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anti-song
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Journal Article
Modern Language Quarterly (2021) 82 (2): 177–200.
Published: 01 June 2021
... by University of Washington 2021 William Shakespeare John Donne George Herbert G. W. F. Hegel anti-song Jonathan Culler’s magisterial Theory of the Lyric , for all its brilliance, cannot escape a problem endemic to all attempts to generalize about a genre. Culler develops a theory of persistent...
Journal Article
Modern Language Quarterly (1961) 22 (3): 227–235.
Published: 01 September 1961
... Antigone’s Song as “Mirour”
Sister Mary Raynelda Makarewicz interprets the whole of Anti-
gone’s song as a description of “true” love. “The antithesis between
true and false love is further illustrated in the love songs of Antigone
and the nightingale. In the first there are echoes...
Journal Article
Modern Language Quarterly (1990) 51 (3): 389–407.
Published: 01 September 1990
... reinforce this sense of the tale’s tradition, ending with an
anti-feminist moral, as does the tale by Adolphus. St. Peter and
Christ are common intercessors, adding the weight of Christian
authority to the Merchant’s bitter anti-feminist conclusions about
women, as the Novellino and Adolphus...
Journal Article
Modern Language Quarterly (1995) 56 (4): 395–431.
Published: 01 December 1995
... John Davies states,s4 underlies the pragmatism
and anti-Petrarchan statements found throughout the ayres. For exam-
ple, one anonymous poet asks, in song 16 of William Corkine’s SPcond
rook^ 0fAyre.s ( 16 iz), “Shall I learn . . . that Loue’s disguised?”only to
answer, “No, I will be more...
Journal Article
Modern Language Quarterly (2000) 61 (1): 131–156.
Published: 01 March 2000
... subjected
Kantian-Coleridgean “essentialist organicism” to withering historical
deconstruction—have proceeded to pose their own alternative
accounts of aesthetic and cultural history. These alternatives often
involve an “anti-aestheticist” constructionism...
Journal Article
Modern Language Quarterly (1945) 6 (1): 107–109.
Published: 01 March 1945
... for contradictions involved in
the anti-royalist Milton’s use of royalist symbolism, and finds a
dilemma which, for good reason, has not disturbed three centuries
of readers. Perhaps my objection is best illustrated, not by con-
futing Ross on one or two details, but by applying his method to
another...
Journal Article
Modern Language Quarterly (1964) 25 (4): 494–496.
Published: 01 December 1964
... on a study of three songbooks compiled
between about 1500 and 1530, which “contain between them almost the
whole repertory of early Tudor songs-that is, of poems set to music” (p. 7).
It is extraordinary, therefore, that they have never been carefully examined
before. Stevens’ study leads him...
Journal Article
Modern Language Quarterly (1964) 25 (4): 494–496.
Published: 01 December 1964
... in the
History of Music, 1963. xxii + 334 pp. $8.00.
John Stevens’ book is based on a study of three songbooks compiled
between about 1500 and 1530, which “contain between them almost the
whole repertory of early Tudor songs-that is, of poems set to music” (p. 7).
It is extraordinary, therefore...
Journal Article
Modern Language Quarterly (1995) 56 (1): 97–99.
Published: 01 March 1995
...Michel-André Bossy Haidu Peter. Bloomington: Indiana University Press, 1993. x + 257 pp. $39.95. Copyright © 1995 by Duke University Press 1995 Reviews
The Subject of Violence: The “Song of Roland * and the Birth of the State. By Peter
Haidu. Bloomington: Indiana University...
Journal Article
Modern Language Quarterly (2009) 70 (4): 415–441.
Published: 01 December 2009
... In many anti-
quarian works of the eighteenth century, vernacular language appears
as an authenticating artifact; words and their etymology lead from
present to past.39 Yet Herd denies that the words on his page represent
the actual ancient language of the songs, which, in his assessment, has...
Journal Article
Modern Language Quarterly (1966) 27 (2): 222–224.
Published: 01 June 1966
... of Halbach’s chronology depends upon his interpretation of Wal-
ther’s anti-Reinmar songs; but the reader should realize that the whole
feud may have been more literary than personal, and even more fictitious
than real. Possibly it was a mutually arranged means of winning attention,
as seems...
Journal Article
Modern Language Quarterly (1960) 21 (3): 195–207.
Published: 01 September 1960
... of early 1818 focus the passionate public interest in
things Scottish and, by association, the primitive well of poetry and
song. From them three lines can be traced to “La Belle Dame”: bal-
lads, the literary interest in ancient poetry, and the public consumption
of Scottish novels and plays...
Journal Article
Modern Language Quarterly (2012) 73 (2): 201–235.
Published: 01 June 2012
... to “sing us one of the songs of
Zion,” the exiled Jews of Psalm ask, “How shall we sing the Lord’s
song in a strange land?” (Nead, –
The mid- Victorian era was a period of rising anti- Semitism in Brit-
ain as Benjamin Disraeli’s political ascent saw the biblical narrative of
Moses in Egypt...
Journal Article
Modern Language Quarterly (1940) 1 (4): 539–549.
Published: 01 December 1940
... are further evidence of the popularity of the theme.
Contrary to the general mourning over the premature death of the
duke, an anti-Napoleonic tendency was displayed in a few of these
historical folk-songs. Instead of regret over his death, their writers
expressed the opinion that by this went...
Journal Article
Modern Language Quarterly (1972) 33 (2): 201–203.
Published: 01 June 1972
...?
G. NORMANLAIDLAW
State University of New York
Stony Brook
Wilhelm Miiller’s Lyrical Song-Cycles: Interpretations and Texts. Hy ALAN
P. COITRELLhapel Hill: University of North Carolina Press, Studies in
the Germanic Languages and 1,i teratures, 66, 1970. I70 pp. $7.00...
Journal Article
Modern Language Quarterly (1971) 32 (4): 377–386.
Published: 01 December 1971
... to connect the roles with the central concerns of the two
poems. Bacon is hardly unique in his formulation of the duality in
Orpheus’ song: “The singing of Orpheus is of two kinds; one to propi-
tiate the infernal powers, the other to draw the wild beasts and the
woods. The former may be best...
Journal Article
Modern Language Quarterly (1954) 15 (3): 273–274.
Published: 01 September 1954
... that bespeaks mastery of the
subject. His book should be useful, pleasantly and illuminatingly so, as collateral
reading for undergraduates and as a text for advanced students and specialists.
The materials ? Professor Moore examines lyrics that are anti-feminine,
humorous, musical, political...
Journal Article
Modern Language Quarterly (1954) 15 (3): 274–275.
Published: 01 September 1954
... should be useful, pleasantly and illuminatingly so, as collateral
reading for undergraduates and as a text for advanced students and specialists.
The materials ? Professor Moore examines lyrics that are anti-feminine,
humorous, musical, political, philosophical, realistic, and satiric. He...
Journal Article
Modern Language Quarterly (1966) 27 (2): 224–226.
Published: 01 June 1966
... conjectural.
Much of Halbach’s chronology depends upon his interpretation of Wal-
ther’s anti-Reinmar songs; but the reader should realize that the whole
feud may have been more literary than personal, and even more fictitious
than real. Possibly it was a mutually arranged means of winning...
Journal Article
Modern Language Quarterly (1943) 4 (3): 309–311.
Published: 01 September 1943
... of what Keats meant. The rest may be suggested by
excerpts from his letters:
I know not how it is, the Clouds, the Sky, the Houses, all seem
anti-Grecian and anti-Charlemagnish. . . . She [a girl in Ireland]
is fair, kind and ready to laugh, because she is out of the horrible
dominion...
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