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Journal Article
Modern Language Quarterly (2024) 85 (3): 327–345.
Published: 01 September 2024
...Deanna Kreisel [email protected] Scorched Earth: Beyond the Digital Age to a Post-capitalist World . By Jonathan Crary . London : Verso , 2022 . 134 pp. Cited as SE . Saving Time: Discovering a Life beyond the Clock . By Jenny Odell . New York : Random House...
Journal Article
Modern Language Quarterly (2001) 62 (2): 83–116.
Published: 01 June 2001
... Crary’s Techniques of the Observer and Suspen- sions of Perception.4 Even as Crary makes two of the most important con- tributions to the nascent field of visual studies, he transforms the field in one Foucauldian gesture after another. Suspensions of Perception opens...
Journal Article
Modern Language Quarterly (2001) 62 (4): 407–424.
Published: 01 December 2001
... Kittler presents all of the transformations of the nineteenth century as the juxtaposition of two years in Discourse Networks 1800/1900, pub- lished in English translation in 1990. The tactic appeared in other dis- ciplines as well. Jonathan Crary’s Suspensions...
Journal Article
Modern Language Quarterly (1997) 58 (3): 323–350.
Published: 01 September 1997
... Behind the conjunction of violence and mastery in Conrad and Hitchcock lies a generalized crisis of attention from the 1870s on. Building on Walter Benjamin’s analysis of urban shock in Baudelaire, Jonathan Crary has highlighted the empirical interest in the physiol- ogy of attentiveness...
Journal Article
Modern Language Quarterly (2016) 77 (3): 447–471.
Published: 01 September 2016
... by the “generalized inscription of human life into duration without breaks, defined by the principle of continuous functioning” (Crary 2013 : 20). Real time is the technical expression of systematic impatience, and as such it has proved notoriously difficult to contest, politically, culturally, or otherwise, since...
FIGURES
Journal Article
Modern Language Quarterly (2009) 70 (2): 223–243.
Published: 01 June 2009
... related memories must be allowed to sway backward and forward, as if the sheet or screen upon which they are projected, blows and is rippled in the wind of whatever 18  Thus the novel creates an effect reminiscent of the “perpetual play of attrac- tion and absence” that Jonathan Crary...
Journal Article
Modern Language Quarterly (2006) 67 (3): 397–400.
Published: 01 September 2006
... on weak theoretical premises, and they often rely on questionable allegorizations. How, for instance, can vision, defined and constrained by a technical apparatus, be said to confer agency or identity? Jonathan Crary and Jacques Lacan have identified for us the coercive force impressed on bodies...
Journal Article
Modern Language Quarterly (2006) 67 (3): 400–404.
Published: 01 September 2006
... apparatus, be said to confer agency or identity? Jonathan Crary and Jacques Lacan have identified for us the coercive force impressed on bodies and psyches by the gaze: in the diorama as much as in the cinema, one is beholden to the scene — short of keeping one’s eyes shut. In Adieu Philippe...
Journal Article
Modern Language Quarterly (2006) 67 (3): 404–407.
Published: 01 September 2006
... agency or identity? Jonathan Crary and Jacques Lacan have identified for us the coercive force impressed on bodies and psyches by the gaze: in the diorama as much as in the cinema, one is beholden to the scene — short of keeping one’s eyes shut. In Adieu Philippe in effect kills Stéphanie by forc...
Journal Article
Modern Language Quarterly (2006) 67 (3): 408–411.
Published: 01 September 2006
... agency or identity? Jonathan Crary and Jacques Lacan have identified for us the coercive force impressed on bodies and psyches by the gaze: in the diorama as much as in the cinema, one is beholden to the scene — short of keeping one’s eyes shut. In Adieu Philippe in effect kills Stéphanie by forc...
Journal Article
Modern Language Quarterly (2006) 67 (3): 411–416.
Published: 01 September 2006
... on weak theoretical premises, and they often rely on questionable allegorizations. How, for instance, can vision, defined and constrained by a technical apparatus, be said to confer agency or identity? Jonathan Crary and Jacques Lacan have identified for us the coercive force impressed on bodies...
Journal Article
Modern Language Quarterly (2006) 67 (3): 416–418.
Published: 01 September 2006
... agency or identity? Jonathan Crary and Jacques Lacan have identified for us the coercive force impressed on bodies and psyches by the gaze: in the diorama as much as in the cinema, one is beholden to the scene — short of keeping one’s eyes shut. In Adieu Philippe in effect kills Stéphanie by forc...
Journal Article
Modern Language Quarterly (2011) 72 (2): 253–255.
Published: 01 June 2011
..., ed. Jonathan Crary and Sanford Kwinter (New York: Zone, 1992), 187. 5  Anthony Vidler, The Architectural Uncanny: Essays in the Modern Unhomely (Cam- bridge, MA: MIT Press, 1992). Burstein Review 275 American female suffrage.6 Duffy takes...
Journal Article
Modern Language Quarterly (2011) 72 (2): 256–259.
Published: 01 June 2011
..., ed. Jonathan Crary and Sanford Kwinter (New York: Zone, 1992), 187. 5  Anthony Vidler, The Architectural Uncanny: Essays in the Modern Unhomely (Cam- bridge, MA: MIT Press, 1992). Burstein Review 275 American female suffrage.6 Duffy takes...
Journal Article
Modern Language Quarterly (2011) 72 (2): 259–262.
Published: 01 June 2011
..., ed. Jonathan Crary and Sanford Kwinter (New York: Zone, 1992), 187. 5  Anthony Vidler, The Architectural Uncanny: Essays in the Modern Unhomely (Cam- bridge, MA: MIT Press, 1992). Burstein Review 275 American female suffrage.6 Duffy takes...
Journal Article
Modern Language Quarterly (2011) 72 (2): 262–265.
Published: 01 June 2011
... (1992): 3 – 41; Anson Rabinbach, “Neurasthenia and Modernity,” in Incorporations, ed. Jonathan Crary and Sanford Kwinter (New York: Zone, 1992), 187. 5  Anthony Vidler, The Architectural Uncanny: Essays in the Modern Unhomely (Cam- bridge, MA: MIT Press, 1992). Burstein Review...
Journal Article
Modern Language Quarterly (2011) 72 (2): 266–268.
Published: 01 June 2011
... (1992): 3 – 41; Anson Rabinbach, “Neurasthenia and Modernity,” in Incorporations, ed. Jonathan Crary and Sanford Kwinter (New York: Zone, 1992), 187. 5  Anthony Vidler, The Architectural Uncanny: Essays in the Modern Unhomely (Cam- bridge, MA: MIT Press, 1992). Burstein Review...
Journal Article
Modern Language Quarterly (2011) 72 (2): 269–272.
Published: 01 June 2011
..., ed. Jonathan Crary and Sanford Kwinter (New York: Zone, 1992), 187. 5  Anthony Vidler, The Architectural Uncanny: Essays in the Modern Unhomely (Cam- bridge, MA: MIT Press, 1992). Burstein Review 275 American female suffrage.6 Duffy takes...
Journal Article
Modern Language Quarterly (2011) 72 (2): 272–276.
Published: 01 June 2011
... (1992): 3 – 41; Anson Rabinbach, “Neurasthenia and Modernity,” in Incorporations, ed. Jonathan Crary and Sanford Kwinter (New York: Zone, 1992), 187. 5  Anthony Vidler, The Architectural Uncanny: Essays in the Modern Unhomely (Cam- bridge, MA: MIT Press, 1992). Burstein Review...
Journal Article
Modern Language Quarterly (2013) 74 (4): 541–545.
Published: 01 December 2013
... the inspiring work of Jonathan Crary on optics and on the genealogy of perception — have been significantly understudied. For example, Müller-­Sievers points out that “the enigmas of rotational motion . . . contribute to the fascination of carousels” — “perhaps the most vivid bodily enjoyment...