” “Romeo and Juliet,” “A Midsummer Night’s Dream,” and “Richard...

... extensive middle-period treatments of erotic relationships, even dramatized by the indeterminacy of Claudio and Juliet’s union in Measure for Measure . We have been dismantling this re-formation since the 1960s. In each transitional era relationship and courtship codes shifted, the boundaries between...

...Juliet Shields Freedom's Empire: Race and the Rise of the Novel in Atlantic Modernity, 1640 – 1940 . By Laura Doyle. Durham, NC: Duke University Press, 2008. xii + 578 pp. University of Washington 2009 Juliet Shields is assistant professor of English at the University of Washington...

...Juliet Shields Juliet Shields teaches in the Department of English at the University of Washington. She is author of Sentimental Literature and Anglo-Scottish Identity, 1745-1820 (2010) and is working on a study of eighteenth-century writing about British emigration to North America...

...Juliet Shields Sentimental Memorials: Women and the Novel in Literary History . By Sodeman Melissa . Stanford, CA : Stanford University Press , 2015 . x + 186 pp. Copyright © 2016 by University of Washington 2016 “Do we still need studies devoted exclusively to women writers...

...Juliet McMaster Jack P. Rawlins. Berkeley, Los Angeles, London: University of California Press, 1974. xi + 244 pp. $10.00. Copyright © 1977 by Duke University Press 1977 102 REVIEWS of French in Charlotte’s novels is perhaps...

...Juliet Shields Novel Ventures: Fiction and Print Culture in England, 1690–1730 . By Leah Orr . Charlottesville : University of Virginia Press , 2017 . vii + 336 pp. The second part of Novel Ventures examines the fiction market by looking in detail at reprints, foreign...

...Juliet Mcmaster Copyright © 1982 by Duke University Press 1982 “IMBECILE LAUGHTER” AND “DESPERATE EARNEST” IN THE TENANT OF WILDFELL HALL By JULIET MCMASTER...

...Juliet McMaster Copyright © 1971 by Duke University Press 1971 EXPERIENCE TO EXPRESSION THEMATIC CHARACTER CONTRACTS IN TRISTRAM SHANDY By JULIET MCMASTER Tristram Shundy, a novel of which...

...Juliet McMaster Richard A. Lanham. Berkeley: University of California Press, 1973. x + 174 pp. $7.95. Copyright © 1974 by Duke University Press 1974 322 I< EV I E\VS for a good death, and it was neither conventional nor...

..., Shakespeare’s Romeo and Jutiet, of which a few points in The Generall are “strongly reminiscent.” Like Juliet, Altemera, the hseroine of The Generall, takes a seemingly mortal drug to prevent her falling into the hands of a detested suitor, and just as Romeo and the County Paris visit the tomb...

... is the resounding vivam , “I shall live.” James makes the great poet live once again. Returning to what James says about Juliet—she “takes more time with her Ovidian allusions and gets more from them”—is this Juliet, or Shakespeare? Does it matter? In our literary imagination, how would the stakes...

... to show a hitherto undis- cerned unity in this powerful and disturbing play. From the premarital relationship between Claudio and Juliet that opens the play to the four marriages at the end, we see sexuality as the source of life, whereas its absence, chastity, leads to death. Neither...

... by Kent to exert his will. Similarly, the beat in which Romeo and Juliet first speak to one another “treats Romeo’s desire to kiss Juliet” (p. 23). Perhaps this episode can be played as a battle of the sexes won by Romeo, but it has sometimes been successfully played as a dramatization of mutual...

... of Errors, The Two Gentlemen of Verona, and Love’s La- bour‘s Lost. Discussions of Venus and Adonis and Lucrece follow. The final chapters consider the resolution of what has gone before in Richard III, Romeo and Juliet, and A Midsummer Night’s Dream. The order of the discussions is not meant...

.... 404 JOHN W. VELZ 405 Certainly analogical design is widespread-one might say dominant-in the Shakespeare canon. Hartwig makes chapter-length analyses of scenes in Macbeth, Romeo and Juliet, Richard 11, Twelfth Night, and Hamlet; Cloten...

... observation that Romeo and Juliet’s first kiss does not immediately follow their sonnet in editorial stage directions (p. 85) overlooks my edition. Her work on the visual elements of the marriage service in chapter 3 needs to be supplemented by the fine contributions of Lynda E. Boose and Margaret...

.... All of this is outlined, with numerous lists of illustrative questions, in the first part of tlie book. In tlie second part, the author applies the close-reading method these questions add up to, to selected passages from five plays: Romeo and Juliet, As You Like It, Julius Caesar, Twelfth...

.... But is there any real evidence in the plays to support the notion that Shakespeare was tempted by Marlovian dreams of power or by self-indulgent poetic fantasizing? One might as well infer from the sympathetic portrayals of Romeo and Juliet and Brutus and Portia that Shakespeare came to terms with his...

... within him (see 30-41). By judging his fellow man, Angelo is judging, and therefore dis- covering, himself. Shakespeare has made Angelo’s affair with Mariana similar to Claudio’s with Juliet so that in condemning Claudio, Angelo ultimately condemns himself. The mortality and mercy in his...