Search Results for ction

... “the Lord” himself — the text calls us, years hence, to a judgment, including a judgment about the judgments made in, and as, Cooper’s book. The call to judgment re ects the kind of ction Cooper wrote. It is not the kind of ction created by Jane Austen or even Walter Scott, though it has...

... begins in the late s. The center of the Hindi Dalit literary sphere is Delhi, the home of several important organizations, publishers, and writers. The body of Dalit literature makes use of all the modern genres; short ction and autobiography have become particularly important. Dalit literature...

...” playwright – Gascoigne is not defending theater, how- ever, but his generically diverse Poesies containing plays, nondramatic verse, and ction. Knapp treats it as a surprising paradox that “even” the “classi- cizing courtier” Polonius could appreciate...

...” playwright – Gascoigne is not defending theater, how- ever, but his generically diverse Poesies containing plays, nondramatic verse, and ction. Knapp treats it as a surprising paradox that “even” the “classi- cizing courtier” Polonius could appreciate...

...- ever, but his generically diverse Poesies containing plays, nondramatic verse, and ction. Knapp treats it as a surprising paradox that “even” the “classi- cizing courtier” Polonius could appreciate players’ versatility across genres, “at least” within...

...” playwright – Gascoigne is not defending theater, how- ever, but his generically diverse Poesies containing plays, nondramatic verse, and ction. Knapp treats it as a surprising paradox that “even” the “classi- cizing courtier” Polonius could appreciate...

... as a justi cation of the Shakespearean- type “mongrel play” and “multiform” playwright – Gascoigne is not defending theater, how- ever, but his generically diverse Poesies containing plays, nondramatic verse, and ction. Knapp treats it as a surprising...

... provechosa’: The Critique of Transparency in the Persiless and ‘La española inglesa and “Afterword: Passing and the Arts of Subjectifi cation.” Fuchs outlines the thrust of her study as follows: “The play of genre and of gender in Cervantes’ fi ctions intersect to pose larger questions about Span- ish...

... provechosa’: The Critique of Transparency in the Persiless and ‘La española inglesa and “Afterword: Passing and the Arts of Subjectifi cation.” Fuchs outlines the thrust of her study as follows: “The play of genre and of gender in Cervantes’ fi ctions intersect to pose larger questions about Span- ish...

... in Cervantes’ fi ctions intersect to pose larger questions about Span- ish masculinity and about who belongs within Spain’s empire and how their essential allegiance may be proved” (20). The central and for some most debatable implication of Fuchs’s critical project is that cross-dressing and passing...

... of her study as follows: “The play of genre and of gender in Cervantes’ fi ctions intersect to pose larger questions about Span- ish masculinity and about who belongs within Spain’s empire and how their essential allegiance may be proved” (20). The central and for some most debatable implication...

... provechosa’: The Critique of Transparency in the Persiless and ‘La española inglesa and “Afterword: Passing and the Arts of Subjectifi cation.” Fuchs outlines the thrust of her study as follows: “The play of genre and of gender in Cervantes’ fi ctions intersect to pose larger questions about Span- ish...

... in Cervantes’ fi ctions intersect to pose larger questions about Span- ish masculinity and about who belongs within Spain’s empire and how their essential allegiance may be proved” (20). The central and for some most debatable implication of Fuchs’s critical project is that cross-dressing and passing...

... of her study as follows: “The play of genre and of gender in Cervantes’ fi ctions intersect to pose larger questions about Span- ish masculinity and about who belongs within Spain’s empire and how their essential allegiance may be proved” (20). The central and for some most debatable implication...

... provechosa’: The Critique of Transparency in the Persiless and ‘La española inglesa and “Afterword: Passing and the Arts of Subjectifi cation.” Fuchs outlines the thrust of her study as follows: “The play of genre and of gender in Cervantes’ fi ctions intersect to pose larger questions about Span- ish...

...- ment, infra- realismo, that conjoined surrealism and Dadaism with a punk antagonism toward established poets such as Octavio Paz. Later in life Bolaño turned to writing ction out of economic necessity and affectionately satirized his youthful poetic...

..., 11 To say nothing of more metropolitan realisms: in the anglophone novel canon, there is, for example, the resurgence of interest in neorealist and moral- realist ction of the s and s — Graham Greene, Muriel Spark, Flannery O’Connor, and Richard Wright — as against late modernist darlings...

... “immerse” themselves in the spectator experience, “binging” on multi- ple episodes and reviewing particular scenes and episodes at will.3 The DVD boxed set thus aligns television with classic multiplot ction even as it provides a physical object that can be displayed on a shelf like the works...

..., that “the history of the artist is inseparable from historical ction about the artist” (xv). The focus, however, shifts from the Modern Language Quarterly 73:1 (March 2012) © 2012 by University of Washington 96 MLQ March 2012...

... portrayed by Balzac and the French symbolists The underlying argument hinges on the claim, not unfamiliar to stu- dents of ut pictura poesis, that “the history of the artist is inseparable from historical ction about the artist” (xv). The focus, however, shifts from the Modern Language...