... 133 to, are insufficient for understanding such maneuvers.8 Keeping this conflict as a frame of reference, I want to examine Mundial Magazine, a little-known periodical that the Nicaraguan poet Rubén Darío pub- lished in Paris from 1911 to 1914. Darío is a central figure in Latin American...

... and Los Angeles: University of California Press, 1949. Pp. xiv + 206. $4.00. New World Literature: Tradition and Revolt in Latin America. By ARTURO TORRES-RIOSECO.Berkeley and Los Angeles : University of California Press, 1949. Pp. v + 250. $3.75. Rub& Dario : Antologia Poe‘tica...

... for the novelist. For a clear understanding of the contemporary French novel, every serious student of literature should consult this book. SIDNEYD. BRAUN Yeshiva University Rubin Dario: “Bajo el divino imperio de la mhsica.” By ERIKALORENZ...

... of Modernism is Ruben Dario (1867- 1916), the poet who has exerted the greatest influence upon Span- ish poetry, in Spain as well as in Spanish America. His three most significant publications, Azul ( 1888), Prosw profanus ( 18%) and Cantos de vida y esperanza (1905) adequately represent three dis...

... for the novelist. For a clear understanding of the contemporary French novel, every serious student of literature should consult this book. SIDNEYD. BRAUN Yeshiva University Rubin Dario: “Bajo el divino imperio de la mhsica.” By ERIKALORENZ...

... (1918), 144-56. Alfred Coester, Literary History of Spanish America (review), Hispank, I (1918), 60-62. “Spanish-American Poets of Today and Yesterday : I, Ruben Dario,” Hispank, I1 (1919), 64-81. Los Amantes de Ternel, by Hartzenbusch. Edited with introduction, notes, and vocabulary...

... for analysis. A purely formal observation concerns the bibliography which lists the books consulted in alphabetical order and without subdivisions, mentioning Dario’s writings at the very end. The question arises why the alphabetical order was not maintained, or, at least, why the poet who...

... MLQI June 1996 like to call scenes of translation, in which Latin America encounters its influential cultural others and, depending on the sense attributed to the encounter, reads itself into, or reads itself away from, those others, for specific ideological reasons. Rubkn Dario’s reading...

... index of Mallarmé’s range.18 Implicitly, Valencia was not trying to transform the writing of poetry into an autonomous artistic activity in the manner advocated by the author of Igitur. This type of adaptation was also common among more liberal modernistas, such as the Nica- raguan Rubén Darío...

... Latin American modernist poets, often criti- cized for their supposed ivory-tower detachment, felt the need to engage in social commentary about U.S. expansionism. In his famous ode “A Roosevelt” Rubén Darío warns the president to watch out for “La América...

... to demonstrate Nietzsche’s influence on various writers of the late nineteenth century, where the extent of that influence is question- able, Sobejano at times allows himself to be carried away by enthusiasm for his study. This occurs when he discusses the “Modernists” (RubCn Dario, Manual Machado...

.... He lists a number of outstanding men in each field; among them are such notable persons as Santa Rosa de Lima, Alejandro Kom, Francisco Romero, RubCn Dario, and Gabriela Mistral. At the same time that Torres-Rioseco exposes Papini‘s ignorance of Latin America, he succeeds...

... Continuation, Redaction of MSS T V D. Philadelphia: University of Pennsylvania Press, 1949. Pp. lxii + 446. $7.50. Torres-Rioseco, Arturo (editor). RubCn Dario : Antologia Podtica. Berkeley and Los Angeles: University of California Press, 1949. Pp. xxxviii + 294. $4.00...

... of the generally accepted leadership of RubCn Dario, this first phase gave way to a second in which uni- formity is notably absent; indeed, so different are the new types that if they are still to be classified as Modernistic, they might better be considered as facets rather than as a single...

..., dividiendo la suya en cinco capitulos, introducci6n y epilogo. La introduccih expone la relaci6n de esos poetas entre si y con sus predecesores mis ilustres: Kubh Dario, Miguel de Unamuno, Antonio Machado y Juan Kam6n Jimhez. En 10s cinco capitulos examina algunos aspectos de la creaci6n...

... : Librairie Nizet ; University Park, Pa. : Pennsylvania State University, Library Studies, No. 4, 1956. Pp. 48. $0.50. Lorenz, Erika. RubCn Dario: “Bajo el divino imperio de la mhica.” Hamburg: Hamburger Romanistische Studien, Ibero-Amerikanische Reihe, Band 24, Cram. de Gruyter Co...

... Press; New York: Barnes & Noble, 1975. x + 181 pp. $14.50. Skyrme, Raymond. RubCn Dario and the Pythagorean Tradition. Gainesville: University Presses of Florida, Latin American Monographs, Second Series, 15, 1975. 107 pp. $7.50. Su,mi, Yoichi. “Le Neveu de Rameau”: Caprices et...

... grupo 10s estudia globalmente y s610 durante parte de su vida y de su obra, dividiendo la suya en cinco capitulos, introducci6n y epilogo. La introduccih expone la relaci6n de esos poetas entre si y con sus predecesores mis ilustres: Kubh Dario, Miguel de Unamuno, Antonio Machado y Juan...

..., Sobejano at times allows himself to be carried away by enthusiasm for his study. This occurs when he discusses the “Modernists” (RubCn Dario, Manual Machado, Eduardo Marquina, Valle Incl An, Felipe Trigo). But, along with the occasional enthusiasm which circulates through some pages...

... 337 to the extent that other modernistas, such as Dario, had. A quick com- parison of the Marquks de Bradomin with his feminine counterpart, La Marquesa Eulalia of “Era un aire suave shows this. They are alike in that they are both broadly sketched types whose characters are neither...