Search Results for composition

...Kester Svendsen Allan H. Gilbert. Chapel Hill: University of North Carolina Press, 1947. Pp. x + 185. $3.50. Copyright © 1949 by Duke University Press 1949 534 Rm’ews On the Composition of Paradise Lost: A Study of the Ordering ad Insertion...

... latecomers to composition studies. Born in thc intersection of empirical education research, the waves of‘ arrivals of the unexpected (and often unwanted) other into the classroom, and the revival of classical rhetoric, composition studies initially dcvcloped a socially and psychologically sound...

...W. T. H. Jackson Copyright © 1957 by Duke University Press 1957 THE COMPOSITION OF MEIER HELMBRECHT By W. T. H. JACKSON Mekr Helmbrecht is one of the not inconsiderable number of inedi- eval works which, to judge by the critical comments made upon them...

...A. Lytton Sells Copyright © 1951 by Duke University Press 1951 LA CHARTREUSE DE PARME: THE PROBLEM OF COMPOSITION By A. LYTTONSELLS I How has it come about that the Chartreuse de Parme, which...

...Stewart C. Wilcox Copyright © 1941 by Duke University Press 1941 HAZLITT ON SYSTEMATIC IN CONTRAST TO FAMILIAR COMPOSITION By STEWARTC. WILCOX In his essay “On Genius and Common Sense” William Hazlitt defends his method of setting...

... WAGENKN EC HT Uiziversity of Washington The Cyclical hIethod of Composition in Gottfried Kellef’s crSinnge- dicht.” By PRISCILLAM. GAMER.New York, 1939. Pp. vii + 3 18. Ottendorfer Memorial Fellowship Series of Germanic Monographs, No. 26. The problem Dr. Kranier has...

... to as “proportional syrn- metry” in the Petitcreiu episode.) The second formulation of the criterion for compositional equivalence is the correct one: two units may be compositionally equivalent if their respective numbers of lines are divisible by whole numbers that differ by only one. We can say that IIA...

...William F. Hall Copyright © 1976 by Duke University Press 1976 THE MEANING OF THE SACRED FOUNT “ITS OWN LITTLE LAW OF COMPOSITION’’ By WILLIAMF. HALL The psychological interpretation of The Sacred Fount is still...

...George R. Havens VOLTAIRE’S MICROM~GAS(1733-52) COMPOSITION AND PUBLICATION By GEORGER. HAVENS Micromigas, in basic conception at least, is the first composed among the more important of Voltaire’s prose tales...

.... DUSTINGKIFFIN New York University Blake’s Composite Art: A Study of the Illuminuted Poetry. By W. J. T. MI-KHELL. Princeton: Princeton University Press, 1978. xix + 232 pp. 112 illus. $16.50. Landmark books that are also modest in appearance and tone occasionally appear; this is one...

...Katherine Elkins This essay explores a modernist revision of influence distinct from a Bloomsian model of struggle and misprision. Marcel Proust and Virginia Woolf articulate new representations of composite memory that suggest an alternative. When memories of past works collide with a changed...

... of the novel's date of composition, his ostentatious rejection of contemporary genres, and his later self-review of the novel effectively cleared Waverley of contemporary competitors and bolstered its claims to newness. It then turns to Scott's other strategy, that of looking beyond contemporary generic models...

... to upgrade the romance with which he began to an epic poem, given that the differences between romance and epic that modern critics claim are at work in Orlando furioso did not come to the fore as issues in Italian poetics until about fifty years after the poem's first composition; and (2) the persistence...

..., and journalistic articles, authors and studios alike reflected on the importance of preparing fiction for adaptation. The capacity of authors to imagine the afterlives of their prose works at the moment of composition may be called the “transmedial possibility” of fiction. Transmedial possibility, the theoretical...

...Alexander Pettit Abstract During an eleven-year period that began in 1913 with the composition of his first play, Eugene O’Neill repeatedly experimented with New Comic forms. His seven “metacomedies” from this period—most focally Bread and Butter , “Anna Christie,” and Desire under the Elms —render...

... music literature,” it implies that three domains are essential for it: first, creating a literary text; second, setting the text to music; and third, having access to both and enabling the composition to circulate within large networks and groups around the globe. Within this context Schiller’s text...

... and Luna” as a poem about reading other poems about Pan, among them “A Musical Instrument,” by Elizabeth Barrett Browning. In the composition and reception of her poem, we see how Victorian poetry foregrounds its multiple mediations, including the mediation of voice by meter as a musical instrument...

... doctrine, that meaning is an emanation of text, came tacitly to shape the theory and composition of profane poetry in the next century. Copyright © 2018 by University of Washington 2018 Thomas More polemic hermeneutics feeling early modern 10 The notion that I might fashion a “language...

...Simon Jarvis Abstract A superversive line is that line in a given poem which most eminently exploits the play between syntactic and metrical segmentation, between an ordinary and a special phonology; which peculiarizes verse as verse. A superversive poetics places composition and technique...