... have nothing to say of such tongue entanglements as Przybyszewski or Vrchliclj or Khleb- nikov. EDWARDG. Cox University of Washington rhe Fusion of Horatian and Aristotelian Literary Criticism, 1531- 1555. By MARVINT. HERRICK.Urbana, Illinois...

... purpose: to dispose once and for all of the conventional notion that Pope, the imitator of Horace, is essentially a “Horatian” satirist. The new book naturally grows out of the previous one and in some cases overlaps it. Horace, “court slave” to the tyrant Augustus, could provide no very good...

... serves as Pope’s opposite- without acknowledging that previous critics have gone over the same ground. (The reader of Weinbrot will find no reference in his index to recent books on Pope by Edwards, Keener, Maresca, Russo, or the present reviewer.) The poem, finally “un-Horatian,” represents...

... criticism of the late sixteenth, seventeenth, and early eighteenth centuries are to be found in these Horatian commentaries published before 1555.” Without doubt most of the basic doctrines are there, but a number of less important themes are not. Furthermore, the ideas stemming from Longinus...

.... EDWARDG. Cox University of Washington rhe Fusion of Horatian and Aristotelian Literary Criticism, 1531- 1555. By MARVINT. HERRICK.Urbana, Illinois : Illinois Studies in Language and Literature, Vol. XXXII, No. 1, 1946. Pp. vii + 117. $1so. For almost a half-century, students...

... among themselves the battle between the Pindaric and the Horatian types of ode. In France, following Macrin and others, the PlCiade finally took over the form, and Ronsard, Du Bellay, and Peletier dominated the scene for many decades. From the late Renaissance, French poetry passed...

... among themselves the battle between the Pindaric and the Horatian types of ode. In France, following Macrin and others, the PlCiade finally took over the form, and Ronsard, Du Bellay, and Peletier dominated the scene for many decades. From the late Renaissance, French poetry passed...

... House, shown with the scaffold adjacent, had been the very site of a masque presented some nine years before in which Charles had had a part. His comment, with reference to the “Horatian Ode,” is that “Marvell suggests the particular aptness of such a setting by his theatrical imagery” (p...

... of Horace, is essentially a “Horatian” satirist. The new book naturally grows out of the previous one and in some cases overlaps it. Horace, “court slave” to the tyrant Augustus, could provide no very good model for an Opposition satirist. Readers of Augustus Caesar in “Augustan”England...

... the poet. The variety of performance which Griffin discovers creates the inter- est of his book. He finds Pope balancing the public and the private in the Horatian poems, creating in the ideal woman at the end of To a Lady a disguised version of his best self, providing a horror-image of his...

... not dismayed others as it has me. Before I return to the question of Fry’s style, I should say that this is a com- prehensive study of the English ode (the notable omission is Marvell’s Horatian Ode, which would seem not to suit Fry’s thesis). Fry begins with Jonson; the last poet treated in full...

... Press; London and Toronto: Associated University Presses, 1981. 248 pp. $21.50. Few poems of the eighteenth century have been interpreted as often during the last fifteen years as Pope’s satires and epistles of the 1730s. They have been read in the context of their Horatian originals...

... that this was a satire in the manner of Persius, however Horatian the subject. In review, it is seen to be a carefully planned arid serious exposition of a single theme, the exterior- izing of man’s individuality. It echoes, as well, the Lucretian idea that what- ever mask man may wear, his true nature...

...). Rhetorical poetics claimed Horace as its avatar, and medieval poet- ics, insofar as they were Horatian, became heavily rhetorical. Horace became a widespread influence in post-Carolingian Europe: more than thirty copies of the Ars poetica are listed in medieval library cata- logs between the ninth...

...), and even Juno “fovebit / Romanos, rerum dominos gentemque togatam” (1.281-82). Thus the war between the Trojans and the Latins was the prelude to the greatness of Rome. In like man- ner, the Puritans believed that they were in some sense renewing Eng- land, and Marvell himself, in “An Horatian...

... themselves for their readers or listeners, and how readers or listeners fashion their own expectations of poets and poetry, even in the moment, then a big part of the story is about (say) how Horace constructs Pindaric experience, how Du Bellay constructs Horatian and Pindaric experience, how Spenser in turn...

..., but there is an immediate contrast between the past and the present, between the symbolic history of the grasshopper and the current history of the poet and his friend. The moral medievalism that swells toward the surface in Stanzas IV and V is rejected and, after a series of variations, is replaced by a Horatian...

..., 1946. Pp. viii + 593. $5.00. Herrick, Marvin T. The Fusion of Horatian and Aristotelian Literary Criti- cism, 1531-1555. Urbana : University of Illinois Studies in Language and Literature, Vol. XXXII, No. 1, 1946. Pp. vii + 117. $1.50, paper; $2.00, cloth. Keeler, Laura. Geoffrey...

... For the notion of ascending to a “Region” from which Time (the earthly region) may be attacked, compare the famous lines from “An Horatian Ode upon Cromwell’s Return from Ireland”: Who, from his private Gardens, where He liv’d reserved and austere, ANN...

... Milton and Marvell at this pe- riod, I think we can establish the relationship this side of speculation and imagination. For example, Milton’s sonnet “To the Lord General Cromwell” ( 1652) seems clearly indebted to Marvell’s unpublished “Horatian Ode,” written two years earlier. Although...