Search Results for feeling

...RICHARD STRIER HARDY BARBARA. Bloomington and London: Indiana University Press, 1977. 142 pp. $10.95. Copyright © 1978 by Duke University Press 1978 REVIEWS The Advantage of Lyric: Essays on Feeling in Poetry. By BARBARAHARDY. Bloomington...

... of His Thought and Feeling. By WILLIAMROSE. Oxford: At the Clarendon Press, 1956. Pp. vii + 163. $2.90. Taking as his motto Heine’s remark in Die romontische Sckule, “die zwei wichtigsten Verhaltnisse des Menschen, das politische und das religiijse . Professor Rose has. written two...

...Vadim Shneyder Economies of Feeling: Russian Literature under Nicholas I . By Jillian Porter . Evanston, IL : Northwestern University Press , 2017 . xi + 198 pp. Copyright © 2019 by University of Washington 2019 True to its theme, Jillian Porter’s book is a work of great...

...Susan S. Lanser Feeling Backward: Loss and the Politics of Queer History . By Heather Love. Cambridge, MA: Harvard University Press, 2007. 196 pp. University of Washington 2009 Susan S. Lanser is professor of English, comparative literature, and women's and gender studies...

... . Mon cœur à l’étroit . Paris : Gallimard . NDiaye Marie . 2017 . My Heart Hemmed In , translated by Stump Jordan . San Francisco : Two Lines . Ngai Sianne . 2005 . Ugly Feelings . Cambridge, MA : Harvard University Press . Nixon Rob . 2011 . Slow Violence...

... doctrine, that meaning is an emanation of text, came tacitly to shape the theory and composition of profane poetry in the next century. Copyright © 2018 by University of Washington 2018 Thomas More polemic hermeneutics feeling early modern 10 The notion that I might fashion a “language...

... the temptation to regard all lyric poems as first-person expressions of subjective feeling. Copyright © 2018 by University of Washington 2018 song ballad revival performance Alfred Lord Tennyson Algernon Charles Swinburne The awarding of a Nobel Prize in Literature to a songwriter-poet raises...

... to insert breaks into the culture of ceaseless striving. Their theory of leisure revalues idling as a state of beneficial, albeit transient, mindlessness and develops forms of representation that, instead of cultivating an edifying point of view—of refined knowledge, judgment, or feeling—promotes...

... and feelings and the external world of actions. [email protected] Copyright © 2023 by University of Washington 2023 Virginia Woolf scale detail Georg Lukács modernism Virginia Woolf was ambivalent about the literary detail as an element of fiction. In her 1919 essay “Modern Fiction...

... stage in their history to recover their forgotten political significance. Working across four central cases (Samuel Richardson’s “man of feeling” Sir Charles Grandison, Charlotte Smith’s self-effacing protagonist Lionel Desmond, Walter Scott’s “mediocre heroes,” and Jane Austen’s “creepmouse” heroine...

... such freedom. To assert some degree of social and political freedom depends on attaining freedom from thoughts and feelings that block free action. Hamlet probes the early modern semantic range of free and its cognates, which could denote sociopolitical status, on the one hand, and aspects of moral character...

... that vital poetry must be rooted deeply in the life of mankind; poetry is not the property of cults. Since the poet bases his work on the life common to mankind, it is inevitable that he should emphasize the element of feeling, for feeling is the tie that binds mankind together. The feeling...

... of which carry more serious consequence than Mr. Toots’s manner of dealing with the world. The second of these unpleasant ways-resen tment-is the focus of this essay. According to Eric Gans, the notion of resentment posits a self and an other along with the feelings the self bears toward...

..., but too limited to techni- cal issues. Eliot also saw Laforgue demonstrating “how much more use poetry could make of contemporary ideas and feelings, of the emo- tional quality of contemporary ideas, than one had supposed.”2 Pur- suing the question of Laforgue’s example therefore leads us beyond...

... ethical thought and feeling; and ethics involves ideas other than that of happiness (even in the eighteenth century). Some of these are treated here, and some are not. Consequently, one misses several of the deep clashes of cultural significance : clashes between the political anti- theses...

... compensates in intensity for what it lacks in finesse. Intensity of statement is not, certainly, desirable for its own sake; and within particular arbitrary conventions of the drama, such as the soliloquy and the chorus, it is possible to achieve very subtle appraisals of feeling. Nevertheless...

... of truth: “We have no knowledge, that is, no general princi- ples drawn from the contemplation of particular facts, but what has been built up by pleasure . . . the Man of Science, the Chemist and Mathematician, whatever difficulties and disgusts they may have had to struggle with, know and feel...

... and art feel caught at times in a welter of materialism, that was earlier theory, and before that special pleading, they transform, on this analysis, into something freer and more enduring, because they have found a place or have come to one that, as Nersessian shows over and over, is unbearable...

... eighteenth-century reader could tell you. The mysterious stranger had to be intimately related to Roderick; such strong instinctual feelings always signaled consanguinity. Even when separated at birth, parents and children, brothers and sisters knew when they came into each others’ presence...

... in a straightforward man- ner? Was he as perpetually cramped and cautious as he appears to be in the “narrative” chapters of his Evangel Harmony? If he feels compelled to elucidate as well as to narrate the events of the Vulgate he is rendering, can we expect him to exhibit those personal qualities...