...Walter Wadepuhl Copyright © 1940 by Duke University Press 1940 HEINE AND CAMPE, POET AND PUBLISHER By WALTERWADEPUHL Although Campe was Heine’s lifelong publisher and although Hirth’s BriefwechseP contains 194 letters from Heine to Campe...

... other friends in Hamburg, Dr. David Assing, Julius Campe, August Gathy, Johann Peter Lyser, Freiherr Gotthilf August von Maltitz, and Professor Gottlieb Zimmermann are fully represented. Also Adolf Strodtmann and Heine’s later biographers bring only casual references to Merckel; they do...

...’ ‘Froissart’ The short account of the Battle of Blanche-taque (I, 291 ; 101) shows how this balanced viewpoint is used. The narrative begins with “The kyng of Englande” and presents the events within the English camp. The sentence beginning with “The Frenche kyng” shifts the viewpoint...

... that Daniel is studying, such as Edmund Spenser’s Cave of Despair, are excluded because they do not “spark joy,” Daniel explains, alluding to Marie Kondo (13). Kondo’s catchphrase is an earworm, and the play with “joy of the worm” is camp in its own right, but I would have wanted a clearer demonstration...

... and re- garded one another at a crucial point in the war. Their encounter was the performance at Valley Forge, and it arose from circumstances that had transformed the spirit of that military camp. No such play could have been imagined in the winter. There could hardly be a theater where...

... concerning his friend Du Camp. J’ai mis de c6tC pour te le montrer un article abominable (mais juste) paru hier dans 1’Evklzement contre Maxime Du Camp. I1 m’ai fait faire des “reflexions philosophiques” et j’ai eu envie de faire dire une messe d‘action de grhces, pour remercier le ciel de...

... life in camp. The changing flow of time in war — at times fast, at times sluggish— becomes almost tangible through the narration. A similar point is expressed by Lit- tell himself. See Jonathan Littell and Pierre Nora, “Conversation sur l’histoire et le roman,” Le débat, no. 144 (2007): 41. 186...

... of Iowa Press . Shoptaw John . 1994 . On the Outside Looking Out . Cambridge, MA : Harvard University Press . Sontag Susan . 1966 . “ Notes on ‘Camp.’ ” In Against Interpretation, and Other Essays , 275 – 92 . New York : Farrar, Straus and Giroux . Vincent John Emil...

...Leo Leonard Camp Ernest Campbell Mossner. New York: Columbia University Press, 1943. Pp. xv + 251. $3.00. Copyright © 1944 by Duke University Press 1944 Leo Leonard Cam# 499 The Forgotten Hume, Le Bon David. By ERNESTCAMPBELL Moss- NER. New...

.... Neither “The Luck of Roaring Camp” nor “Tennessee’s Partner” “is a work of realistic art,” he asserts ; “Harte, like any other artist, works within a convention.” The very fact that Harte’s situations can “so often be satisfactorily resolved by a fire or a flood or an earthquake is evidence...

... appear to mean “The cause of their great anger, which led them to seek out each other as soon as they were re- mounted, was not that each had unhorsed the other”-presumably refer to this special animosity, for which there will be good reason when Briseida is sent to the Greek camp. (3...

...-­avant-­garde substitutes camp and appropriations from popular culture for modernist gravitas and replaces the oppositional stance of earlier vanguards with a position of self-­ aware “indifference” (in this he acknowledges a debt to Moira Roth and Jon...

...-­avant-­garde substitutes camp and appropriations from popular culture for modernist gravitas and replaces the oppositional stance of earlier vanguards with a position of self-­ aware “indifference” (in this he acknowledges a debt to Moira Roth and Jon...

... in relation to tendencies that this book discounts). In Silverberg’s version, the neo-­avant-­garde substitutes camp and appropriations from popular culture for modernist gravitas and replaces the oppositional stance of earlier vanguards with a position...

... in relation to tendencies that this book discounts). In Silverberg’s version, the neo-­avant-­garde substitutes camp and appropriations from popular culture for modernist gravitas and replaces the oppositional stance of earlier vanguards with a position...

...-­avant-­garde substitutes camp and appropriations from popular culture for modernist gravitas and replaces the oppositional stance of earlier vanguards with a position of self-­ aware “indifference” (in this he acknowledges a debt to Moira Roth and Jon...

... in relation to tendencies that this book discounts). In Silverberg’s version, the neo-­avant-­garde substitutes camp and appropriations from popular culture for modernist gravitas and replaces the oppositional stance of earlier vanguards with a position...

... or diminution of internment’s importance in other cases may sometimes merely under- score its signifi cance” (4). An Absent Presence includes astute interpretations of Life magazine pho- tojournalism on the internment camps, academic social science studies of “Japanese behavior,” histories...

... in other cases may sometimes merely under- score its signifi cance” (4). An Absent Presence includes astute interpretations of Life magazine pho- tojournalism on the internment camps, academic social science studies of “Japanese behavior,” histories of the notorious prosecution of Tokyo Rose...

... on the internment camps, academic social science studies of “Japanese behavior,” histories of the notorious prosecution of Tokyo Rose, the proclaimed success story of the Hiroshima Maidens Project, and socio- cultural narratives of the Japanese war brides of the 1950s. She examines each case as a social text...