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Journal Article
Modern Language Quarterly (1954) 15 (2): 182.
Published: 01 June 1954
... The Digressions in “Beowulf.” By ADRIENBON JOUR. Oxford : Basil Blackwell, Medium Evum Monographs V, 1950. Pp. mi + 80. 7s. 6d. The Audience of “Beowulf.” By DOROTHYWHITELOCK. Oxford : Clarendon Press, 1951. Pp. vi + 1.11. 10s. 6d.; $2.50. Dr. Bonjour’s detailed study...
Journal Article
Modern Language Quarterly (1942) 3 (2): 332–334.
Published: 01 June 1942
...George F. Reynolds 332 Reviews admiration for him, and no one, present or absent, interprets the death as a punishmerit for sin. Particularly at Tamburlaine’s death, which concludes the play, the audience is left with the re-affirmation of his philosophy...
Journal Article
Modern Language Quarterly (1985) 46 (4): 368–389.
Published: 01 December 1985
.... DISGUISE AND THE AUDIENCE IN CONGREVE* By HAROLDWEBER The recent appearance on different sides of the Atlantic of Jocelyn Powell’s Restoration Theatre Production and Judith Milhous and Robert D. Hume’s Producible Interpretation...
Journal Article
Modern Language Quarterly (1988) 49 (4): 311–320.
Published: 01 December 1988
...Peggy Samuels THE AUDIENCE WRITTEN INTO THE SCRIPT OF WEDREAM OF WEROOD By PEGGYSAMUELS For many contemporary scholars, religious ritual has become...
Journal Article
Modern Language Quarterly (1963) 24 (1): 31–41.
Published: 01 March 1963
...Richard I. Cook THE AUDIENCE OF SWIFT’S TORY TRACTS, 1710-14 By RICHARDI. COOK If, as Aristotle puts it, the art of rhetoric lies in “discovering in the particular case what are the available means of persuasion,”l then it follows that the more specific...
Journal Article
Modern Language Quarterly (1956) 17 (1): 50–59.
Published: 01 March 1956
...Carl R. Woodring Copyright © 1956 by Duke University Press 1956 THE AIMS, AUDIENCE, AND STRUCTURE OF THE DRAPIER’S FOURTH LETTER By CARLR. WOODRING Many an undergraduate has noticed for himself that the famous satires of Dean Swift lack...
Journal Article
Modern Language Quarterly (1970) 31 (2): 245–248.
Published: 01 June 1970
...J. L. Styan William Willeford. Evanston: Northwestern University Press, 1969. xxii + 266 pp. $8.50. Copyright © 1970 by Duke University Press 1970 REVIEWS The Fool and His Scepter: A Study in Clowns and Jesters and Their Audience...
Journal Article
Modern Language Quarterly (1980) 41 (2): 199–201.
Published: 01 June 1980
...OTTO REINERT OTTO REINERT 199 Ibsen’s Drama: Author to Audience. By EINARHAUGEN. Minneapolis: University of Minnesota Press, 1979. ix + 185 pp. $15.00, cloth; $6.95, paper. Most recent books on Ibsen have been long, like Michael Meyer’s...
Journal Article
Modern Language Quarterly (1952) 13 (1): 114–115.
Published: 01 March 1952
... works relating to America that will some day have to be compiled. H. F. PETERS Reed College Theatre, Drama ud Audience in Goethe’s Gernrany. By W. H. BUUFORD. London: Routledge & Kegan Paul Ltd., 1950. Pp. xi + 388. 21s. The preface...
Journal Article
Modern Language Quarterly (1984) 45 (4): 415–416.
Published: 01 December 1984
... as it looked at the beginning of the discontinuous 1980s. NELSONHILTON University of Georgia Robert Browning: His Poetry and His Audiences. By LEEERICKSON. Ithaca and London: Cornell University Press, 1984. 287 pp. $25.00...
Journal Article
Modern Language Quarterly (2008) 69 (2): 221–243.
Published: 01 June 2008
...David Randall In Habermasian theory, the bourgeois public sphere was preceded by a literary public sphere whose favored genres revealed the interiority of the self and emphasized an audience-oriented subjectivity. This essay argues that the association of this early modern literary discourse...
Journal Article
Modern Language Quarterly (2009) 70 (4): 415–441.
Published: 01 December 2009
...,” collections of songs from various locales in his native northeastern England. Lacking the explanatory prefaces and footnotes that might make meaning available to broader or later audiences, Ritson's garlands targeted a decidedly ephemeral local community in the present. In the face of dominant antiquarian...
Journal Article
Modern Language Quarterly (2011) 72 (4): 493–520.
Published: 01 December 2011
... to literary texts illuminates how minor language modernist writing contains a self-awareness that not only addresses a cosmopolitan audience but also preserves the contingent and shifting parameters of local linguistic communities. Modernist Indexicality: The Language of Gender, Race, and Domesticity...
Journal Article
Modern Language Quarterly (2020) 81 (1): 33–64.
Published: 01 March 2020
...: the literary antiauthoritarianism in his drama (the irony granting audiences the freedom of interpretation) perfectly matched the political antiauthoritarianism (liberalism) advocated by the likes of Adam Smith and John Stuart Mill. Thus it is possible to speak of bardolatry as an allegorical intertext...
Journal Article
Modern Language Quarterly (2020) 81 (2): 193–217.
Published: 01 June 2020
... of the nineteenth century shows that the novels and stories alone did not bring about a widespread shift in English prose style. Before such a transformation could happen, his theoretical statements about style in the correspondence needed to be shared with and interpreted for a new audience. Flaubert’s fiction did...
Journal Article
Modern Language Quarterly (2020) 81 (4): 527–552.
Published: 01 December 2020
... of the methodological impasses of contemporary literary studies. Epideixis, a basic mode of pointing or linguistic ostension, confers value, often by way of praise or blame, without trying to persuade its audience with the practical immediacy of political or forensic rhetoric. Drawing on the ordinary language...
Journal Article
Modern Language Quarterly (2021) 82 (4): 441–472.
Published: 01 December 2021
... to a mainstream Anglophone audience: Joris-Karl Huysmans’s En Route (1895, trans. 1896) and La cathédrale (1898, trans. 1898) and Pierre Louÿs’s Aphrodite: Mœurs antiques (1896, trans. 1900 and 1906) and La femme et le pantin (1898, trans. 1908). By reading letters, memoirs, and prefaces alongside periodical...
Journal Article
Modern Language Quarterly (2009) 70 (1): 147–161.
Published: 01 March 2009
... on orally from performer to performer and from performer to audience, blackface minstrels sought to reassure the middle classes that they were emulating more sophisticated European musical traditions. What both the covers and the contents of post-1843 blackface sheet music reveal is that these minstrels...
Journal Article
Modern Language Quarterly (2008) 69 (3): 367–389.
Published: 01 September 2008
... corollaries to Wilde's, illustrating that contemporary audiences understood Wilde's and Strauss's projects as compatible and complementary rather than divergent, as later scholars have argued. At a time when the relationship between the symbolist-decadent and modernist aesthetics was very much in flux...
Journal Article
Modern Language Quarterly (1985) 46 (4): 347–367.
Published: 01 December 1985
..., 1919), p. 116; quoted (with slight inaccuracy) and discussed in William Empson, Seven Types of Ambiguity (London: Chatto and Windus, 1930), pp. 30-32. 350 THE WINTER’S TALE dramatic world; it extends, as well, to his audience’s temporal expe- rience...