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Journal Article
Modern Language Quarterly (1982) 43 (2): 121–137.
Published: 01 June 1982
...Harriet Ray Allentuch Copyright © 1982 by Duke University Press 1982 MY DAUGHTER/MYSELF EMOTIONAL ROOTS OF MADAME DE SEVIGNE’S ART By HARRIETRAY ALLENTUCH Madame de Sevigne, an enduring...
Journal Article
Modern Language Quarterly (2001) 62 (4): 465–468.
Published: 01 December 2001
...Adam Potkay Cato's Tears and the Making of Anglo-American Emotion . By Julie Ellison. Chicago: University of Chicago Press, 1999. xi + 229 pp. © 2001 University of Washington 2001 MLQ 62.4 09 Reviews 10/24/01 5:54 PM Page 453 Reviews Adulterous...
Journal Article
Modern Language Quarterly (2012) 73 (1): 115–117.
Published: 01 March 2012
... (“Rethinking Sex,” 2011). She is working on a book, tentatively titled The “Stigma” Archive , about the source materials of Erving Goffman’s 1963 sociological classic, Stigma: Notes on the Management of Spoiled Identity . Statistical Panic: Cultural Politics and Poetics of the Emotions...
Journal Article
Modern Language Quarterly (2015) 76 (1): 101–106.
Published: 01 March 2015
...David Simpson David Simpson is Distinguished Professor and G. B. Needham Chair of English at the University of California, Davis. His most recent book is Romanticism and the Question of the Stranger (2013). Blake’s Agitation: Criticism and the Emotions . By Goldsmith Steven...
Journal Article
Modern Language Quarterly (2016) 77 (4): 598–601.
Published: 01 December 2016
...Monika Kaup Magical Realism and the History of the Emotions in Latin America . By Arellano Jerónimo . Lewisburg, PA : Bucknell University Press ; Lanham, MD : Rowman and Littlefield , 2015 . xxxii + 210 pp. Copyright © 2016 by University of Washington 2016 Magical Realism...
Journal Article
Modern Language Quarterly (2007) 68 (1): 111–114.
Published: 01 March 2007
... in early modern England. University of Washington 2007 Humoring the Body: Emotions and the Shakespearean Stage . By Gail Kern Paster. Chicago: University of Chicago Press, 2004. xv + 274 pp. Reviews Humoring the Body: Emotions and the Shakespearean Stage. By Gail Kern Paster...
Journal Article
Modern Language Quarterly (2016) 77 (2): 219–246.
Published: 01 June 2016
... between the hidden and the shown. Quite the opposite, Racine’s plays dramatize and reflect on two opposing regimes of theatricality. Each in its own way, Bérénice , Mithridate , and Phèdre contrast the political force of the “portrait of the king” and the emotional efficiency of theater as an art...
Journal Article
Modern Language Quarterly (1943) 4 (4): 510–512.
Published: 01 December 1943
...R. E. Watters George Harris Healey. Ithaca, N. Y.: Cornell University Press, 1942. Pp. x + 106. $1.50. Copyright © 1943 by Duke University Press 1943 510 Reviews Wordsworth and the Vocabulary of Emotion. By JOSEPHINE MILES. Berkeley and Los Angeles...
Journal Article
Modern Language Quarterly (1983) 44 (4): 374–393.
Published: 01 December 1983
... mean when we say that art expresses whatever we say it expresses? And when the theory states, as expressionist theories usually have stated, that art expresses emotion, there are further embarrassments. What emotion, and how is it “expressedSurely not, for example, as an infant “expresses...
Journal Article
Modern Language Quarterly (1952) 13 (4): 323–332.
Published: 01 December 1952
... spectator, whether Eliza- bethan or modern? Need we resort to externals or to anachronism in order to find unity? In attempting to answer these questions I shall try to show that Hamlet’s conflict within is one of sensing an incapacity for emotion, and of recoiling almost simultaneously from...
Journal Article
Modern Language Quarterly (1965) 26 (4): 571–585.
Published: 01 December 1965
.... They are poems about love that have modernist technical guards against obviousness, nai’vet4, and sentimentality. None of them has the passionate, reckless immediacy that we expect of love poems; only two of them have an unqualified commitment to the one emotion that precludes forethought...
Journal Article
Modern Language Quarterly (1965) 26 (3): 426–431.
Published: 01 September 1965
...; which needs, also, as the condition of its manifestation, its objective correlative. Hence the presence of some outward object, predetermined to correspond to the preexisting idea in its living power, is essential to the evolution of its proper end,-the pleasurable emotion.” Nevertheless...
Journal Article
Modern Language Quarterly (1986) 47 (2): 154–191.
Published: 01 June 1986
... intellectual from emotional belief, which he called “convic- tion,” one of the “intensest” emotions; he emphasized the connec- tions of belief “tendencies” with bodily sensations. 14 In The Emotions andthe Will (1859), which Richards studied, Alexander Bain defined belief as a “strong primitive...
Journal Article
Modern Language Quarterly (1959) 20 (1): 81–96.
Published: 01 March 1959
... measure time, not quantitatively but emotion- ally, not by the clock but by intensity or duration (to use Bergson’s term), then we are confronted with two emotional parts of equal value, only briefly interrupted by an interlude external to these two parts. Each corresponds to the season...
Journal Article
Modern Language Quarterly (1964) 25 (3): 308–321.
Published: 01 September 1964
... representation and reality. The closer the resemblance, the greater the likelihood that this undesirable form of belief will be generated.1° A particular danger, in this context, is the direct, nonpoeticized imitation of the intense emotions of reality, for these tend especially to effect...
Journal Article
Modern Language Quarterly (1964) 25 (1): 22–33.
Published: 01 March 1964
... journey in Switzerland, Italy, and Corsica in the 1760’s with not the slightest attention to nature. When did the tide turn? When did the traveler look with emotion at scenery? The date 1761 has been proposed6 as a key date. That was the year in which Rousseau in La Nouuelle He‘loise...
Journal Article
Modern Language Quarterly (1954) 15 (2): 125–136.
Published: 01 June 1954
... per- mitted by the associationist psychology a species of stable emotional naturalism. His critical works present perhaps the only noteworthy anti-associationist argument in the eighteenth century from the time of the chief exponent of the internal sense doctrine, Francis Hutcheson...
Journal Article
Modern Language Quarterly (1992) 53 (3): 263–277.
Published: 01 September 1992
... emotional dispositions were created. I wouldn’t be surprised if you were now quite suspicious of the phrase “pure fiction, properly speaking What exactly do I mean by it? I can’t, after all, be claiming that romances, fables, allegories, fairy sto- ries, dramas, narrative poems-in short...
Journal Article
Modern Language Quarterly (2005) 66 (3): 329–364.
Published: 01 September 2005
... the conscious mind singly, it also provokes myriad less appre- hensible movements in the soul, and these movements (which he often aligns with imagination and emotion) in turn affect conscious thought and feeling. Together, they constitute, Eliot claims, “the substratum of our being, to which we rarely...
Journal Article
Modern Language Quarterly (1977) 38 (2): 204–205.
Published: 01 June 1977
... a history of the changing con- ceptions of the imagination from an essentially picture-making faculty to a creative act which fuses “sensation, emotion, and thought in the immediate impact of a work of art” (p. 1); and (4) it documents the strongly affective bent of eighteenth-century aesthetics...