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Volume 8, Issue 1
September 1, 2008
Issue Cover
ISSN 1536-6936
EISSN 1547-8424
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Preface
Paula J. Giddings
View articletitled, Preface
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Introduction: Representin': Women, Hip-Hop, and Popular Music
Janell Hobson; R. Dianne Bartlow
View articletitled, Introduction<span class="subtitle-colon">: </span><span class="subtitle">Representin': Women, Hip-Hop, and Popular Music</span>
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Hip-Hop (and) Feminism

Hip-Hop Hegemony
Janell Hobson
View articletitled, Hip-Hop Hegemony
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“Under Construction”: Identifying Foundations of Hip-Hop Feminism and Exploring Bridges between Black Second-Wave and Hip-Hop Feminisms
Whitney A. Peoples
View articletitled, “Under Construction”<span class="subtitle-colon">: </span><span class="subtitle">Identifying Foundations of Hip-Hop Feminism and Exploring Bridges between Black Second-Wave and Hip-Hop Feminisms</span>
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“Like an Old Soul Record”: Black Feminism, Queer Sexuality, and the Hip-Hop Generation
Andreana Clay
View articletitled, “Like an Old Soul Record”<span class="subtitle-colon">: </span><span class="subtitle">Black Feminism, Queer Sexuality, and the Hip-Hop Generation</span>
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Hotep and Hip-Hop: Can Black Muslim Women Be Down with Hip-Hop?
Anaya McMurray
View articletitled, Hotep and Hip-Hop<span class="subtitle-colon">: </span><span class="subtitle">Can Black Muslim Women Be Down with Hip-Hop?</span>
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Sight and Sound

“Roll It Gal”: Alison Hinds, Female Empowerment, and Calypso
Jennifer Thorington Springer
View articletitled, “Roll It Gal”<span class="subtitle-colon">: </span><span class="subtitle">Alison Hinds, Female Empowerment, and Calypso</span>
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Las Krudas, Spatial Practice, and the Performance of Diaspora
Ronni Armstead
View articletitled, Las Krudas, Spatial Practice, and the Performance of Diaspora
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Meri Awaaz Suno: Women, Vocality, and Nation in Hindi Cinema
Pavitra Sundar
View articletitled, <em>Meri Awaaz Suno</em><span class="subtitle-colon">: </span><span class="subtitle">Women, Vocality, and Nation in Hindi Cinema</span>
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“All That You Can't Leave Behind”: Black Female Soul Singing and the Politics of Surrogation in the Age of Catastrophe
Daphne A. Brooks
View articletitled, “All That You Can't Leave Behind”<span class="subtitle-colon">: </span><span class="subtitle">Black Female Soul Singing and the Politics of Surrogation in the Age of Catastrophe</span>
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Rage Against the Machine

Still
Ayanah Moor
View articletitled, Still
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“Drop It Like It's Hot”: Culture Industry Laborers and Their Perspectives on Rap Music Video Production
Mako Fitts
View articletitled, “Drop It Like It's Hot”<span class="subtitle-colon">: </span><span class="subtitle">Culture Industry Laborers and Their Perspectives on Rap Music Video Production</span>
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The Essence of Res(ex)pectability: Black Women's Negotiation of Black Femininity in Rap Music and Music Video
Shanara R. Reid-Brinkley
View articletitled, The <em>Essence</em> of Res(ex)pectability<span class="subtitle-colon">: </span><span class="subtitle">Black Women's Negotiation of Black Femininity in Rap Music and Music Video</span>
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Hip-Hop Honeys and Da Hustlaz: Black Sexualities in the New Hip-Hop Pornography
Mireille Miller-Young
View articletitled, Hip-Hop Honeys and Da Hustlaz<span class="subtitle-colon">: </span><span class="subtitle">Black Sexualities in the New Hip-Hop Pornography</span>
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Women, Pop Music, and Pornography
Meredith LeVande
View articletitled, Women, Pop Music, and Pornography
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Contributors

About the Contributors
View articletitled, About the Contributors
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Guidelines for Contributors
View articletitled, Guidelines for Contributors
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