... Amours de 1552 et 1553 dtaient, selon son oreille tout autant que selon son coeur, en vCritd ‘proprement nez pour les amours”’ (p. 232). The second important revelation concerning Ronsard‘s revisions results from a well-documented study of numerous details having to do with the lyricism...

...Melanie Micir Abstract Reading Kate Atkinson’s Life after Life (2013) in the context of theories of the historical novel (Georg Lukács, Fredric Jameson) and counterfactual fiction (Catherine Gallagher, Andrew Miller, Paul Saint-Amour) sheds light on an overlooked genealogy of the feminist modernist...

... conclusions. The poet’s borrowings from Petrarch and others does not alter the fact that his very first poem, “Des beautez qu’il voudroit en s’amie,” places him “parmi les tenants de l’amour bas” (p. 30)’ that this “amour de la chair” runs throughout his work but is especially vigorous during...

... stronger in the Amours de Cw- sandre; that Ronsard is almost timid in the Anaours de Marie. And he has demonstrated that in seven cases out of nine Ronsard‘s corrections harm rather than improve the quality of his lyricism. M. Desonay accomplishes these results by the use of a method which...

..., SociCtC des Textes Franpis Modernes, 1959. Pp. 97-364. Tome XVII, troisiPme partie : Les Euvres, Tomes II-VII (1578). Paris : Didier, 1960. Pp. 365-444. The second part of Tome XVII of Ronsard‘s Euvres complhtes contains a “Rappel des pikes du Premier liure des Amours,” a “Rappel des...

.... 97-364. Tome XVII, troisiPme partie : Les Euvres, Tomes II-VII (1578). Paris : Didier, 1960. Pp. 365-444. The second part of Tome XVII of Ronsard‘s Euvres complhtes contains a “Rappel des pikes du Premier liure des Amours,” a “Rappel des pi4ces du Second livre des Amours...

... of Ronsard’s sonnet cycles. Within this vast framework it becomes immediately obvious that the author considers the early Amours (1552-53) as a rather vapid and monotonous undercoating, propped up by chevilles and suffering from an unimaginative handling of the source material. Compliment...

..., derived from two sources, both of them neces- sary to mankind’s survival, both of them part of nature, “cet amour- propre nkcessaire pour sa conservation” and “une bienveillance natu- relle” (XXII, 222). Amour-propre, of which pride is an extreme form, causes man to value his own life...

... imitates Cervantes, with no continuity ; but with the Nouvelles choisies, he returns to the Italian manner, later used also by Segrais. 6 For example, Claireville, Les Amours infidelles (Paris, 1625) ; D. T., Les Aventures fortundes (Paris, 1638) ; Grenaille, Les Amours historigties des Princes...

... thematic study of love in seventeenth-century French letters, Louise Horowitz deals with the problem of a single signifier covering a variety of signifieds by using Stendhal’s term amour-passion. Her aim is to confront the views of a group of roughly contemporaneous prose writers all of whom...

... (ironique), Flaubert ait con- serve une vbnbration profonde pour les souvenirs de son premier amour” (p. 43). On the basis of these facts, we are forced, Miss Mason argues, to abandon the legend of “ce pur amour.”1 Jean Pommier reaches a similar conclusion after studying the scenarios...

... to false conclusions. Done Elvire, however, is partly responsible for her lover’s jealousy. Like any self-respecting pre‘cieuse, she is loath to call a spade a spade. Indeed, even her lady-in-waiting, the nimble-witted Elise, has been kept in the dark: Cet amour que pour hi votre...

... Reviews surprenants de la sympathie” which, being really out of place, is an encumbrance to the development of the argument. Chapter I11 on “The Sensitive Heart,” Chapter IV on “Amour-propre,” Chapter V on “Amour tendresse,” the supplemental Chapter VI, devoted to these qualities as seen...

... roman- tic, was to argue in De Z’Amour. In her thematic study of love in seventeenth-century French letters, Louise Horowitz deals with the problem of a single signifier covering a variety of signifieds by using Stendhal’s term amour-passion. Her aim is to confront the views of a group...

..., and it is the latter which characterizes most of his poetry, especially the lyrics. Houghton’s remarks on the longer poems, especially the Amours and Dipsychus, illustrate vividly the way in which his failure to see the vital connection between Clough’s moral realism and his poetic theory and prac- tice...

... realism, and it is the latter which characterizes most of his poetry, especially the lyrics. Houghton’s remarks on the longer poems, especially the Amours and Dipsychus, illustrate vividly the way in which his failure to see the vital connection between Clough’s moral realism and his poetic...

... of the copies of the Amours of 1552 in the Biblioth6que Municipale d‘OrlCans (D. 1505) and in the British Museum (C. 57. A. 31 [l M. Desguine’s presentation of the text is as close to perfection as it IS possible to come. Apart from a very occasional accent not present in the original edition...

... apologetically : “Si Corbiitre versificateur est souvent incorrect, c’est parce qu’il le veut ainsi. . . .”s Such comments are particularly applicable to his later poems, those of his Parisian period, grouped under the following chapters of Les Amours jaunes: “Q,” ‘Us Amours jaunes,” “Skrknade des...

... for the first time in the Continuation des Amours of 1555. In 1557 Ronsard published it again with some modifications, and for the 1560 edition of the Euvres he reworked it once more, giving it its definitive form. It is missing from the edition of 1578 and does not appear again...

... du XVIe si6cle. Notons que le refrain: Desbander l’arc ne guerit point la plaie est une traduction assez libre d’un vers d’un sonnet de PCtrarque (cf. art. cit. sur Vasquin Philieul, p. 221). Disons, B propos des “cinq points en amour,” qu’on voudrait voir citer l’article de James...