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iago
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Journal Article
Modern Language Quarterly (1962) 23 (3): 273–275.
Published: 01 September 1962
..., Iago, ad
Desdemona by ‘Ihree Centuries of Actors and Critics. By MARVIN ROSEN-
BERG. Berkeley and Los Angeles: University of California Press, 1961. Pp.
xii -I- 313. $5.00.
274 Reviews
This account of the productions and interpretations of Ofhello...
Journal Article
Modern Language Quarterly (1987) 48 (3): 207–223.
Published: 01 September 1987
... that Othello and Leontes identify with and have admired
their counterparts. This identification is not accidental. Edward A.
Snow has strongly made the point that “Iago’s plan is to get
Othello to imagine Cassio in his (Othello’s) place And he notes
that the plan “is abetted by the language...
Journal Article
Modern Language Quarterly (1940) 1 (4): 475–479.
Published: 01 December 1940
...Helen Andrews Kahin Copyright © 1940 by Duke University Press 1940 A NOTE ON OTHELLO, 11, i, 110-113
By HELENANDREWS KAHIN
Steevens,’ long ago, called attention to the similarity between
Iago’s speech :
Come on, come on ;you are pictures out...
Journal Article
Modern Language Quarterly (1947) 8 (3): 381–382.
Published: 01 September 1947
... ; the reviewer humbly demurs.
The remaining contributions are critical. John Robert Moore
writes on the character of Iago and decides that the ubiquitous en-
sign is pretty much of a “gold-bricker.” The critic is certainly justi-
fied in taking issue with those who tend to glorify Iago, but one may...
Journal Article
Modern Language Quarterly (1947) 8 (3): 382–383.
Published: 01 September 1947
... contributions are critical. John Robert Moore
writes on the character of Iago and decides that the ubiquitous en-
sign is pretty much of a “gold-bricker.” The critic is certainly justi-
fied in taking issue with those who tend to glorify Iago, but one may
suggest that the question raised by the play...
Journal Article
Modern Language Quarterly (1961) 22 (1): 100–101.
Published: 01 March 1961
... Casmurro, the protagonist and narrator, Bento Sant-
iago-a recluse living in the suburbs of Rio de Janeiro-describes his tale as
that of Othello. But for Santiago there is an important difference: his Des-
demona (Capitli) was guilty, and so skillfully does he plead his case that for
nearly...
Journal Article
Modern Language Quarterly (1961) 22 (1): 101–102.
Published: 01 March 1961
...
admired. The Othello story, for example, appears in twenty-eight of his tales,
plays, and articles. In Dom Casmurro, the protagonist and narrator, Bento Sant-
iago-a recluse living in the suburbs of Rio de Janeiro-describes his tale as
that of Othello. But for Santiago there is an important...
Journal Article
Modern Language Quarterly (1957) 18 (3): 267–268.
Published: 01 September 1957
... of a perceptive critic who has read the play carefully for himself, as in
the remark on Iago’s final refusal to speak: “So the man who opened the play
with a torrent of words, who reveled in loudness, and who was always voluble,
shuts himself up in absolute silence: the demonic closure is the logical...
Journal Article
Modern Language Quarterly (1978) 39 (1): 27–37.
Published: 01 March 1978
...-
gous to the type described in Sonnet 94: Rosencrantz and Guilden-
stern, Iago, and Northumberland (pp. 106-107). Others who have
taken up this argument have included Angelo and Octavius. All of
these figures, but especially the fair friend, illustrate what Hubler calls
“the prudence...
Journal Article
Modern Language Quarterly (1957) 18 (3): 266–267.
Published: 01 September 1957
... Press, 1956. Pp. 298. $5.00.
The author prefaces his book with the modest statement: “This is one man’s
reading of Othello.” The best passages are those which express the personal
insight of a perceptive critic who has read the play carefully for himself, as in
the remark on Iago’s...
Journal Article
Modern Language Quarterly (1997) 58 (1): 1–26.
Published: 01 March 1997
... delivered as
a feigned aside, occurs in Othello. Iago and Othello observe Cassio as
he takes leave of Desdemona. Trying to give the impression that he
does not intend Othello to hear his remark, Iago-in a voice muted
but loud enough that Othello can, in fact, overhear-says, “Hah? I
like...
Journal Article
Modern Language Quarterly (1979) 40 (2): 115–134.
Published: 01 June 1979
... emblematic contrasts between self-
proclaimedly demonic figures (Iago, Edmund, Claudius, Lady Mac-
beth) and selfless representatives of goodness (Desdemona, Cordelia,
Edgar, Ophelia, Malcolm, Duncan). At the center of the tempest he
depicts a meditative protagonist who binds attention with his...
Journal Article
Modern Language Quarterly (1990) 51 (1): 5–24.
Published: 01 March 1990
... Hippolytus’s
abstinence and Phaedra’s obsession is a de facto conclusion of
the Hippolytus.
But restoration is brought about in another way, thr‘ough the
purging of a recognizable evil itself. Sometimes the evil is epito-
mized by a person, such as Iago, Goneril or the usurping hus-
band...
Journal Article
Modern Language Quarterly (1953) 14 (4): 375–412.
Published: 01 December 1953
... of life” (the
“disease a mental and spiritual death “an uninspired, devitalized
intellect”; in conduct likened, moreover, to his Iago (less devilish on
the whole) “torturing Claudius, as the Ancient does the Moor.” Nor
any claim to his Cleopatra, her death “an imaginative parallel...
Journal Article
Modern Language Quarterly (1950) 11 (4): 425–437.
Published: 01 December 1950
...-system” of acting. On the other hand, the role of
Iago, in which he appeared on May 7, 1814, after an unsuccessful at-
tempt in the role of Othello on May 5, was perfectly suited to his
talents. Hazlitt, in his review for the Morning Chronicle of May 9,1O
singles out the essential qualities...
Journal Article
Modern Language Quarterly (1947) 8 (1): 125–126.
Published: 01 March 1947
... the adequacy
of a single method of interpretation and from neglect of other
critics’ discussions of Elizabethan psychology. So complex and
puzzling a character as Iago, for instance, needs something more than
humors, real or assumed, to explain his actions. A view that sees in
him simply...
Journal Article
Modern Language Quarterly (1954) 15 (2): 183–184.
Published: 01 June 1954
... will cool off and harden before it has gone far enough: thus the
correct diagnosis of Edmund as a rationalist cuts off an adequate estimate of the
imaginative element paradoxically present in him, and the accurate presentation
of Iago as a calculating manipulator prevents due appraisal...
Journal Article
Modern Language Quarterly (1954) 15 (2): 184–185.
Published: 01 June 1954
... as a rationalist cuts off an adequate estimate of the
imaginative element paradoxically present in him, and the accurate presentation
of Iago as a calculating manipulator prevents due appraisal of the imagistic and
revelatory aspects of his soliloquies. Dr. Clemen’s arguments from cause are at
times...
Journal Article
Modern Language Quarterly (1962) 23 (3): 272–273.
Published: 01 September 1962
... CHITTICK
7he Masks of Othello: ’Ihe Search for the Identity of Othello, Iago, ad
Desdemona by ‘Ihree Centuries of Actors and Critics. By MARVIN ROSEN-
BERG. Berkeley and Los Angeles: University of California Press, 1961. Pp.
xii -I- 313. $5.00. ...
Journal Article
Modern Language Quarterly (1957) 18 (3): 268–269.
Published: 01 September 1957
... eminence in The
Dlcncbd-a misreading which (for two centuries) editors tried vainly to make
sense of even when they could not fit it into the rhythm of the line. Why, when
Shakespeare has kept Iago to so low a scale, from the distrust of the doltish
Roderigo at the beginning to the contempt...
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