..., but deceives him later with a young abbot, is centered around a pageant of aristocratic and bourgeois functions, banquets, music, dances, tournaments, scenes with the tailor, hosier, shoemaker, embroiderer, seamstress (Chap. 11) , goldsmith (Chap. 19), horse- dealer (Chap. 16), and...

.... 3 For more detail concerning Laurent’s second translation of De casibus, see my article “Laurent de Premierfait : The Translator of Boccaccio’s DPcasibus wirorum illustrium,” in French Revr’ezu, XVII (1954), 245-52. See also Paul Durrieu, Le Boccace de Munich (Munich, 1909), Chap. 11, “Le...

... (or imagine) it there (the final “faced what I had ‘L5 See my “Keat’s [sic] Urn: ‘On’ and On,” LnngUS, 7 (1974): 235-36. 26 The Novels arid Tdes (if Henry James, New York Edition, 26 vols. (New York: Charles Scribner’s Sons, 1907-17), 12:201-2 (chap. 6). 54...

... Saints Legend tradition and the Golden Legend (Chaps. 1-11) PROTESTANT:Tudor attacks on the Saints Legend tradition (Chap. 111) CATHOLIC:works concerning the Henrician martyrs (Chap. IV) PROTESTANT:Foxe’s Acts and Monuments (Chaps. V-VI) CATHOLIC:works by...

... Dilworth Kust, The Writings of James Fenimore Cooper (Albany: State University of New York Press, 1981), chap. 7, p. 92. 4 Several critics have noted this incestuous aspect. For example, see Joel Porte, The Romance in America (Middletown, Conn.: Wesleyan University Press, 1969), p. 25. 342...

... (chap. l), society and class (chap. 2),politics and history (chap. 3),and satire (chap. 4). In the second section, Damrosch discusses psychology (chap. 5) and religion and meta- physics (chap. 6). The final section consists of chapters entitled “The De- scent to Truth” (chap. 7), “Art as...

... continued laughter” which is shared by author and reader (chap. 17).12 When he and Nekayah demonstrate, by arguing heatedly about the difficulties of achieving happiness in marriage, the very difficulties they are talking about, they are both absurd (chap. 28). The only real suffering which the...

....” The themes considered in the first section include Pope’s self-image (chap. l), society and class (chap. 2),politics and history (chap. 3),and satire (chap. 4). In the second section, Damrosch discusses psychology (chap. 5) and religion and meta- physics (chap. 6). The final section...

... translated texts (chap. 1); the integration of the Chinese fiction of rural land reform (chap. 2) and industrial development (chap. 3) into the wider socialist imaginary; the reception and indigenization of Soviet science fiction (chap. 4) and youth fiction (chap. 5); and the dissemination of world...

... Roman emperors (147–57). One might object to a concept of “decline” so capacious as to encompass temporary decreases in economic productivity (Smith: chap. 1), lamentations of increasing urbanization and the loss of moral values identified with rural life (Oliver Goldsmith and William Wordsworth...

..., his sixthly, and seventhly, until I have regarded that reverend person in the light of a most dismal and oppressive Charade. (Uncommercial Traveller, Chap. LX) His antipathy to the dissenting clergy is apparent in Timothy Sparks’s political pamphlet, Sunday Under Three Heads (June...

... the best response to an unstable world (chap. 2). Hamilton claims that contemporary politicians and scholars alike tend to bandy about security all too carelessly. “A method of resistance, philology patiently questions the historical amnesia that diminishes the word’s semantic and conceptual range...

... precious distillation of the years rather than by the loss of London itself. In a passage discarded from chapter 33 of Howards End, Forster indicated his own preference: “Howards End . . . is poetry, while London is culture.”l3 He makes the point more strongly in chap- ter 34: London is “a...

... courage of a wren”; Giles Amaury, grand master of the Templars, is “an idolator, a devil-worshiper, a necromancer . . . a sordid miser”; and the final candidate, the mar- quis de Montserrat, is a “popinjay” (The Talisman [New York: Waverley, 1898], 66–67, chap. 5). MLQ...

... know how to throw my matter into any recognised and intelligible form” (chap. 1, p. 1). For the narrator, self-writing is a biological (“gar- rulity of old age”) and psychological (“aptitude of a man’s mind”) embarrassment, though a formal necessity. Yet implicit in his latter words is...

..., and devotes two-thirds of her book to arguing, that the major writers and the major genres of the Elizabethan age were directly affected by the seven great Ideas. l’hus she tries to show that the canzone and the ode manifest Grandeur (chap. 3), that satire changed its direction in the 1590s...

... political projects that would seem, on the surface, to have little in common: documentary film and Mass Observation (chap. 1), the historical novels of Virginia Woolf and Isherwood (chap. 2), the travel writing of Isherwood, W. H. Auden, and George Orwell (chap. 3), the gothicism of Henry Moore and...

.... Five chapters group together characters who more or less fit into the scheme: “Mascarille, Sganarelle, Toinette” (Chap. 11); “L’Amour, la Femme et le Mariage” (Chap. 111); “L’Epoux, le Ptre et le Vieillard” (Chap. IV); “Les Fscheux” (Chap. V); and “La Comedie htroique” (Chap. VI). There are...

... in fash- ioning the national character of a people and hence its laws; it did not necessarily determine them. “Le voyage en Angleterre,” says Dedieu, “est dans l’histoire de la pensCe de Montesquieu, d’une importance capitale.” (Op. cit., chap. 5, p. 131.) He goes on to point out that...