...Robert Hapgood Copyright © 1967 by Duke University Press 1967 PORTIA AND THE MERCHANT OF VENICE THE GENTLE BOND By ROBERTHAPGOOD In a passage which sums up the main point of his provocative article...

...Donald F. Bond Copyright © 1944 by Duke University Press 1944 POPE’S CONTRIBUTIONS TO THE SPECTATOR By DONALDF. BOND The extent of Pope’s contributions to the Spectator has remained something of a mystery. In the last number of the original...

...Donald F. Bond Gertrude L. Woodward. James G. McManaway. Chicago: The Newberry Library, 1945. Pp. vii + 155. Copyright © 1946 by Duke University Press 1946 504 Reviews Chambers (p. 4), “In a reported text, actors, reporter, and printer may all have...

...Donald F. Bond H. Barr Mary-Margaret. Baltimore: Johns Hopkins Press, 1941. (The Johns Hopkins Studies in Romance Literatures and Languages, XXXIX.) Pp. 150. $1.25. Copyright © 1942 by Duke University Press 1942 144 Reviews No other work on this period...

...Richmond P. Bond Copyright © 1957 by Duke University Press 1957 A LETTER TO STEELE ON THE SPECTATOR By RICHMONDP. BOND Joseph Collet, after suffering bankruptcy, gained appointment as deputy governor of York Fort...

... of nescience, or unknowing, as a way to confront uncertain futures. Drawing on the work of William Cowper and Derek Jarman, it considers the discursive relationship between AIDS activism in the 1980s and the nature poetry of the Romantic period and finds in that relationship a philosophical bond between past...

...Robert J. Allen Richmond P. Bond. Austin: University of Texas Press, 1959. Pp. xii + 232. $5.00. Copyright © 1960 by Duke University Press 1960 Milton does not, of course, render Satan in the detail that Shakespeare ren- ders Claudius or Iago; yet the reader is urged to perceive...

..., a telephonic 0ne.15 Where the politics of the sublime seeks to model society on the pattern of the sublime, a sublime politics must argue that the social bond is itself the locus of a sublime sentiment, which forbids any such pattern- ing. The social bond, that is, has no content that can...

... that Cymbeline will deal with the moral implications of the disguise, though not necessarily in exactly the same terms as Twelfth Night. Recent research has made quite clear that the romances as a group are intimately concerned with family ties, especially with the father- daughter bond.10...

...John Robert Moore Katherine Kirtley Weed and Richmond Pugh Bond. Chapel Hill: University of North Carolina Press, Studies in Philology, Extra Series No. 2, 1946. Pp. vi + 233. $2.50, paper; $3.50, cloth. Copyright © 1948 by Duke University Press 1948 110 Reviews...

... of the bond’s law can be transformed into the ring of love” (p. 210). If we see the Jessica-Lorenzo affair “as it is,” it provides a meaningful contrast to that of Portia and Bassanio by being “lawless,” an “inversion of true, bonded love” (pp. 223, 224). In a continuation of the word-play which always...

.... 3 4 KNIGHTS TALE bility of the chain of love, but the violability of the marriage bond.5 The Manciple is a rogue, certainly, but-as I hope to make plain-Chaucer-the-pilgrim does no better. We cannot assume that Chaucer-the-poet...

... in Bond’s introduction. How did the letters get into the collections where they are now preserved? On what basis did Steele and his collaborators decide to reject them? What value have they to the student of the early eight- eenth-century periodical or the cultural history of the period...

... opus generabile fingit, / atque omnis partus elementa capacia reddit” (Manilius 1977 : 14): “discordia concors” as a “matrimonial bond” after Edward Sherburn (Manilius 1685 : 13, citing Lactantius, Institutes , 2.10). For the double mean among four elements, see Macrobius 1952 : 104–5 (1.6.23–28...

... represented as bonds hampering his freedom. A harrow- ing ordeal in the desert reveals to Saint ExupCry the extent of man’s subjection to his need for water. In a passage in Term des hommes, p. 178, again reflecting the author’s vexation not only at man’s liniita- 4 The italics are mine...

... impossible to unravel. And it is equally unavoidable, in Hawthorne’s view, that this central figure of aesthetic theory is an image of fatal, filial bonds. Unlike more recent, cultur- ally conservative commentators on ekphrasis such as Murray Krieger and John Hollander, Hawthorne does not think...

.... KESTERSVEXDSES C‘niztersity of Oregon Sea+ Leltcrs to tkc “7ntIcr” aid “Sprctatov.” Edited by RICH3foND P. BOND. Austin: University of Texas Press, 1959. Pp. xii 4- 232. $5.00. Throughout the course of their publication, the Tatler and the Spcctutor owed a good deal...

... is the undubitable political import attributed by Marti to this intense male bonding: 2 Ramos, Desencuentros de la modernidad en Amhca Latina: Literatura y politica en el siglo XIX (Mexico City: Fondo de Cultura Economica, 1989), 184. 8 “Marti is the only writer capable of that double outburst...

.... By KATHERINEKIRTLEY WEED and RICHMONDPUGH BOND. Chapel Hill: University of North Caro- lina Press, Studies in Philology, Extra Series No. 2, 1946. Pp. vi + 233. $2.50, paper ; $3.50, cloth. Although for more than half of the five years during which this volume was in preparation the coeditors...

... that there was a mysterious bond between them, a primal, palpable link that no intervening worldly experience could undo. The epony- mous heroine of Frances Burney’s Evelinu is drawn to her long-lost brother, Macartney, at first sight. Although they are strangers, their instantaneous interest in one another’s...