... , appeared in 2011. A Brief History of the Artist from God to Picasso . By Barolsky Paul . University Park : Pennsylvania State University Press , 2010 . xvi + 147 pp. © 2012 by University of Washington 2012 Reviews A Brief History of the Artist from God to Picasso. By Paul...

.... E. H. EBY Univet-sity of Washington Hawthorne, the Artist: Fine-Art Devices in Fictiolz. By LELAND SCHUBERT.Chapel Hill : University of North Carolina Press, 1944. Pp. 177. $3.50. Other writers om Hawthorne have touched in passing 011 the devices Hawthorne...

...Allan H. Gilbert Copyright © 1945 by Duke University Press 1947 ∗ Incidentally a review of Gladys I. Wade, Thomas Traherne , with a selected bibliography of criticism, by Robert Allerton Parker (Princeton, 1944), Pp. x, 269. THOMAS TRAHERNE AS ARTIST...

...Allan H. Gilbert Copyright © 1947 by Duke University Press 1947 THOMAS TRAHERNE AS ARTIST. PART TWO By ALLANH. GILBERT IV. THEART OF POETRY Traherne was aware of other arts than poetry. There are a few slight references...

...Mary Steussy Shanahan Copyright © 1975 by Duke University Press 1975 THE ARTIST AND THE RESOLUTION OF THE WAVES By MARYSTEUSSY SHANAHAN Nearing the end of To the Lighthouse, in one of the depressions...

... insisted upon. L.\N(.E.Bk K I k.1.Sk.N Universily of Texas ut Austin Madame de Stael, Novelist: The Emergence of the Artist as Woman. By MAIIELYN GUTWIRTH.Urbana, Chicago, London: University of Illinois Press, 1978. xii + 324...

...Robert Ornstein John W. Blanpied. Newark: University of Delaware Press; London and Toronto: Associated University Presses, 1983. 278 pp. $29.50. Copyright © 1984 by Duke University Press 1984 REVIEWS Time and the Artist in Shakespeare’s English Histories...

...Marc Manganaro Copyright © 1986 by Duke University Press 1986 “BEATING A DRUM IN A JUNGLE” T. S. ELIOT ON THE ARTIST AS “PRIMITIVE” By MARCMANGANARO Throughout his career the utterly...

...Sanford Pinsker Copyright © 1969 by Duke University Press 1969 MENDELE MOCHER SEFORIM HASIDIC TRADITION AND THE INDIVIDUAL ARTIST By SANFORDPINSKER Tradition has it that Sholom Aleichem gave Mendele Mocher...

... of Brown- ing’s greatest poem. Hers is a sensible, perceptive, and satisfying volume. RICHARDD. ALTICK Ohio State University Snrtre and the Artist. By GEORGEHOWARD BAUER. Chicago and London: University of Chicago Press, 1969. x...

.... The printing has been done with care. Only two misprints were noted: not (p. 177) for nor, and Weibsanstalt (p. 269) for Weibs- gestalt. MAX SCHERTEL University of IJWLz‘ngton The Artist in Modern German Drama. Ey RALPHSTOKES COLLINS. Doctor’s...

...Rima Drell Reck Copyright © 1962 by Duke University Press 1962 ∗ This paper was read before the French 7 section (“Hommage à Albert Camus”) of the Modern Language Association at Philadelphia on December 27, 1960. ALBERT CAMUS: THE ARTIST AND HIS TIME...

... and race.” -Pave1 Eisner, Frame Kafka and Prague A PORTRAIT OF THE ARTIST AS HARD-BOILED MESSIAH By STANLEYPoss Joyce critics are legion by now; indeed, they constitute one of America’s...

...William V. Glebe Copyright © 1961 by Duke University Press 1961 THE “DISEASED” ARTIST ACHIEVES A NEW “HEALTH” THOMAS MANN’S LOTTE IN WEIMAR By WILLIAMV. GLEBE Thomas Mann’s now familiar concept of artistic genius as having a bond...

...Philip A. Wadsworth Copyright © 1951 by Duke University Press 1951 SAINT EXUPERY, ARTIST AND HUMANIST By PHILIPA. WADSWORTH The heroic death of Saint ExupCry in 1944 seemed to have cut short the literary career of one of France’s most gifted writers. His...

...W. H. Rey Copyright © 1958 by Duke University Press 1958 1 This article was read as a paper before the German Section of the Ninth Annual Northwest Conference of Foreign Language Teachers (April 10-12, 1958) at the University of Oregon. TRAGIC ASPECTS OF THE ARTIST...

...Donald R. Howard Paul T. Thurston. Gainesville: University of Florida Press, 1968. x + 240 pp. $7.50. Copyright © 1970 by Duke University Press 1970 REVIEWS Artistic Ambivalence in Chaucer’s “Knight’s Tale.” By PAULT. THURSTON. Gainesville...

... almost exclusively of contributions from Hispanic authors and artists, and exported to its readers—suggest a Spanish American literary landscape built on an allegorical appropriation of Paris. By physically and discursively situating Paris as the nodal point for literature and art made in and destined...

... to ideology and reality and the artist’s problematic role in representing either the murders or their structural causes. Deckard argues that 2666 is a “world-system novel” that reformulates realist aesthetics to interrogate the ideological nature of art and the limits of realism while encoding the conditions...

... the social trajectories of the peasant formations of the precapitalist world. According to Naipaul, these deranging effects are precisely what the peripheral artist excavates. Writers born of this historical milieu must, in his view, also note how their work partakes of the order it describes. Those who...