...Mathé Allain Copyright © 1966 by Duke University Press 1966 “EL BURLADOR BURLADO” TIRSO DE MOLINA’S DON JUAN By MATHI?ALLAIN It was Tirso de Molina, a devout Mercenarian priest, who intro- duced into Western...

...Rachel Mayer Brownstein Copyright © 1967 by Duke University Press 1967 BYRON’S DON JUAN: SOME REASONS FOR THE RHYMES By RACHELMAYER BROWNSTEIN Badly educated traveler that he is, Byron’s Don Juan must find language...

...James H. Broderick; Hubert L. Dreyfus Copyright © 1957 by Duke University Press 1957 CURDS AND LIONS IN DON QUIJOTE A STUDY OF CHAPTER 17, BOOK I1 By JAMES H. BRODERICKand HUBERTL. DREYFUS Chapter 17, Book 11, affords one kind of critic immediate, com...

...Judd D. Hubert Copyright © 1960 by Duke University Press 1960 THE COMEDY OF INCOMPATIBILITY IN MOLIGRE’S DON GARCIE DE NAVARRE By JUDD D. HUBERT W. D. Howarth has proved that Don Garcie de Navarre, far from being a misguided venture...

...Emilio Goggio Copyright © 1952 by Duke University Press 1952 THE DUAL ROLE OF DULCINEA IN CERVANTES’ DON QUIJOTE DE LA MANCHA By EMILIOGOGGIO Though many theories have been put forth to prove the identity of Dulcinea in Cervantes’ Don...

...Francesco Cordasco Copyright © 1952 by Duke University Press 1952 SMOLLETT AND THE TRANSLATION OF THE DON QUIXOTE By FRANCESCOCORDASCO In December, 1754, Smollett wrote to his good friend Dr. Macau- lay : “Nay, I am put to very...

...Haldeen Braddy Copyright © 1952 by Duke University Press 1952 CHAUCER’S DON PEDRO AND THE PURPOSE OF THE MONK’S TALE By HALDEENBRADDY Henry Savage’s theories regarding the occasion of Chaucer’s tragedy of King Pedro in the Monk’s...

... of our present knowledge, one must add that LeComte has made a thorough and enlightened study of a very complicated subj ect . H. E. BRIGGS University of Southern California Byron’s Don Juan: ‘4 Critical Study. By ELIZABETHFRENCH BOYD. New...

... version by comparing it with the original. The question of the place of the book in the literature of the time and of the reception of Don Quixote in Germany is touched upon only incidentally. The author fully accepts the theory of Tiemann concerning the identity of the translator, and tries...

.../ trovatorc, La fovsa del dcstifio, and Siritoiic Boccuizegra) come directly from Spanish plays, while three more (Ernczni, Don Carlos, and Al.zira) have Spanish themes. Verdi and his librettist Francesco Piave gave La forza dcl destino its world premi6re in 1862 at what is now Leningrad...

...Clarence A. Manning Copyright © 1955 by Duke University Press 1955 LESYA UKRAINKA AND DON JUAN By CLARENCEA. MANNING Among the numerous treatments of the theme of Don Juan in the twentieth century, the Stone Master (Kamenny Hospodar...

... and the Fictions of Identity (2003), and Romance (2004), as well as coeditor of two special issues of MLQ , “Postcolonialism and the Past” and “Genre and History.” She is working on a project on maurophilia and the European construction of Spain. Don Quijote 1 and the Forging of National History...

..., cultural, and literary milieu of Regency England, more particularly the “Great World of fashionable Lon- don” (p. 1). Graham surveys contexts great and small, his attention ranging from issues of usage, pronunciation, and rhyme to Byron’s biography, theater conventions, and Whig politics. While...

...David Quint Copyright © 1997 by Duke University Press 1997 David Quint is professor of English and comparative literature at Yale University. His forthcoming book is Montaigne and the Quality of Mercy . Narrative Interlace and Narrative Genres in Don Quijote and the Orlando...

...Elizabeth A. Spiller Copyright © 1999 by Duke University Press 1999 Cervantes avant la Lettre: The Material Transformation of Romance Reading Culture in Don Quijote Elizabeth A. Spiller f Don Qugote as a whole narrates the literary-historical transforma- Ition...

...Dino Franco Felluga Abstract This essay examines the ways that Lord Byron’s Don Juan engages both the novel’s and the lyric’s claims to truth and virtue, thus setting up the maneuvers that would later be exploited by the Victorian verse novel. References Abrams M. H. 1971 . Natural...

... of capitalist and imperial unfolding through the recurrence of Judaized otherness and virtualized Jewishness. Don Draper is a virtual Jew in whom the minority subject’s aberrant particularity and the majority subject’s universalist status collide, but serial forms like montage synchronize Don’s virtual...