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Figure 1. Portrait of Sara García, date unknown. Source: Instituto Nacional de Antropología e Historia (INAH). Figure 1. Portrait of Sara García, date unknown. Source: Instituto Nacional de Antropología e Historia (INAH). More

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Figure 1.

in Illustrated Connections: Family, Memories, and Imagination in The Magical Life of Long Tack Sam > Meridians

Published: 01 April 2019

Figure 1. Figure 1. More

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Figure 2.

in Illustrated Connections: Family, Memories, and Imagination in The Magical Life of Long Tack Sam > Meridians

Published: 01 April 2019

Figure 2. Figure 2. More

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Figure 3.

in Illustrated Connections: Family, Memories, and Imagination in The Magical Life of Long Tack Sam > Meridians

Published: 01 April 2019

Figure 3. Figure 3. More

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Old Sana’a. Figure 1. Old Sana’a.

in Polemics of Love and the Family in A New Day in Old Sana’a > Meridians

Published: 01 April 2019

Figure 1. Old Sana’a. Figure 1. Old Sana’a. More

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Bilquis sees Frederico dancing on the rooftop. Figure 2. Bilquis sees Fre...

in Polemics of Love and the Family in A New Day in Old Sana’a > Meridians

Published: 01 April 2019

Figure 2. Bilquis sees Frederico dancing on the rooftop. Figure 2. Bilquis sees Frederico dancing on the rooftop. More

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Women on the street discussing Frederico. Figure 3. Women on the street d...

in Polemics of Love and the Family in A New Day in Old Sana’a > Meridians

Published: 01 April 2019

Figure 3. Women on the street discussing Frederico. Figure 3. Women on the street discussing Frederico. More

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Frederico sees Bilquis on her wedding night. Figure 4. Frederico sees Bil...

in Polemics of Love and the Family in A New Day in Old Sana’a > Meridians

Published: 01 April 2019

Figure 4. Frederico sees Bilquis on her wedding night. Figure 4. Frederico sees Bilquis on her wedding night. More

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NARROW

Editor’s Introduction

Whale Songs

The Law of the Mother

Queering the Chicana/o Archive in Felicia Luna Lemus’s Like Son

Illustrated Connections: Family, Memories, and Imagination in The Magical Life of Long Tack Sam

Legacy Dysphoria

Polemics of Love and the Family in A New Day in Old Sana’a

Liquid Echoes: The Breast and Voice Transmission in Maryse Condé’s Windward Heights

Making Way for Ghosts and M others : Storied Socialities, Sexual Violence, and the Figure of the Furtive Migrant

Breaking Silences: A Contemporary Black Feminist Reading of Rebecca Walker’s Baby Love: Choosing Motherhood after a Lifetime of Ambivalence

The Rise of the Madre Abnegada (Selfless Mother): Sara García and the National Maternal

No Name

Portrait of Sara García, date unknown. Source: Instituto Nacional de Antro...

Figure 1.

Figure 2.

Figure 3.

Old Sana’a. Figure 1. Old Sana’a.

Bilquis sees Frederico dancing on the rooftop. Figure 2. Bilquis sees Fre...

Women on the street discussing Frederico. Figure 3. Women on the street d...

Frederico sees Bilquis on her wedding night. Figure 4. Frederico sees Bil...

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