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brahm

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Journal Article
Modern Language Quarterly (1955) 16 (2): 181.
Published: 01 June 1955
... Haward University Der Briefwechsel Arthur Schnitzler-Otto Brahm. Edited by OSKARSEIDLIN. Berlin : Selbstverlag der Gesellschaft fur Theatergeschichte, Band 57, 1953. Pp. 266. With this admirable edition Professor Seidlin has made an important con- tribution to modern literary...
Journal Article
Modern Language Quarterly (1955) 16 (2): 180–181.
Published: 01 June 1955
.... EGONSCHWARZ Haward University Der Briefwechsel Arthur Schnitzler-Otto Brahm. Edited by OSKARSEIDLIN. Berlin : Selbstverlag der Gesellschaft fur Theatergeschichte, Band 57, 1953. Pp. 266. With this admirable edition Professor Seidlin has made an important con- tribution...
Journal Article
Modern Language Quarterly (1955) 16 (2): 181–184.
Published: 01 June 1955
... Briefwechsel Arthur Schnitzler-Otto Brahm. Edited by OSKARSEIDLIN. Berlin : Selbstverlag der Gesellschaft fur Theatergeschichte, Band 57, 1953. Pp. 266. With this admirable edition Professor Seidlin has made an important con- tribution to modern literary history. In the 215 letters he has...
Journal Article
Modern Language Quarterly (1959) 20 (3): 295–296.
Published: 01 September 1959
... fostered action, movement, and mass scenes with emphasis on historical fidelity. Then came Otto Brahm, who opened the eyes and ears of the public to the more subdued and deeper beauty of Grillparzer’s dramas. Students of Grillparzer are indebted to Norbert Fuerst for this exhaustive...
Journal Article
Modern Language Quarterly (1951) 12 (1): 117–118.
Published: 01 March 1951
... of the ruling dynasty was pawned off on educated circles for a great number of years, since Scherer’s students included the literary 118 Reviews historians Richard Meyer and Erich Schmidt, and the critics Brahm and Schlenther. Erich Schmidt was in turn the teacher...
Journal Article
Modern Language Quarterly (1974) 35 (3): 302–316.
Published: 01 September 1974
... with humanitarian feelings and artistic accomplishments; they have thus lost all sense of humanitarianism, learning, and art. The mayor, for example, associates Giillen with the humanistic tradition because Goethe and Brahms at some time visited the town: “Sie vergessen, da13 Sie sich in Gullen befinden...
Journal Article
Modern Language Quarterly (1959) 20 (3): 296–298.
Published: 01 September 1959
... on historical fidelity. Then came Otto Brahm, who opened the eyes and ears of the public to the more subdued and deeper beauty of Grillparzer’s dramas. Students of Grillparzer are indebted to Norbert Fuerst for this exhaustive and, in many respects, extraordinarily enlightening book...
Journal Article
Modern Language Quarterly (1954) 15 (1): 94–96.
Published: 01 March 1954
... PartizipiaIkonstruktionen in Nominativ und Akkusativ. Paderborn : Verlag Ferdinand Schoningh, 1954. Pp. 200. Seidlin, Oskar. Der Briefwechsel Arthur Schnitzler-Otto Brahm. Heraus- gegeben und eingeleitet. Berlin : Selbstverlag der Gesellschaft fur Theater- geschichte, Band 57, 1953. Pp. 266. Spalding...
Journal Article
Modern Language Quarterly (1958) 19 (3): 204–212.
Published: 01 September 1958
... fellow resident of Munich. Otto Brahm, director of the once influential Freie Buhne in Berlin, which had sponsored plays by Ibsen, Hauptmann, Anzen- gruber, and Strindberg, informed Halbe that he might give Keyser- ling’s piece a try for the sake of literature, although he did not expect...
Journal Article
Modern Language Quarterly (1947) 8 (2): 217–227.
Published: 01 June 1947
.... Departing from the formalistic traditions of Bach, Haydn, and Mozart, with their social music and contra- puntal clearness, the Romantics-Beethoven, Schubert, Schumann, and Brahms-tended more and more to take a “programme” view of music, harmonic beauty emphasizing individual feeling. hIusic...
Journal Article
Modern Language Quarterly (1974) 35 (3): 257–271.
Published: 01 September 1974
... during his lifetime, but he led the way toward the huge orchestras used by Schun~ann,Wagner, Brahms, and Tchaikovsky, all of whom were influenced also by Byron. Now what are we to say about Don Juan? In this long “medley...
Journal Article
Modern Language Quarterly (2009) 70 (2): 195–221.
Published: 01 June 2009
... every ass hears, as Brahms put it, recoils [prallt ab] from the quality of Eichendorff’s poems” (Notes to Lit- erature, 57). The allusion to the composer, together with the emphasis on hearing, does nothing to dispel but, on the contrary, maintains the 3  Athenäums-Fragmente, no. 116 (1798...
Journal Article
Modern Language Quarterly (2017) 78 (2): 139–172.
Published: 01 June 2017