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Journal Article
Meridians (2025) 24 (1): 137–164.
Published: 01 April 2025
Journal Article
“we were two ends of one taut rope”: Audre Lorde and Black-Indigenous Relations in the Eurasian Borderlands
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Meridians (2025) 24 (1): 37–62.
Published: 01 April 2025
Journal Article
“Counter Me!”: Militarization, Postcoloniality, and the Poetics of Historical Experience in Mahasweta Devi’s “Draupadi”
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Meridians (2025) 24 (1): 190–213.
Published: 01 April 2025
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The Unfillable Stomach: Trauma and Its Discontents through Louise Erdrich’s The Round House
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Meridians (2025) 24 (1): 214–236.
Published: 01 April 2025
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Grounding Emotions Across Borders: Zapotec Healing Practices in Places and Times of Social Strife
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Meridians (2025) 24 (1): 237–260.
Published: 01 April 2025
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Embodied Solidarities: Alternative Affective Autonomies through Acompañamiento
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Meridians (2025) 24 (1): 261–284.
Published: 01 April 2025
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3.13.22: Translations of Ba’s Recipe for COVID Prevention
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Meridians (2025) 24 (1): 285–286.
Published: 01 April 2025
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Yakama Auntie Lessons on How to Outfox a Monster
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Meridians (2025) 24 (1): 126–136.
Published: 01 April 2025
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How the Oak Tree Came to Be
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Meridians (2025) 24 (1): 12–13.
Published: 01 April 2025
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Decolonizing Feminisms: Accomplices, Action, and Accountability
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Meridians (2025) 24 (1): 14–36.
Published: 01 April 2025
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Insurgent Memories of Armed Struggle: Self-Representation by Female Ex-combatants in Peru
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Meridians (2025) 24 (1): 165–189.
Published: 01 April 2025
Journal Article
Between the Sensuous and Sacred: A Postcolonial Reading of African Spirituality, Sexuality, and “The Erotic” Through Mbari Art in Igboland, Nigeria
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Meridians (2025) 24 (1): 63–88.
Published: 01 April 2025
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Journal Article
2025 Paula J. Giddings Best Article Award
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Meridians (2025) 24 (1): 287–289.
Published: 01 April 2025
Journal Article
Aleqa’s Taqqiq (Older Sister of the Moon), 2024
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Meridians (2025) 24 (1): 11.
Published: 01 April 2025
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Meridians (2025) 24 (1): 1–10.
Published: 01 April 2025
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This thatched-roof building is linked to the Igbo mbari house in the Uratta...
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in Between the Sensuous and Sacred: A Postcolonial Reading of African Spirituality, Sexuality, and “The Erotic” Through Mbari Art in Igboland, Nigeria
> Meridians
Published: 01 April 2025
Figure 1. This thatched-roof building is linked to the Igbo mbari house in the Uratta Igbo area of old Owerri. Photo by Edward Chadwick, ca. 1927. Source: © Trustees of the British Museum, the British Museum, Acq. No. Af, A62.15.
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The interior of an mbari house featuring an intricately decorated mud sculp...
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in Between the Sensuous and Sacred: A Postcolonial Reading of African Spirituality, Sexuality, and “The Erotic” Through Mbari Art in Igboland, Nigeria
> Meridians
Published: 01 April 2025
Figure 2. The interior of an mbari house featuring an intricately decorated mud sculpture of Ala flanked by a kneeling boy and girl. Photograph by William Fagg near Owerri, February 28, 1946. Source: © Trustees of the British Museum, the British Museum, Acq. No. B59.3.
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Ala, the earth goddess, inside an mbari house. Photographed by William Fagg...
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in Between the Sensuous and Sacred: A Postcolonial Reading of African Spirituality, Sexuality, and “The Erotic” Through Mbari Art in Igboland, Nigeria
> Meridians
Published: 01 April 2025
Figure 3. Ala, the earth goddess, inside an mbari house. Photographed by William Fagg near Owerri, February 28, 1946. Source: © Trustees of the British Museum, the British Museum, Acq. No. B59.8.
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The Making Is the Story: Sovereignty, Sharing, and the Seven Sisters Cloak
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Meridians (2025) 24 (1): 89–125.
Published: 01 April 2025
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First night of class together. Students are introduced to possum-skin pelts...
Available to PurchasePublished: 01 April 2025
Figure 1. First night of class together. Students are introduced to possum-skin pelts and artists begin to arrange them into the shape of a cloak. Resident artists Maree Clarke at left (with right arm outstretched over table), Kerri Clarke at bottom center (with back to camera), and Mitch Mahoney ...
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