...Helen Andrews Kahin JANE ANGER AND JOHN LYLY By HELENANDREWS KAHIN In the last half of the sixteenth century most English authors had learned to recognize the importance of their feminine readers. But although eulogies had become the rule rather...

...Charles LaPorte Victorian Interpretation. By Suzy Anger. Ithaca, NY: Cornell University Press, 2005. xii + 207 pp. © 2008 by University of Washington 2008 Charles LaPorte is assistant professor of English at the University of Washington. His most recent article, “The Bard...

.... His essay “The Hum of Literature: Ostension in Language” appeared in the March 1993 issue of MLQ. doi 10.1215/00267929-2007-039 Victorian Interpretation. By Suzy Anger. Ithaca, NY: Cornell University Press, 2005. xii + 207 pp. Suzy Anger’s Victorian Interpretation is a provocative...

.... His essay “The Hum of Literature: Ostension in Language” appeared in the March 1993 issue of MLQ. doi 10.1215/00267929-2007-039 Victorian Interpretation. By Suzy Anger. Ithaca, NY: Cornell University Press, 2005. xii + 207 pp. Suzy Anger’s Victorian Interpretation is a provocative...

... “The Hum of Literature: Ostension in Language” appeared in the March 1993 issue of MLQ. doi 10.1215/00267929-2007-039 Victorian Interpretation. By Suzy Anger. Ithaca, NY: Cornell University Press, 2005. xii + 207 pp. Suzy Anger’s Victorian Interpretation is a provocative study of how we...

.... His essay “The Hum of Literature: Ostension in Language” appeared in the March 1993 issue of MLQ. doi 10.1215/00267929-2007-039 Victorian Interpretation. By Suzy Anger. Ithaca, NY: Cornell University Press, 2005. xii + 207 pp. Suzy Anger’s Victorian Interpretation is a provocative...

.... His essay “The Hum of Literature: Ostension in Language” appeared in the March 1993 issue of MLQ. doi 10.1215/00267929-2007-039 Victorian Interpretation. By Suzy Anger. Ithaca, NY: Cornell University Press, 2005. xii + 207 pp. Suzy Anger’s Victorian Interpretation is a provocative...

... is factual-historical; the tone is even, now mildly humor- ous, now stirred to self-pity and anger, but without violating the air of objective reportage. Nevertheless, the familiar myth of the Vic- torian literary orphan is activated, the story of the deprived out- sider who focuses society’s...

... KEVlEWS casion to say a lot about in passing. At least 1 now have margins to make my own index in (all, 47; anger, 222; cunning, 216-18; dick, 149-56; nature, 96, 127 . . but, since there is no other single book in which to look into the bawdy senses of all, anger, cunning, etc., I wish...

... to make my own index in (all, 47; anger, 222; cunning, 216-18; dick, 149-56; nature, 96, 127 . . but, since there is no other single book in which to look into the bawdy senses of all, anger, cunning, etc., I wish Ellis had indexed them him- self. In the body of the book Ellis regularly...

...; his violence is always noble, his wrath that of a gentleman; he has the beau role, and it is the victims of his anger who are made to look ridiculous. A fiery violence was the chief feature of MolC’s acting in the Misanthrope, and one old actor insisted that “I1 lui partait des 6th...

... coherence of writtenness set off against the potentially destructive, potentially renewing force of popular will: in his discus- sions of Paine and of those put outside the “limits of Enlighten- mentAfrican Americans, Indians, women -Ferguson names this matrix force “anger” and eloquently...

.... Pity is an ambiguous term in Virgilian epic (Burrow 1993 ; Garrison 1992 ); of anger more will be said later. Nevertheless, when we read the words pittilesse and wrathfulnesse , our moral antennae jolt to attention. Literature has a long tradition of sinister forests (including Spenser’s own...

..., As Nature seem’d afraid of her Disguise. 10. Ambitious Hubert to Verona came In the dark Rei n of Universal Sleep; And means no fears shall quench his Angers flame, Tho all the Dwellers must be wak‘d to weep. 11. Till Fame had made the Duke’s Adoption known...

... associative imagination moving ineluctably from Emma to the woman he saw at Clane to the woman in Davin’s . story to The Old Woman herself: And yet he felt that, however he might revile and mock her [Em- ma’s] image, his anger was also a form of homage. He had left the classroom...

... the strength to live. Submissiveness is the central solu- tion, and with this torpid conduct in the background anger plays its part. A moment of respite can seldom be found. Religion never offers any comfort to these struggling souls, and when it does, it comes closer to a kind of superstition than...

... cnlightcnment of the twentieth). Second, it is based on feminist assumptions about fernalc “anger” (with socially or aesthetically rebellious texts privileged while more culturally acquiescent works are devalued). Third, it is ahistorical (refrising to take into account, for instance, the key...

... time. Literary criticism of her sort uncovers thought and feeling in motion. It is the nuances of anger (say) that she anatomizes, detailing its manifestations in word and deed, in each case different yet still anger.’ 1 Sedgwick, Epistemology of the Closet (Berkeley: University...

... can be read as documents of repressed terror, as sites of the memory of unhistoried peoples — in the case of one play- wright in particular, Terence, the buried memory of the North African genocide. “How can I express the great anger that burns in my fevered liver?” asked Juvenal, who suffered...

... of significance” in the other which provokes emotions in the self akin to anger- feelings, as Max Scheler describes, derived from repressing the emotions of “revenge, hatred, malice, envy, the impulse to de- tract, and spite.”3These feelings are not matched by like responses in the other, which...