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canto

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Journal Article
Modern Language Quarterly (1940) 1 (1): 63–78.
Published: 01 March 1940
...James G. McManaway Copyright © 1940 by Duke University Press 1940 THE “LOST” CANTO OF GONDIBERT By JAMES G. MCMANAWAY In Gondibert, his major contribution to nondramatic poetry, Sir William D’Avenant planned a poem in five books, somewhat like the five...
Journal Article
Modern Language Quarterly (1976) 37 (3): 298–300.
Published: 01 September 1976
... in all, the publication of this weak dissertation by the home university reveals a debilitating parochialism which does a sad disservice to the profession. HERSHELPARKER University of Southern California “The Cantos” of Ezra...
Journal Article
Modern Language Quarterly (2010) 71 (4): 385–405.
Published: 01 December 2010
... of romanzo matter and structure in the poem's last nine cantos. Modern interpreters who maintain that the Furioso becomes more epic in its last segment cite as evidence the more frequent imitation of the Aeneid , but in fact Ariosto modifies the Virgilian matter he grafts into his narrative to fit...
Journal Article
Modern Language Quarterly (2011) 72 (3): 319–339.
Published: 01 September 2011
... surplus (within which information has no a priori value). Three examples are analyzed in depth: the heroscopía from book 6 of Virgil's Aeneid , in which Roman history is portrayed as a triumphal procession; Astolfo's voyage to the moon in canto 34 of Ludovico Ariosto's Orlando furioso , with its inventory...
Journal Article
Modern Language Quarterly (1959) 20 (1): 77–80.
Published: 01 March 1959
... is that Hauptmann could be called a naturalist in the broader sense of the word in which it might also apply to, say, Goethe. The bulk of the unprinted portions of the epic is formed by six cantos of the second part of the poem. They are all exactly dated (1936) and set off from the first part...
Journal Article
Modern Language Quarterly (1970) 31 (2): 160–178.
Published: 01 June 1970
...Judith H. Anderson Copyright © 1970 by Duke University Press 1970 THE KNIGHT AND THE PALMER IN THE FAERIE QUEENE, BOOK I1 By JUDITH H. ANDERSON Twice in the initial six cantos of Book I1 of The Faerie Queene...
Journal Article
Modern Language Quarterly (1983) 44 (3): 251–266.
Published: 01 September 1983
... of apprehending the work or aspects of it in a unified “view.” Mainly on the strength of the first two cantos of Childe Harold, Byron gained general repute as a poet whose works could be both described and judged in terms of this kind of visual effect. With the publication of the Oriental tales it became...
Journal Article
Modern Language Quarterly (1991) 52 (1): 1–36.
Published: 01 March 1991
... publication of his most Fascist cantos, 72 and 73, which he himself, never having altered the numeration, includes in the whole work, as he did all the years when the space was blank from the last of the Adams Cantos, 71, to the first of the Pisan Cantos, 74. Yet the case of the morally flawed...
Journal Article
Modern Language Quarterly (1974) 35 (3): 257–271.
Published: 01 September 1974
... canto of Don Juan (Haidke’s feast) or in the last cantos (e.g., the Epicurean feast). This is not to say that Byron does not explore an interrelationship between man and the physical world (or more often a relationship be- tween himself and that world). But he confronts the external world...
Journal Article
Modern Language Quarterly (1958) 19 (1): 43–46.
Published: 01 March 1958
...), p. 122. 2 Canto I. 8 Estudios de cdticu histdricu y literark (Buenos Aires, 1944), p. 259. 43 44 Cewantes, Cortese, Caporali Cervantes is said, moreover, to have imitated Homer, Virgil, Dante, Petrarch, Juan de la Cueva, and perhaps...
Journal Article
Modern Language Quarterly (1981) 42 (4): 347–368.
Published: 01 December 1981
... IN CHILDE HAROLD’S PILGRIMAGE, 1-11” By BERNARDA. HIRSCH Most of what is valuable as poetry in Childe Harold’s PiZgrimage, ac- cording to modern critics, is to be found in Cantos 111-IV. Cantos 1-11 have been deemed a “romantic tra~elogue”~at best...
Journal Article
Modern Language Quarterly (1988) 49 (1): 82–87.
Published: 01 March 1988
... Ezra Pound in a crucial passage from Three Cantos I (1917) which James Longenbach illumi- nates from different angles in these two books. The same might be said of the books themselves. Both studies revivify figures from the past, both well- known ones, like Henry James, Wyndham Lewis...
Journal Article
Modern Language Quarterly (1988) 49 (1): 82–87.
Published: 01 March 1988
.... $29.00. Stone Cottage: Pound, Yeats, and Modernism. By JAMES LONGENBACH.New York: Oxford University Press, 1988. xviii + 329 pp. $21.95. “Ghosts move about me / Patched with histories,” wrote Ezra Pound in a crucial passage from Three Cantos I (1917) which James Longenbach illumi...
Journal Article
Modern Language Quarterly (1974) 35 (2): 140–156.
Published: 01 June 1974
... not included in his discussion. All citations of Ciardi in my text are from Dante Alighieri: The Inferno (New York, 1964); all line numbers refer to canto 26. London, 19.34, p. 407; quoted by De Sua. p. 104. 140 JOAN ROSS ACOCELLA...
Journal Article
Modern Language Quarterly (1976) 37 (3): 295–298.
Published: 01 September 1976
... University of Southern California “The Cantos” of Ezra Pound: The Lyric Mode. By EUGENEPAUL NASSAR. Baltimore and London: Johns Hopkins University Press, ‘1975. xi 4- 164 pp. $7.95. Eugene Nassar’s book on The Cantos, consisting of about 150 pages of text, including notes...
Journal Article
Modern Language Quarterly (2005) 66 (1): 1–20.
Published: 01 March 2005
... to announce that it is time to leave a protagonist or a situation in order to take up or return to another. He exploits the necessity of making these shifts—there are two or more of them in virtually every canto—to show how he can express in over a hundred ways his need to take leave of a character...
Journal Article
Modern Language Quarterly (1947) 8 (3): 342–354.
Published: 01 September 1947
... a neglected, and somewhat puzzling, chapter in the early development of that poem. It has become clear, from Professor Til- lotson’s citations, that The Rape of the Lock, as a parody-epic, was incomplete (at the time of publication) even in its five-canto incar- nation, and that it would remain...
Journal Article
Modern Language Quarterly (1976) 37 (3): 300–302.
Published: 01 September 1976
... in those cantos” (p. 59). However, reference solely to the lyrical passages of Cantos 16-30 blinds the author to what is truly new and thematically most exciting in that canto, whose power does not stem from a mere recapitulation of earlier attitudes. In my own book on The Cantos, I devote...
Journal Article
Modern Language Quarterly (1947) 8 (2): 194–210.
Published: 01 June 1947
... Harold and The Giaour. Most important are the manuscripts of several of the longer works of the Italian years, Sardanapalus, Cain, Don Juan (Canto VIII), and The Island, all of them complete. Interest in the coll3ection is increased by the fact that many of the manuscripts show considerable...
Journal Article
Modern Language Quarterly (1978) 39 (3): 303–305.
Published: 01 September 1978
..., Una’s flight into the wilderness in canto 3 is patterned upon that of the woman of Revelation clothed with the sun who fled into the wilderness to escape persecution. O’Connell argues that “Spenser is creating a typological ‘prophecy’ of Elizabeth’s figurative so- journ in the wilderness” (p...