Search Results for panel

... Abstract On March 8, 2013, renowned black feminists Barbara Smith and Beverly Guy-Sheftall were brought together on the same panel, moderated by historian Paula Giddings, in a compelling conversation that closed out the first day of the Harriet Tubman: A Legacy of Resistance Symposium...

... are unaware, however, that Barry's earliest cartoons include stories of her growing up a working-class, mixed-race Filipina in Seattle in the 1960s.2 OneHundred Demons,a series of twenty-panel full-color comic strips published semimonthly online at <Salon.com> from 7 April 2000 to 15 January 2001, is Barry's...

..., the Bridge Collectivemet once a week during the ten months prior to the conference. The program consisted of twelve panels: (1) Third Wave Feminism; (2) Livingthe Body; (3) War, Gender, and Globalization; (4) Colonizing and Decolonizing Practices in Academia; (5) Tellingto Live by the Latina Feminist Group...

... burned into the bottom center panels of the cloak. Credit: Sabra Thorner. Read more on the significance of the designs in the stories below. Frame is filled with a close-up of a burned-on design on the skin side of the cloak, bottom center panel. The design is a native Australian daisy...

... against racism. While the 240 MAYLE! BLACKWELL AND NADINE NABER "related intolerance" framework opened up spaces for new alliances and more complex analyses in the struggle against racism, it was often critiqued by conservatives as a strategy for watering down the anti-racism agenda, and panels...

...Paula J. Giddings Copyright © 2013 by Smith College 2013 PAULA J.GIDDINGS, EDITOR. MeridiansIntroduction,11.2 NationalismandItsDiscontents I remember the moment when feminist transnationalism made its first indelible impression on me. I was a participant on a panel during the United Nation's...

... the exhibition could provide an occasion, for example, for a symposium, a film series, a lecture, a college-community panel, a meeting with the local welfare authorities-all forms of public education. This is an old, old project: using images, using art, to reshape people's eyeballs, hearts, and ideas. Since...

... her life and work on the seventy-seventh anniversary of her birthday in 1956 (Indonesian Panel for Travel Section 1956 ). Wirjohatmodjo’s celebration of Kartini—ostensibly for the “Community of Indonesian Women in New York”—offers a window into the larger implications of celebrating Kartini Day...

... your art. Talk a bathroom break, if necessary." 4. Discussion with the artists (twenty minutes for each side of the room). For the first panel, Side A artists take fiveminutes to walk up and down the wall of Side B, reviewing the art pieces. The Side B artists then sit in a row of panelist chairs...

... to highlight the rich diversity that is African feminisms, we have also sponsored a series of public lectures, panel discussions, and film screenings. These events nurture our local community and also provide African feminist scholars and activists with a venue in which they can share and get feedback...

... studies. Vivian M. May in this issue notes Tubman's absence from women's studies syllabi and scholarship, and Barbara Smith and 4 MERIDIANS 12:2 BeverlyGuy-Sheftall, who both participated in a conversation panel at the centennial anniversary symposium, observe that Tubman's absence from the field reveals...

... participants. The conference panels interwove music, poetry, academic scholarship, and political insights intended to both continue and open debates initiated bywomen of color/Third World women. Science, sexualities, front-line feminisms, memory, and political activism were some of the main themes presented...

... to and from the event. To cater both events, we contracted with four participants who had indicated to us a desire to start catering businesses from their homes; we also contracted with a fifth participant to bake sweet and savory Syrian snacks for a participatory-action-inspired conference panel we later...

... women to be involved in the NGO exchanges during the Beijing process. However, the Chinese government's adoption of NGO was definitely conditional. To control the NGO Forum, the state not only screened the participants, but all Chinese NGO panels were also subjected to a "rehearsal" process overseen...

... acts as an ironic commentary on the gross exaggeration of effeminate racialized masculinity in the preceding hand-drawn article and image. This sequence of panels punctuates the memoir’s metatextual commentary on the pernicious racialization that constrains the act of representing Asian male subjects...

... have ever written, depended on and was enhanced by our movements. I have always said, "never go anywhere without your gang;" and I have been blessed with an extraordinary gang of co-conspirators-activists and writers-many of whom are in this room, on this panel. Above all, I want to thank Clare Coss-my...

... Kiran Asher, Whitney Battle-Baptiste, Mirangela Buggs, Odette Casamayor, Alexandrina Deschamps, Anilyn Dfaz, Vicenta Moreno Hurtado, Manuela Picq, and Kimberly Simmons. Still other contributors to our two-part special issue participated in a highly productive two-panel session on "Black/Afro-descendant...

... was lucky I had learned about it. I saw when you opened the panel acknowledging the importance of creating spaces where black women (particularly those at the outskirts of society) could share knowledge and strengthen their activism in their fight against erasure. The whole event was a pure display...