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Journal Article
Modern Language Quarterly (2007) 68 (4): 575–578.
Published: 01 December 2007
...- and eighteenth-century France and Britain. University of Washington 2007 Dice, Cards, Wheels: A Different History of French Culture . By Thomas M. Kavanagh. Philadelphia: University of Pennsylvania Press, 2005. viii + 251 pp. Reviews Dice, Cards, Wheels: A Different History of French...
Journal Article
Modern Language Quarterly (1971) 32 (3): 334–335.
Published: 01 September 1971
Journal Article
Modern Language Quarterly (1978) 39 (1): 63–70.
Published: 01 March 1978
Journal Article
Modern Language Quarterly (1952) 13 (1): 118–119.
Published: 01 March 1952
Journal Article
Modern Language Quarterly (1952) 13 (4): 363–371.
Published: 01 December 1952
Journal Article
Modern Language Quarterly (1953) 14 (1): 7–14.
Published: 01 March 1953
...Joseph T. McCullen, Jr. Copyright © 1953 by Duke University Press 1953 THE USE OF PARLOR AND TAVERN GAMES IN ELIZABETHAN AND EARLY STUART DRAMA By JOSEPH T. MCCULLEN,JR. The impression made by the card game in A Woman Killed with Kindness...
Journal Article
Modern Language Quarterly (2018) 79 (3): 341–353.
Published: 01 September 2018
... expressions of a wish for a follow-up discussion about the general issues he raises: Zhu mentions at the beginning of his essay my starting point about “the end of literature” in a passage from Derrida’s Post Card . Here is the passage in question in the French original and then in Alan Bass’s superb...
Journal Article
Modern Language Quarterly (1969) 30 (3): 356–369.
Published: 01 September 1969
... is merely the compass card: “On life’s vast ocean diversely we sail, / Reason the card, but Passion is the gale” (107-108).l6 The helms- man seems to represent the individual consciousness, or ego; as such, he can represent rational consciousness only if he is able to steer by the compass while...
Journal Article
Modern Language Quarterly (1946) 7 (1): 116–119.
Published: 01 March 1946
... phase of the handling of the cards. ,As Mr. Tillotson has argued, the drawing from the stock would not make a dramatic description arid is irrelevant to 1’opc‘’s scheme. IVe know just enough about the hands to see that the nymph is really “skilful,” and that in the fifth trick she suffers...
Journal Article
Modern Language Quarterly (1967) 28 (4): 512–513.
Published: 01 December 1967
..., but not in my aesthetic-stylisticstudy of Berceo. I mention some of the authors who have touched this point: Llorens, Nykls, Krauss. (7) He states: “Gariano, forgetting his card file and his linguistics. . Slow down, please. I did not have a card file. I did not need it, for my work...
Journal Article
Modern Language Quarterly (1953) 14 (2): 209–216.
Published: 01 June 1953
... observes places and persons of interest. The author of Letfers froin an Armenian adopts the device, Aza’s guide being of course an Irish friend. His comments and explanations help Aza understand the passion for card playing, the daring behavior of a gallant and of the women who accept his...
Journal Article
Modern Language Quarterly (1947) 8 (3): 342–354.
Published: 01 September 1947
... Belinda’s story. 6 For the Odyssey, see the notes to Canto I, 27; I, 112; 11, 32; 111, 19 f.; ~111, 86;111, 101 ; 111, 131 f.; IV, 82; IV, 140; V, 85 f. 7 Such as that to (Pope’s) Iliad, 111, 175 ff., in the note to the review of forces at the card table (Canto 111, 37 ff where...
Journal Article
Modern Language Quarterly (1999) 60 (3): 295–319.
Published: 01 September 1999
.... Unlike the letters between Amadis and Oriana, however, Carde- nio’s epistolary exchange with Luscinda is not truly private. When his father receives Duke Ricardo’s request of Cardenio’s service as his son’s companion, this letter transforms the private desires shared by Carde- nio and Luscinda...
Journal Article
Modern Language Quarterly (1964) 25 (4): 425–433.
Published: 01 December 1964
... an abysmal environment that relentlessly bullies his heroine’s expectations. Rose’s experience of Hell begins the moment she is involved with Pinkie through the Kolley Kibber card and con- tinues to the end of the novel as she walks toward “the worst horror of all,” the phonograph recording...
Journal Article
Modern Language Quarterly (1940) 1 (4): 578.
Published: 01 December 1940
... by ROBERT JUDSON NIESS. St. Louis : Washington University Studies, New Series, Language and Literature, No. 10, 1940. Pp. xv+57. Indispensable to future Zola scholars will be Robert Judson Niess’s edition of forty-eight letters and eight cards addressed...
Journal Article
Modern Language Quarterly (1954) 15 (1): 18–27.
Published: 01 March 1954
... writes : And hit shal be no reproche to a noble man to instruct his owne children, or at the leest wayes to examine them, by the way of daliaunce or solace. . . . And why shulde nat noble men rather so do, than teache their children howe at dyse and cardes, they may counnyngly lese...
Journal Article
Modern Language Quarterly (1977) 38 (3): 292–303.
Published: 01 September 1977
.... In the beginning of both dramas, the couple play cards. In Durrenmatt, Alice also builds a house of cards while Edgar lies unconscious, and she plays cards with Kurt during the blackmail scene. The piano playing is exaggerated and more comic in Durrenmatt. Edgar plays his game of deception in both plays...
Journal Article
Modern Language Quarterly (1969) 30 (3): 370–385.
Published: 01 September 1969
... during his early school years at Hawkshead. The significant link between the episodes of the first section is not chronological but typological. With the exception of the card-playing episode,5 they all illustrate one of the two contrasting modes into which the child’s encounters with nature...
Journal Article
Modern Language Quarterly (1966) 27 (2): 221–222.
Published: 01 June 1966
... hardening orthodoxies, this study should be of value to all students of the sagas and will undoubtedly stimu- late future debate. R. GEORGETHOMAS Uniuersi ty Co 1lege, Card ifl Walther uon der Vogelweide. By KURTHERBERT HALBACH. Stuttgart...
Journal Article
Modern Language Quarterly (1967) 28 (1): 102–103.
Published: 01 March 1967
.... In discussing the structure of the poem, Gariano compares it to a retablo, and then speculates on why the poet chose to include twenty-five miracles in the collection rather than some other number. In a portion of the final summary, Gariano, forgetting his card file and his linguistics, expands...