... of the romance into the novel, the Sierra Morena episode extends this analysis to the larger question of how reading practices change during the early modern period. In this episode each charac- ter-from Cardenio to the illiterate Sancho-becomes in some sense a reader of romance. In the succession...

... wife as the wielder of the dead hand. Cardenio has married a nympho- maniac who was especia1:y partial to sailors. When the couple moved to a lonely island, she was given to brooding, and one day her dead body was found along the shore. Soon afterward Car- denio discover’s his...

... and read at the inn. Its close parallels to the love story of Luscinda, Cardenio, and Fernando, itself a kind of romantic novella woven into the novel, ask one to judge who are more realistically portrayed, the characters in the explicitly fictional tale, who possess psychological depth...

... of actors who convincingly play-but just as easily emerge from- their roles in illusions that, if deceptive at first, are ultimately transparent. From the same mold as Pichou’s Cardenio or Kotrou’s hypochondriac, the pro- tagonist of Le Menteur entertains “through the comic extravagance of his...

... of Nebraska Press, 1989. xviii + 309 pp. $29.95. Metz, G. Harold (editor). Sources of Four Plays Ascribed to Shakespeare: “TheReign of King Edward III,” “Sir Thomas More,” “The History of Cardenio,” “The Two Noble Kinsmen.”Columbia: University of Missouri Press, 1989. xix + 502 pp. $48.00. Parker...

... of Cervantes, however, underplays the psychological complexities. He misses “subjective interiority” (162) in Don Quixote’s imitation of Cardenio because he limits himself to the visible sur- face of the text, without considering unspoken motives. Don Quixote imi- tates Cardenio because he immediately...

... analysis of Cervantes, however, underplays the psychological complexities. He misses “subjective interiority” (162) in Don Quixote’s imitation of Cardenio because he limits himself to the visible sur- face of the text, without considering unspoken motives. Don Quixote imi- tates Cardenio because...

... the analysis of interiority and self-fashioning in Don Quixote. Gilbert-Santamaría’s analysis of Cervantes, however, underplays the psychological complexities. He misses “subjective interiority” (162) in Don Quixote’s imitation of Cardenio because he limits himself to the visible sur- face...

... of Cervantes, however, underplays the psychological complexities. He misses “subjective interiority” (162) in Don Quixote’s imitation of Cardenio because he limits himself to the visible sur- face of the text, without considering unspoken motives. Don Quixote imi- tates Cardenio because he immediately...

... of Cervantes, however, underplays the psychological complexities. He misses “subjective interiority” (162) in Don Quixote’s imitation of Cardenio because he limits himself to the visible sur- face of the text, without considering unspoken motives. Don Quixote imi- tates Cardenio because he immediately...

... analysis of Cervantes, however, underplays the psychological complexities. He misses “subjective interiority” (162) in Don Quixote’s imitation of Cardenio because he limits himself to the visible sur- face of the text, without considering unspoken motives. Don Quixote imi- tates Cardenio because...

...) in Don Quixote’s imitation of Cardenio because he limits himself to the visible sur- face of the text, without considering unspoken motives. Don Quixote imi- tates Cardenio because he immediately senses a secret bond; as he learns Cardenio’s story, he unconsciously recognizes a version of his own...

..., Ernst Erich. The Contemporary German Novel. Milwaukee : Marquette University Institute of German Affairs, 1961. Pp. 32. $0.50. Powell, Hugh (editor). Cardenio und Celiitdc by Andreas Gryphius. Leicester : University of Leicester Press, 1961. Pp. lxxix + 77. 35 Scarpa, Roque Esteban...