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Modern Language Quarterly (1945) 6 (1): 106–107.
Published: 01 March 1945
..., this volume should be welcomed by students of political philosophy. J. RUSSELLROBERTS Eastern Washington College of Education Milton’s Royalism: A Study of the Conflict of Symbol and Idea in the Poems. By MALCOLMMACKENZIE...
Modern Language Quarterly (1991) 52 (3): 341–344.
Published: 01 September 1991
... uncovers how epitaphs embedded themselves not only in the tradition but in the disputes of their times. He shows us, for example, how the terms of Carew’s commemoration of Donne participate in the conflict between Charles I and Parliament, while the style of the poem shifts from Donnean...
Modern Language Quarterly (1999) 60 (4): 521–525.
Published: 01 December 1999
Modern Language Quarterly (1984) 45 (2): 163–190.
Published: 01 June 1984
...Dwight Eddins Copyright © 1984 by Duke University Press 1984 ORPHIC CONTRA GNOSTIC RELIGIOUS CONFLICT IN GRAVITY’S RAINBOW By DWIGHTEDDINS The most common assumption among the critics of GmuityS Ruin- bow seems...
Modern Language Quarterly (1950) 11 (3): 366–367.
Published: 01 September 1950
... of Victorian senti- mentality, Mr. Lacey is offering us a belated Victorian comment on Words- worth. He is closer, certainly, to Matthew Arnold than to Whitehead. NEWTONP. STALLKNECHT Indiana University Matthew Arnold: A Study in Conflict...
Modern Language Quarterly (1969) 30 (3): 370–385.
Published: 01 September 1969
...John F. McCarthy Copyright © 1969 by Duke University Press 1969 THE CONFLICT IN BOOKS 1-11 OF THE PRELUDE By JOHN F. MCCARTHY After the introduction, the first two books of The Prelude form a continuous narrative unit under the title...
Modern Language Quarterly (1983) 44 (4): 394–409.
Published: 01 December 1983
...Dorothy A. Winsor Copyright © 1983 by Duke University Press 1983 IRIS MURDOCH’S CONFLICTING ETHICAL DEMANDS SEPARATION VERSUS PASSIVITY IN THE SACRED AND PROFANE LOVE MACHINE...
Modern Language Quarterly (1954) 15 (1): 67–73.
Published: 01 March 1954
...Myra R. Jessen © 1954 University of Washington 1954 ∗ This paper was read at the Modern Language Association meeting in Boston, December, 1952. CONFLICTING VIEWS IN THE EVALUATION OF GRILLPARZER By MYRAR. JESSEN...
Modern Language Quarterly (2012) 73 (2): 123–155.
Published: 01 June 2012
... of the Dog (2009) and the coedited collection Online Humanities Scholarship: The Shape of Things to Come (2010). © 2012 by University of Washington 2012 Fenimore Cooper’s Anti-aesthetic and the Representation of Conﬂicted History Jerome McGann I cannot make...
Modern Language Quarterly (2017) 78 (2): 205–242.
Published: 01 June 2017
.... The surprising presence of Pater in texts shaped by brutal military conflict not only demonstrates the power of models of cultural transmission he developed at a point when his reputation was at a far lower ebb in the English-speaking world than it was on a war-ravaged continent, but also opens up...
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Modern Language Quarterly (2013) 74 (3): 331–362.
Published: 01 September 2013
... Wife ), ideological argumentation ( The Country Gentleman ), and ambivalent or ironic presentation of conflicted or unstable values ( The Man of Mode ). London can be fun ( The Shoemaker’s Holiday ), glamorous ( The Lady of Pleasure ), wicked ( Friendship in Fashion ), low ( The Roaring Girl ), ugly...
Modern Language Quarterly (2015) 76 (1): 57–77.
Published: 01 March 2015
... contribute to society’s well-being and demonstrates the centrality of empiricist political theory for the modernist novel. Through close readings of The Invisible Man and Love and Mr. Lewisham , and broader discussion of Wells’s oeuvre, his engagement with empiricist values, conflicts, and literary forms...
Modern Language Quarterly (2017) 78 (3): 395–419.
Published: 01 September 2017
... of Paradise Lost that puts drama, dialogue, and conversation at the center. In the dramatic Milton, meaning is found in dialogue and conversation, growing out of the noise of debate and conflict. Copyright © 2017 by University of Washington 2017 Paradise Lost Samson Agonistes tragedy...
Modern Language Quarterly (2019) 80 (1): 75–97.
Published: 01 March 2019
... of work demonstrates how an understanding of literary-historical connections through a history of forms may recast the segregation of periods: it may reveal patterns that show continuities even where conflicts have led to the contrasting of period terms. I have said that new-formalist criticism...
Modern Language Quarterly (1963) 24 (4): 374–385.
Published: 01 December 1963
... be as rigorous as the most classic explication of logical, textural, or ironic arrangement. One of the best ways a poet can present the spectacle of ruled emotion, without sacrificing the intensity of emotional conflict in his work, is through adoption of a mask, a persona. The personality who...
Modern Language Quarterly (1949) 10 (1): 109–110.
Published: 01 March 1949
.... As You Like It, and Much Ado About Nothing; and his expressed pur- pose is “to give historical perspective to the conflicting attitudes toward love which are dramatized by these comedies.” To provide such a background the author has attempted the description of the manifold expressions...
Modern Language Quarterly (1964) 25 (1): 117–120.
Published: 01 March 1964
..., but instead to envision a Hegelian progression of thesis, antithesis, and synthesis. Whereas in the medieval view reason is superior to passion, in the modern view they are conflicting and antithetical and can only be brought to a tentative state of equilibrium in mankind by dynamic interaction...
Modern Language Quarterly (1983) 44 (4): 359–373.
Published: 01 December 1983
... by an element of personal vendetta, yet its negative attitude is not entirely uncharacteristic of other, more levelheaded interpretations. To say that the play is “thin” or “poor,” however, is a sad misrepresentation of a work that contains a superabundance of ideas and conflicts. But Schaukal’s...
Modern Language Quarterly (1984) 45 (3): 305–308.
Published: 01 September 1984
... a period of tinie. In this instance, H. M. Daleski, a professor of‘English at the Hebrew University of Jerusalem, focuses on the divided nature of various fictional heroines caught between conflicting desires for two different men, “bound to one and longing for the other, or unable to choose...
Modern Language Quarterly (1950) 11 (3): 365–366.
Published: 01 September 1950
... any clearly defined authority, besides showing too little respect for the value of a traditional, Christian discipline. Wordsworth’s didacticism is found to conflict with the genuine inspiration arising from his “wise passiveness,” while on the other hand the poet’s suspicion of analytical...