... it will soon be followed by others in this same series. MARCELFRAN~ON Harvard University Camus. By GERMAINEBRI~E. New Brunswick, N. J. : Rutgers University Press, 1959. Pp. x 3- 275. $5.00. Germaine BrCe’s important study...

...Henry A. Grubbs Copyright © 1949 by Duke University Press 1949 ALBERT CAMUS AND GRAHAM GREENE By HENRYA. GRUBBS In an article in a recent number of Scrutiny, H. A. Mason, dis- cussing French critical reviews, put forth this query (to which he...

...Raymond Stephanson © 1989 University of Washington 1987 THE PLAGUE NARRATIVES OF DEFOE AND CAMUS ILLNESS AS METAPHOR By RAYMOND STEPHANSON In her essay Illness as Metaphor, Susan Sontag writes...

...Rima Drell Reck Copyright © 1962 by Duke University Press 1962 ∗ This paper was read before the French 7 section (“Hommage à Albert Camus”) of the Modern Language Association at Philadelphia on December 27, 1960. ALBERT CAMUS: THE ARTIST AND HIS TIME...

...Marilyn K. Yalom Copyright © 1964 by Duke University Press 1964 ALBERT CAMUS AND THE MYTH OF THE TRIAL By MARILYNK. YALOM A trial or courtroom scene has been a prominent feature in recent American theatrical productions. New York...

...Heinz Moenkemeyer Copyright © 1966 by Duke University Press 1966 THE SON’S FATAL HOME-COMING IN WERNER AND CAMUS By HEINZMOENKEMEYER Der Vierundzwanzigste Februar, a one-act tragedy written by the German romanticist...

...Jack Murray Copyright © 1991 by Duke University Press 1991 COLONLAL BODIES GIDE’S L’I1MIMORALISTEAS AN INTERTEXT OF CAMUS’S “LA FEMME ADULTERE” By JACK MURRAY Most of Albert Camus’s fiction uses Algeria as its...

...E. Freeman Copyright © 1970 by Duke University Press 1970 CAMUS’S LES JUSTES MODERN TRAGEDY OR OLD-FASHIONED MELODRAMA? By E. FREEMAN Les Justes is the third and last of his original plays...

... of “Camus’ constant name-punning and allegorizing,” and adds, “it becomes clear that in the names that Camus uses one can often find meanings that clarify the whole of a particular work Another commentator, Herbert S. Gershman, has stated : “It is strange that the names mentioned in the text do...

.... MARCELFRAN~ON Harvard University Camus. By GERMAINEBRI~E. New Brunswick, N. J. : Rutgers University Press, 1959. Pp. x 3- 275. $5.00. Germaine BrCe’s important study of Albert Camus encourages the hope that increasing attention will be given the literary qualities of his...

...Mildred E. Hartsock Copyright © 1965 by Duke University Press 1965 THE DIZZYING CREST: STRETHER AS MORAL MAN By MILDREDE. HARTSOCK Albert Camus said that the truly free man, perceiving the philosophic absurdity of the human condition, with its...

..., some Rksistant intellectuals did hate. Aragon and Audisio were not abovc hating violently. Camus, Emmanuel, and 378 Reviews Gudhenno more than once gave voice to hate. The poets in particular indulged in expressions thereof. To these outcroppings Mr. Bieber...

... terms and its categories upon modern thought. Malraux’s Psychology of Art, Emmanuel Mounier’s, then Albert Beguin’s, essays in the periodical Esprit, the 1952 literary event which was the acrimonious debate between Sartre and Camus in Les Temps Modernes, avidly amplified by the whole...

... each other. In this essay I treat the “Roman” strand, represented by Louis Bertrand and others, fi rst and then discuss the ideas of Albert Camus. However, Camus could hardly be called a colon in the usual sense. Therefore I use the term mainly to refer to Bertrand and his circle...

... represented. A German- English volume is promised soon. GEORGEC. BUCK University of Washington As Age of Fiction: The French Novel from Gide to Camus. By G~BMAINE BR~Eand MARGARETGUITON. New Brunswick : Rutgers University...

... of weddings or duels because “mon style laconique veut que je ni’arreste plutost au point qu’aux paroles.”1° Sorel and Camus niake siniilar statements indicating the desirability of brevity, usually by eliininatiiig those items which were the stock in trade of the novel: descriptions of duels...

... to us? Are they universal as well as national, relevant to the concerns which are ours in this age? Tens of thousands of undergraduates in America are made to compose would-be critical essays, every academic year, on Rimbaud and Proust and Camus (and Eliot, Lawrence, Kafka, or Machado...

...Kurt L. Levy Erika Lorenz. Hamburg: Cram. de Gruyter, Ibero-Amerikanisches Forschungsinstitut, Hamburger Romanistische Studien, B. Ibero-Amerikanische Reihe, Band 24, 1956. Pp. 103. Copyright © 1957 by Duke University Press 1957 266 Reviews Camus-which...

... to the advancement of the human condition? Following the patterns set up by Sartre and Camus, most critics have insisted upon regarding Francis Ponge as a philosopher of the phenom- enological school, a role which has no connection with the poet’s avowed principles. Ponge answers these critics...

...- thored with Dori Laub.3 LaCapra rereads two texts central to Felman’s proj- ect, Albert Camus’s Fall and Claude Lanzmann’s film Shoah, in order to con- test what he understands as the problems of a deconstructive approach to trauma. In the chapter on Camus’s novel LaCapra reveals the dubious logic...