...James E. Hirsh James L. Calderwood. New York: Columbia University Press, 1983. xvi + 222 pp. $29.50, cloth; $13.50, paper. Copyright © 1984 by Duke University Press 1984 JAMES E. HIRSH 193 If there is a general criticism to be made...

...By JAMES L. CALDERWOOD Copyright © 1978 by Duke University Press 1978 HAMLET THE NAME OF ACTION By JAMES L. CALDERWOOD Off the coast of Wales to the northwest of Caernarvonshire is the is- land of Anglesey...

...James L. Calderwood Walter C. Foreman, Jr., Lexington: University Press of Kentucky, 1978. xii + 228 pp. $15.50. Copyright © 1979 by Duke University Press 1979 MARTIN STEVENS 415 from a reading that never took place. Possibly...

...James L. Calderwood Jane Donawerth. Urbana and Chicago: University of Illinois Press, 1984. xi + 279 pp. $16.95. Copyright © 1984 by Duke University Press 1984 JAMES L. CALDERWOOD 29 1 Chaucer to provide a fable of Christian life...

...James L. Calderwood Copyright © 1962 by Duke University Press 1962 STRUCTURAL PARODY IN SWIFT’S FRAGMENT By JAMES L. CALDERWOOD Since 1949, when James L. Clifford wrote that Jonathan Swift’s Discourse Concerning the Mechanical Operation of the Spirit, Etc...

...James L. Calderwood Copyright © 1964 by Duke University Press 1964 STYLES OF KNOWING IN ALL’S WELL By JAMES L. CALDERWOOD It is generally agreed that AZZ’s Well is an unsatisfactory play and that much of the trouble lies in the uneasy...

...James L. Calderwood Copyright © 1965 by Duke University Press 1965 A MIDSUMMER NIGHT’S DREAM THE ILLUSION OF DRAMA By JAMES L. CALDERWOOD Criticism of A Midsummer Night’s Dream has on the whole followed...

...James L. Calderwood E. M. W. Tillyard. London: Chatto and Windus, Ltd.; New York: Barnes and Noble, 1965. 216 pp. $5.00. Copyright © 1966 by Duke University Press 1966 ROBERT J. CLEMENTS 93 not yet fully under way. The word was perhaps...

...G. K. Hunter James L. Calderwood. Minneapolis: University of Minnesota Press, 1971. 192 pp. $7.50. Copyright © 1973 by Duke University Press 1973 202 REVIEWS sionally one grows annoyed at a failure to consider the context within...

...”) to get rid of’ oxymorons (such as funeral-marriage), but Calderwood’s suggestion that contradiction can be so easily disposed of, that to get beyond negation all we have to do is to get rid of Claudius, is not convincing. The evidence that Calderwood himself so tellingly amasses suggests...

... as are relevant as part of a new composition, etched on the lens itself. Shake- speare’s metadrama seems invented, in short, to support Calderwood’s metacriticism-a criticism which asks me to delight (and not in vain) in the procedures and clevernesses by which familiar structures are rearranged...

...Liselotte Dieckmann Marianne Thalmann. Translated from the German by Mary B. Corcoran. Ann Arbor: University of Michigan Press, 1964. vii + 133 pp. $3.95. Copyright © 1966 by Duke University Press 1966 JAMES L. CALDERWOOD 95 its various...

..., cloth; $13.50, paper. Although -JamesL. Calderwood’s latest book pursues a wide assortment of themes, the dominant metaphors that he uses to describe Hamlet are linguistic. In the first of three parts of To Be and Not To Be, he argues that Hamlet’s problem is one of defining himself: how...

... modern art-forms about writers writing modern art- forms about writers writing art-forms-these dispositions of the time will have it so. Reading and rereading James Calderwood’s very rereadable essays prompts thoughts about the status of the criticism that such general atti- tudes imply...

...MOODY E. PRIOR Copyright © 1980 by Duke University Press 1980 L. CALDERWOOD JAMES. Berkeley, Los Angeles, London: University of California Press, 1979. ix + 225 pp. $12.50. ...

... have civil war as their necessary basis or precondition. There is simply too much energy to be contained within the confines of peaceful rule, 13 The terms (to which I shall return) are James Calderwood’s in Metadrama in Shakespeare’s Henriad: “Richard ZZ” to “Henry V” (Berkeley...

... through complementary pro- cesses: dramatizing the inwardness of the poet and lyricizing the actions of the royal persona to the extent that James L. Calderwood 1 I want to acknowledge from the outset a heavy indebtedness to Joel Fineman, Shake- speare’s Perjured Eye: The Invention...

...), see Elam, pp. 118-36, 166-76. 8 Richard II constitutes Shakespeare’s fullest analysis of royalty’s divine speech. During his exploration of this topic in Meladrama in Shakespeare’s Henriad: “Richard I1”to “Henry V” (Berkeley: University of California Press, 1979), James L. Calderwood remarks...

.... SamuelJohnson’s Attitude to the Arts. Oxford: Clarendon Press, 1989. xvii + 195 pp.’ 34 pls. $49.95. Calderwood, James L. The Properties of “Othello.” Amherst: University of Mas- sachusetts Press, 1989. viii + 159 pp. $22.50. Callaghan, Dympna. Woman and Gender in Renaissance Tragedy: A Study...

.... xvi + 480 pp. $35.00. Calderwood, James L. Metadrama in Shakespeare’s Henriad: “Richard 11” to “Henry V.”Berkeley, Los Angeles, London: University of California Press, 1979. ix + 225 pp. $12.50. 218 2 14...