...R. H. Super Copyright © 1945 by Duke University Press 1945 WHEN LANDOR LEFT HOME By R. H. SUPER In his recent biography of Walter Savage Landor, Mr. Malcolm Elwin gives substantially the same account of Landor’s separation from his wife...

... in trying to pinpoint one intellectual arena as the single (or even the principal) source of manifestly different develop- ments with varied effects in every arena of thought and experience. Timothy J. Reiss, New York University Home Fronts: Domesticity and Its...

...Barbara Fuchs Adulterous Alliances: Home, State, and History in Early Modern European Drama and Painting . By Richard Helgerson. Chicago: University of Chicago Press, 2000. 238 pp. © 2001 University of Washington 2001 MLQ 62.4 09 Reviews 10/24/01 5:54 PM Page 453...

... University, Fullerton Alejo Carpen tier: The Pilgrim at Home. By ROBERTOGONZ~LEZ ECHEVAR- R~A.Ithaca and London: Cornell University Press, 1977. 307 pp. $13.50. Because the publication of this study of Alejo Carpentier, a “perennial contender for the Nobel Prize,” in the words...

...Harry Berger, Jr. Copyright © 1964 by Duke University Press 1964 AT HOME AND ABROAD WITH SPENSER By HARRYBERGER, JR. Confronted by these two books on Spenser,l I would be tempted to say that if Graham Hough’s is a typically English...

...Heinz Moenkemeyer Copyright © 1966 by Duke University Press 1966 THE SON’S FATAL HOME-COMING IN WERNER AND CAMUS By HEINZMOENKEMEYER Der Vierundzwanzigste Februar, a one-act tragedy written by the German romanticist...

...Ron Ben-Tovim Abstract Home and war seem to be spaces set apart, one defined by the rules and order of society and the other by the absolute, order-undoing destruction of battle. Yet for those families who endure war even from afar, and for those who return from war, its violence continues...

...John Funchion In The Wonderful Wizard of Oz (1900), L. Frank Baum imagines Dorothy's nostalgia for Kansas as a desire that compels her to develop a cosmopolitan ethics only as a means of returning home. But this psychic fantasy of cosmopolitan nostalgia inevitably compromises her engagement...

...—with Hamlet blessed neither to leave home nor to marry. J. L. Simmons is professor emeritus of Tulane University. MLQ published his essay “The Place of the Poet in Chaucer’s House of Fame ” in the June 1966 issue while he was in graduate study at the University of Virginia. He has published widely...

... the creation of a system of kitchenless homes in California and the subsequent emancipation of women from forced domesticity. Gilman’s prose reflects on, and even formally replicates, the drudgery and repetition she associates with household labor. Gilman proposes an analogy between novels and kitchens...

.... This effect, “theatrical postmemory,” minimizes the distance between past and present, Cuba and Catalonia, memory and history. The article focuses on Aymar’s transformation of two symbols of Spanish (post)imperial nostalgia, the indiano home and the Catalan habanera , a popular musical genre. La indiana...

... logic. In an essay he hirn- self described as central to his work, “The Child in the House,” Pater explicitly places his paradigmatic instance of subjectivity-a child sus- ceptible to and constituted by sensations-within the context of dis- courses on the middle-class home and uses...

... as many stories as we can. This is what literary antihistory might do. The poems must be removed to a world elsewhere, alienated from their original homes. Literary antihistory, like the poems themselves, will then tell us equal- ly of origin and of alienation, and of the relations...

... threat to the sanctity of the Anglo-Saxon home, Turzun of the Apes begins to look like a novel of white flight rather than white rule.4 The racial and political issues that Turzun raises are more plausibly understood as domestic, in both senses of the word.5 While Tarzan made...

..., home and family. What makes it novel and of apparent literary interest is that its almost exclusive source material is a group of Victorian “domestic nar- ratives” in verse. Following a general, turgid introduction heavy on modern theory, it is these verse narratives that constitute...

..., to which the belief and power of his own life could be united This refuge, the “ghost of memory” leads one to believe, was a part of prenatal ex- istence;4 but rather than a heavenly home, as in Wordsworth’s Ode: Intimutions of Immortdity, this prenatal life appears to be the endless...

... entries of his brother, who is in turn driven mad by the war’s repercussions on the home front. In composing a daringly iconoclastic story like “Diary,” Lu Xun drew heavily on Gogol and Andreev, for they provided models of first-person narration written by madmen. Gogol’s “Diary of a Madman...

... recent book is Dublin 1916: The Siege of the GPO (2009). She is working on a comparative study of postwar migration to Britain. © 2012 by University of Washington 2012 Realism and the Irish Immigrant: Documentary, Fiction, and Postwar Irish Labor Clair Wills They have no home life...

... a feeling of having been an orphan who discovers that her parents are alive and living in the most desirable home pages of prose and poetry.4 Parents and a home for the orphan child: if not the consensus view of what Curnow in fact provided New Zealanders, it is something like the consensus view of what he...

...” (5). Read- ing plays from the 1550s to the 1630s in relation to early modern English household guides and cookbooks, Wall presents the home as at once famil- iar and strange, both an orderly and humane model for patriarchal politics and a place no less unnatural and wild than LaMotte’s fish-tailed...