...Glyn Salton-Cox Abstract Reading Christopher Isherwood’s Berlin Stories (1935–39) through an important debate in the Marxist aesthetics of the period between Sergei Tretiakov and Georg Lukács, this article argues that Isherwood’s famous statement “I am a camera” should be reimagined...

... techniques to Christopher Isherwood’s vaunted camera-eye narration, late modernism was shaped by the pointed insistence that “macro-level” historical processes are best mediated by “micro-level” details (15). This choice seems partly a matter of convenience: as Georg Lukács and Fredric Jameson have pointed...

... authors from all over the world—France, Italy, Germany, Britain, Spain, eastern Europe, and the Soviet Union. It is fitting that the small group of writers who served as informal editorial advisers—Christopher Isherwood, W. H. Auden, Fox—were, like Lehmann, highly cosmopolitan and spent much of the 1930s...

... and slavey be found dutch-kissing on stairs Fill up the glasses with champagne and drink again. 7 Letter from Iris Sinkinson to Lucy McDiarmid, 4 June 1985. 8 W. H. Auden and Christopher Isherwood, The Dog Beneath the Skin; or, Where is Francis? (London: Faber 8c Faber, 19351, pp...

..., CA: Harcourt Brace Jovanovich, 1987), 290. Laura Marcus suggests that in the latter essay Woolf conceptualizes film as “locomotive” but emotionless The( Tenth Muse: Writing about Cinema in the Modernist Period [Oxford: Oxford University Press, 2007], 102 – 4). 28  Christopher Isherwood...

... ( 2016 : 68, 74) also contends that the formal techniques of modernist fiction are found in the “late modernist renovations of the historical novel” that appeared in the 1930s alongside “the rampant discourse of history’s end.” For Davis, Woolf’s Years and Christopher Isherwood’s Goodbye to Berlin...

... Townsend Warner, Somerset Maugham, Christopher Isherwood, Henry Green, and Graham Greene are allotted their rightful place in the history of the novel in England. Reputa- tions are resuscitated or otherwise remade. Caserio reminds us why such eccentric...

... Townsend Warner, Somerset Maugham, Christopher Isherwood, Henry Green, and Graham Greene are allotted their rightful place in the history of the novel in England. Reputa- tions are resuscitated or otherwise remade. Caserio reminds us why such eccentric...

... Townsend Warner, Somerset Maugham, Christopher Isherwood, Henry Green, and Graham Greene are allotted their rightful place in the history of the novel in England. Reputa- tions are resuscitated or otherwise remade. Caserio reminds us why such eccentric...

... Townsend Warner, Somerset Maugham, Christopher Isherwood, Henry Green, and Graham Greene are allotted their rightful place in the history of the novel in England. Reputa- tions are resuscitated or otherwise remade. Caserio reminds us why such eccentric...

..., and Edith Sitwell; stories from Christopher Isherwood and Wyndham Lewis; tributes to Dylan Thomas; and extracts from Virginia Woolf’s diaries and W. B. Yeats’s letters. In the style of an international affairs journal, there are essays by Leslie Fiedler on Julius and Ethel Rosenberg (the couple executed...

...  Boardinghouses as the blurred site of public and private city life permeate Weimar culture. See, e.g., Christopher Isherwood’s collection The Berlin Stories (New York: New Directions, 1935). Marc Caplan writes about the boardinghouse in “The Corridors of Berlin...