...- gory, but she has not exploited her Augustinian paradigm as fully as she might. LAWRENCEM. CLOPPER Indian a Universi ty Court and Country Politics in the Plays of Beaumont and Fletcher. By Philip J. Finkelpearl. Princeton, New Jersey...

...Philip J. Finkelpearl Copyright © 1967 by Duke University Press 1967 “WIT” IN FRANCIS BEAUMONT’S POEMS By PHILIPJ. FINKELPEARL It is probably impossible to write a history of Elizabethan drama without quoting Francis Beaumont’s nostalgic...

...Lee Bliss Copyright © 1984 by Duke University Press 1984 4 THE KNIGHT OF THE BURNING PESTLE finally, Beaumont blends satire and celebration and offers the the- ater’s defeat but also the triumph of the dramatic imagination. The satire is there, to be sure...

... knowledge of the dramatist’s more popular pieces ; and that references to Jonson become somewhat stereotyped in phrasing, whereas those to Shakespeare are more varied and, once at least, more detailed7 The other members of the “great triumvirate”-Beaumont and Fletcher-also received...

...-sometimes called epyllia-written from about 1590 to about 1615 generally agree that Salmacis and Hermaphroditus, published anonymously in 1602 and attributed somewhat dubiously to Francis Beaumont in 1640, is one of the best examples of its genre. The experts provide the sort...

... Augustinian paradigm as fully as she might. LAWRENCEM. CLOPPER Indian a Universi ty Court and Country Politics in the Plays of Beaumont and Fletcher. By Philip J. Finkelpearl. Princeton, New Jersey: Princeton University Press, 1990. viii...

..., possibly during his autumn work on Books 9 and 10 of The Prelude: the Wilton-Beaumont version of Richard Wilson’s De- struction of NiobeS Children.17 The latter is a kind of Repentant Mag- dalene in which landscape is writ large. Where the Le Brun work shows spilled jewels...

.... The Lamb ancl the Elephant: Ideal lmitation ancl the Context of Renaissance ,4lkgory. San Marino: Huntington Library, 1974. slvi + 254 pi;. $17.50. FESTSCHRIFTEN Beaumont, E. M.,J. M. Cocking, and J. Cruickshank (editors). Order and Adventure...

..., ed. Herford and Simpson (Oxford, 1932). IV. 70.. . * 11, i and ii: For b&umont-Fletcher references I have used Works of Francis Beaumont and John Fletcher, ed. Glover and Waller (Cambridge, 1905-1912). Shukespeare’s Library, ed. W.C. Hazlitt, 2nd ed. (London, 1875), V, 371. Q...

...: “Modern students of Mid- dleton accept the ascription to him on the title-page of Anything for a Quiet Lfe, 1662, and there is no support for Webster’s part in The Fair Maid ofthe Inn, from the first folio of Beaumont and Fletcher, 1647” (p. 199). Unfortunately, matters are not so simple...

... students of Mid- dleton accept the ascription to him on the title-page of Anything for a Quiet Lfe, 1662, and there is no support for Webster’s part in The Fair Maid ofthe Inn, from the first folio of Beaumont and Fletcher, 1647” (p. 199). Unfortunately, matters are not so simple. David J. Lake...

..., only five were considered worth mention: Shakespeare (whom we shall treat later), Massinger, Jonson, Beaumont, and Fletcher. R..G. Noyes has shownlol that Jonson was popular from 1756-1776, and this continued to be true until long after 1785. There were more than two hundred * Part I...

... and was certainly composed in the same year.l: \Vhile we must allow for tlie degree of exaggeration usual in poems of this type, we niust also allow that the admiration for Fletcher, for Beaumont, and for Jonson which the poem reveals represents Vaughan’s real attitude at the tinie of writing. He...

... to come. Late in August, 1763, a tall, lean young Frenchman who called himself Pierre Henri Treyssac de Vergy, appeared at the French Embassy in London. In charge of the Embassy since April 17, 1763, was the Chevalier D’Eon de Beaumont, secret agent extraordinary for Louis XV of France...

... they borrow some from Phillips but add more than they borrow ; among these are the notices of Beaumont and Fletcher, Chaucer, Cleveland, Corbet, Donne, Drayton, Phineas Fletcher, Greene, Greville, Jonson, Lodge, Lovelace, Middleton, More, Ran- 3 See Winstanley’s accounts of Richard Brome, John...

... as such, an aesthetic need 10 Nicholas Brown, Utopian Generations: The Political Horizon of Twentieth- Century Literature (Princeton, NJ: Princeton University Press, . 11 Michael Löwy, “The Current of Critical Irrealism: ‘A Moonlit Enchanted Night,’ ” in Adventures in Realism, ed. Matthew Beaumont...

... her selfe a Crowne Of all those wits, which hitherto sh’as knowne ; Though there be many that about her brow Like sparkling stones, might a quick lustre throw: Yet Shakespeare, Beaumont, Johnson, these three shall Make up...

... the dramatists use the word ‘copy’ in several senses it constitutes a veritable trap for the commentator.” So when “In Beaumont and Fletcher’s The Knight ,of the Burning Pestle, a character boasts, ‘I am a Londoner, . . . Free by my Copy,’ ” and when “Dekker puns on the same idea...

... comedy, which under the Queen had been made up of simple comedies of intrigue or romance, but under the King became satirical. Mere surprise takes the place of dramatic suspense. Beaumont and Fletcher, Mas- singer, and Shirley held the stage when Marlowe, Tourneur, Web- ster, Middleton...