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Modern Language Quarterly (1980) 41 (3): 231–247.
Published: 01 September 1980
..., appears to be an exception. Though it is not illogical for Imogen to assume a male disguise, Shakespeare’s use of the device here, compared to the variety of uses to which he puts it in earlier plays, seems curiously uneconomi- cal. I believe that Shakespeare’s use of sexual disguise...
Modern Language Quarterly (2019) 80 (1): 51–74.
Published: 01 March 2019
... is organized around two narratives of child loss: one about Cymbeline’s lost sons and the other about his soon-to-be-lost daughter, Imogen. 8 By staging her eventual disappearance as a substitute for (and resolution of) the loss of her brothers, Shakespeare deploys new-comic plotting to interpret...
Modern Language Quarterly (1982) 43 (3): 293–297.
Published: 01 September 1982
...: Vindice; the “central triangle of Imogen, Posthumus, and Iachimo” (p. 238, n. 23), with Iachimo being more central than the others; Flamineo; Bosola; and Penthea and Bassanes, who are “at the center” (p. 184) of Ford’s tragedy. Such a focus inevitably produces some distortion of emphasis, which...
Modern Language Quarterly (1950) 11 (2): 253–256.
Published: 01 June 1950
...- cism-Philosophic, Literary, and Esthetic-by Great Writers and Scholar- Critics of the 18th 19th, and 20th Centuries. Washington, D.C.: Georgetown University Press, 1949. Pp. xi + 481 + 40. $5.00. Walker, Imogene B. James Thomson [B. V.] : A Critical Study. Ithaca, New York...
Modern Language Quarterly (1974) 35 (4): 423–426.
Published: 01 December 1974
... that is morally diseased and, finally, her own father” (p. 90). And he lias an irritating habit of labeling groups of Characters: Belarius, Arviragus, Guider- ius, and Imogen are the “cave coinmuni ty,” and, evidently, all the characters at the beginning of The IYinter’s Tale are “men of winter...
Modern Language Quarterly (1984) 45 (4): 327–337.
Published: 01 December 1984
... a daughter and wife’s simul- taneous reunion with her father and her husband at the end of Cymbeline, when Imogen throws herself upon Posthumus-“Hang there like fruit, my soul, / Till the tree dieand her father is left to the side, ignored and complaining: “How now, my flesh, my child? / What...
Modern Language Quarterly (1947) 8 (2): 243–252.
Published: 01 June 1947
...-261. 2754. Auerbach, Erich. “Der Auszug des hofischen Ritters (Chrk- tien de Troyes, mit Ausblick auf Cervantes und Ariost) .” In Mimesis: Dargestellte Wirklichkeit in der abendlandischen Literatur, pp. 123- 140. Bern: A. Francke (1946). 1795. Baker, Sister Imogene. The King’s...
Modern Language Quarterly (2004) 65 (4): 505–529.
Published: 01 December 2004
...,” wrote Joseph F. Michaud and Louis Gabriel Michaud in the Biographie universelle, “than his portrayal of women characters. Ophelia, Catherine of Aragon, Juliet, Cordelia, Desdemona, and Imogen, all touching and varied ﬁgures, have inimitable graces and naive purity that one would not expect from...
Modern Language Quarterly (1941) 2 (2): 293–305.
Published: 01 June 1941
.... 2282. Baumer, G. “Die deutsche Laienf romrnigkeit von Wol- fram von Eschenbach zu Goethe.” Pp. 11-24 in Begegnung mit Goethe. Heilbronn, 1939. 1795. Baker, Sister Imogene. The King’s Household in the Arthurian Court. Washington, 1937. Rev. by Karl Brunner in LGRPh, LXI (1940...
Modern Language Quarterly (2011) 72 (4): 521–535.
Published: 01 December 2011
..., David Peters Corbett, and Imogen Hart) to the last midcentury gasps (e.g., Cyril Connolly’s Horizon, which, as Latham felicitously writes in his excel- lent contribution, “retained always a funereal air, despite the apparent optimism implicit...
Modern Language Quarterly (2015) 76 (1): 1–30.
Published: 01 March 2015
... as willing, though he did continue to interrogate romantic unions. The critique of jealousy that Othello developed, for instance, is extended in The Winter’s Tale and Cymbeline, which end with chastened husbands; in the latter Posthumus even excuses Imogen for her supposed inﬁdelity, though only when he...
Modern Language Quarterly (1966) 27 (2): 147–161.
Published: 01 June 1966
... was the first to find distasteful. It has been variously read. Mark Van Doren was the first recent critic (1939) to help establish the modern trend. This long speech, he says, “would be painful to us were she a person as Portia and Imogen are person That is, she is less a human being than...
Modern Language Quarterly (1982) 43 (4): 337–351.
Published: 01 December 1982
....” The image of his ventriloquizing through an assemblage of heroic alter egos obscures the real truth that none of his characters speaks unqualifiedly for him. No master of Negative Capability, By- ron could nonetheless find in himself both Imogen and Iago. Thus his portrait of the apparently very un...
Modern Language Quarterly (1960) 21 (2): 142–157.
Published: 01 June 1960
.... The result is one of the aims of romantic comedy-the in- tensification of the suffering of separated lovers. For Shakespeare’s young lovers, the chief evil of exile is personal separation. Posthumus and Imogen part with heavy laments, promises of fidelity, and hope of reunion. Valentine sees...
Modern Language Quarterly (1946) 7 (2): 221–240.
Published: 01 June 1946
... ; chapters on the Arthurian Romances.] Moscow and Leningrad : Akademiia Nauk, 1943. 1793. Biumer, Gertrude. LVolfram von Eschenbach. (Die Dichter der Deutschen, Folge 2.) 1938. Reprinted Stuttgart : Cotta, 1942. 1795. Baker, Sister Imogene. The King’s Household in the Ar- thurian Court. 1937...
Modern Language Quarterly (1958) 19 (2): 160–182.
Published: 01 June 1958
..., William A. “On the Derivation of Old French Eny- geus (Welsh Innogen, Shakesp. Imogen) .” ZFSL, LXVI ( 1956), 40-42. 4224. . “The Siege Perilleux and the Lia FGl or ‘Stone of Destiny 1956. Brief notice by Sergio Cigada in SF, 1957, p. 116. 4406. . “The Significance...
Modern Language Quarterly (1986) 47 (3): 291–315.
Published: 01 September 1986
... experience that would dominate most of his literary works (pp. 156-57). “That is why the speech (his lean unlovely English) is always turned elsewhere, backward. Ravisher and ravished, what he would but would not, go with him from Lucrece’s bluecircled ivory globes to Imogen’s breast, bare...
Modern Language Quarterly (1940) 1 (2): 129–174.
Published: 01 June 1940
... : Cotta, [ 19381. 1794. Baier, Clair. Der Bauer in der Dichtung des Stm’ckers: Eine Literar-historische Untersuchung. [Includes chapter on “Die h6fische Zeit,” Hartmann, Wolfram, Gottfried.] Tubingen : Becht, [1938 1795. Baker, Sister Imogene. The King‘s Household in the Ar...
Modern Language Quarterly (1953) 14 (4): 375–412.
Published: 01 December 1953
..., Ophelia, Imogen, Perdita, and Miranda have all been turned into “Fertility” spirits.* For often now critics seem but to ruminate critic’s unwillingness to enter into Dickens’ own satisfaction with Kit’s simple virtue is due to our present-day taste for subtlety and mystery or his...