... ygembreth M anori um Keddit libror. tenent. Medisholl Hered. Johis. Arundell milit. t. ibm. iij acr. terr. cornub. Et r. p. vij ann. vijs. Et coi. sect. cur...

...; but this is a matter of taste. In the realm of fact, what did Chapman mean by the following (Iliad XI. 495 ff.) ? at last, when their Cur-like presumes, More urg’d, the more forborne ; his spirits, did rarifie their fumes, And he revokt his active strength; Nicoll...

... a complex and contradictory history with multiple openings and closures. Gray fails to historicize and to challenge his most salient theo- retical source. In relying on the dark side of Adorno and Horkheimer’s work, Gray collapses the distinction between modern and modernist, as do many cur...

... Poem on the Passion,” includes a genuinely lyric digression on the Blessed Virgin which makes it a valuable addition to the type. The Latin text and English rendering of “Cur Mundus Militat,” Nos. 14-15, supply useful material for the study of this popular version of the ubi sunt theme...

... progressed through its various editions, the story of cur became attached to each new version of the novel. People took up counting examples of the word, with various results depending on their assiduity and the edition which they consulted. Gomberville did not attempt to vindicate himself...

... did so? This is the “sixty-four-dollar” question. Illuminating as is the author’s sketch of backgrounds (pp. 91 f f there is no mention of the sixteenth-century books in which the ideas of Homer, Plato, Aristotle, and the Italian writers were given cur- rency. Elyot’s G ouernour, Case’s...

...; but for my costume, and my cur- rectizess on those points . . . I will combat lustily.” This may explain why, though his contemporaries were so fond, in these oriental tales, of both his costume and his poetry, we have lost interest in both of them. Mr. Moore studies Carlyle’s early experiments...

... by the American publisher, who pre- sumably thought he was getting something typical of British criticism in a dead period. But that does not excuse the British publisher who originally brought it out and who must have known how bad a book, in terms of cur- rent British criticism...

... to Murray : “I don’t care a lump of sugar for my poetry; but for my costume, and my cur- rectizess on those points . . . I will combat lustily.” This may explain why, though his contemporaries were so fond, in these oriental tales, of both his costume and his poetry, we have lost interest in both...

... of considerable importance. Furthermore, the fact that More was present in Stepney when the act of resignation was per- formed, coupled with so intimate a reference to that parish as oc- curs in his letter to Colet of 1504: “Come then, my dear friend, for Stepney’s sake which mourns your long...

.... 17). Familiar though this kind of writing is, it is significant that Hagstrum has had to coin a name for it. In critical theory, the well-ordered presentation of such themes as naturalistic imitation, the long-continued cur- rency of the obiter dicta of Simonides and Horace, and the concept...

..., the long-continued cur- rency of the obiter dicta of Simonides and Horace, and the concept of emrgeia (“pictorial vividness”) furnishes an indispensable introduction to the later chap- ters. Despite the chronological sweep, from Homer down, the discussion of pictorialism in the poets...

... it a valuable addition to the type. The Latin text and English rendering of “Cur Mundus Militat,” Nos. 14-15, supply useful material for the study of this popular version of the ubi sunt theme. No. 53, “Alas, quid eligam ignoro,” is the longest poem in the collection and, in my judgment, the most...

.... $3.00. The reader who consults a review in order to form a general impression of the work that is discussed and of the way in which it is related to the main cur- rents of the period in which it was written will find such a review in Daniel Mornet’s Prkface to Mlle de la Harpe’s book...

... years, has been widely misinterpreted, with the result that a mistaken view of the meaning of his experiences has become cur- rent. In the form in which it appears in Keats’s letter of June 29, 1818, to his brother Tom, the sonnet reads: The Town, the churchyard...

... to the Editor enclosing a stamped and addressed envelope for an answer. I simply said that I wanted the name and address of the Author: that since he had published me to the world as a scoundrel I claimed the privilege of telling him to his teeth that he was liar a coward and a cur...