...BLAKE LEE SPAHR Joachim Dyck. Bad Homburg: Gehlen, Ars Poetica, Bd. I, 1966. 206 pp. DM 19.80, paper. Copyright © 1969 by Duke University Press 1969 146 REVIEWS Ticht-Kunst: Deutsche Barockpoetik und rhetorische Tradition. By JOA...

..., the development of the reasoning, and the unification and solidifica- tion of the conclusions are new. Dyck writes with assurance and conviction. He does not hesitate to point out the defects and inadvertencies of critical monuments. For example, in “Exkurs I” he demonstrates that Curtius’ famous...

... Tillotson (London: Routledge, iggs), 4.120. MLQ IJune 1998 Figure 1. Anthony Van Dyck, Portrait of William Fielding, First Earl of Denbigh. National Gallery, London. Boehrer I Psittacine Articulacy in Early Modern Writing 175...

... Loewen, “In Appreciation of J. W. Dyck”; “Tabula Gratulatoria”; Arniin Arnold, “Die Wahrheit hinter der historischen Kulisse: Bergengruens Ro- man Am Hinzmel wie auf Erden (1940 Herniann Boeschenstein, “Neubesin- nung auf Humanitat nach 1945: Die AnFdnge: Max Brod-die Heim...

... expand our conversation to scholars who might not attend NAVSA conferences. At one online gathering, the caucus planning committee (Amy Coté, Denae Dyck, Joshua King, and Mark Knight) asked scholars with related interests but specialties in other historical literature to join a discussion of how we talk...

...”; Edmund Kostka, “Schiller in Po- land”; Danu ta S. Lloyd, “German-Polish Literary Kelations in the Nineteenth Century”; J. W. Dyck, “Deceit and Conviction in the False Demetrius: Schiller- 96 BOOKS RECEIVED Pushkin-Hebbel...

... and Outer Landscape in Eduard von Keyserling’s Dumala”; Wayne Mronderley, “Keyserling’s Landpartie”; Kichard H. Allen, ”79 Personen: Character Kelation- ships in Schnitzler’s Der Junge Medardus”; Herman Salinger, “Time in the Lyr- ic”; Martin Dyck, “Kelativity in Physics...

.... W. Dyck, “Heinrich von Kleist und Thomas Mann: Der Wille zum Gluck”; Philipp F. Veit, “Lore-Ley and A pollogott” ; Ingrid Sc hus ter , “Theodor Storm und der Pu bli kumsgesch mac k seiner Zeit”; G. W. Field, “The Case for Kathe in Fontane’s Irmngen, Wirrun- gen...

... in Germanics and Slavics, IV, 1967. 213 pp. 25 guilders. Dyck, Joachim. Ticht-Kunst: Deutsche Barockpoetik und rhetorische Tradition. Bad Homburg: Gehlen, Am Poetica, Bd. 1,1966. 206 pp. JoUes, Frank (editor). A. W. Schlegels “Sommernachtstraum” in der ersten Fatsung vom Jahre 1789...

...- brary of Literary Criticism. 2 vols. Sew York: Frederick Ungar, 1972. Vol. 1 I), xvi + 421 pp. Vol. 2 (K-Z), x + 413 pp. $30.00, the set. Dyck, Joachim (editor). Georg Neumark: Poetische Tafeln oder Grundliche An- weisung zur Teutschen Verskunst. Frankfurt: Athen2un1, Ars Poetica (Texte...

..., Die Meistersinger, in Wagner, Die Musikdramen, 3d ed. (Munich: dtv, 1983), 492. 20 See Hinrich C. Seeba, Auferstehung des Geistes: Zur religiösen Rhetorik nationaler Einheit, in Nicht allein mit den Worten : Festschrift für Joachim Dyck zum 60. Geburtstag, ed. Thomas Müller, Johannes G. Pankau...

... in subsequent ages. For example, when Frans Hals real- izes that the mysterious painter who asks him to sit for his portrait is actually Van Dyck, Hals sees his visitor, according to the biographer Houbraken, as a “kind of ‘Odysseus in disguise.’ ” Thus...

... Van Dyck, Hals sees his visitor, according to the biographer Houbraken, as a “kind of ‘Odysseus in disguise.’ ” Thus, Barolsky notes, Homer “casts a long shadow over the history of art” Insofar as whimsy occasionally outpaces discretion...

... in the features of the artist in subsequent ages. For example, when Frans Hals real- izes that the mysterious painter who asks him to sit for his portrait is actually Van Dyck, Hals sees his visitor, according to the biographer Houbraken, as a “kind of ‘Odysseus...

... in the features of the artist in subsequent ages. For example, when Frans Hals real- izes that the mysterious painter who asks him to sit for his portrait is actually Van Dyck, Hals sees his visitor, according to the biographer Houbraken, as a “kind of ‘Odysseus...

... Van Dyck, Hals sees his visitor, according to the biographer Houbraken, as a “kind of ‘Odysseus in disguise.’ ” Thus, Barolsky notes, Homer “casts a long shadow over the history of art” Insofar as whimsy occasionally outpaces discretion...

... Hals real- izes that the mysterious painter who asks him to sit for his portrait is actually Van Dyck, Hals sees his visitor, according to the biographer Houbraken, as a “kind of ‘Odysseus in disguise.’ ” Thus, Barolsky notes, Homer “casts a long...

... painter who asks him to sit for his portrait is actually Van Dyck, Hals sees his visitor, according to the biographer Houbraken, as a “kind of ‘Odysseus in disguise.’ ” Thus, Barolsky notes, Homer “casts a long shadow over the history of art...

... in the features of the artist in subsequent ages. For example, when Frans Hals real- izes that the mysterious painter who asks him to sit for his portrait is actually Van Dyck, Hals sees his visitor, according to the biographer Houbraken, as a “kind of ‘Odysseus...

... ; 8 vols.) still remains the best, though sub- sequent research has brought enough new material to light to war- rant a new one. Max Caspar and Walther von Dyck, the two scholars who have contributed the most to Kepler studies in the past quarter of a century, have collaborated...