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film
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Image
Published: 01 April 2023
Figure 4. The title of the film, Looking for Langston , already implies a search, which becomes explicit after a brief prologue, when the title text for the film—stylized with the characteristic corner decorations of a silent film's intertitle—appears on-screen. Isaac Julien, Looking
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Image
Published: 01 April 2024
Figure 6. The view from the “sunken place”: Jean Jacket captured on film by the Winkin’ Wells Photo camera in Nope (Jordan Peele, 2022). Frame grab.
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Image
Published: 01 April 2021
Figure 4. Opening image, Larry Clark, Passing Through (1977). The film is dedicated to musicians “known and unknown.” Frame grab courtesy of the artist.
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Image
Published: 01 April 2021
Figure 6. Filmmakers gathered for the 1985 FESPACO film festival in Ouagadougou lay out railroad tracks at the urging of President Sankara.
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Image
Published: 01 April 2021
Figure 3. John Akomfrah, Seven Songs for Malcolm X (1993). 16mm color film transferred to video, sound, 52 minutes 45 seconds. © Smoking Dogs Films.
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Journal Article
liquid blackness (2024) 8 (1): 84–101.
Published: 01 April 2024
...Courtney R. Baker Abstract Considering the 2022 film Nope , this essay pushes beyond indexical and ontological readings of blackness in film in order to consider how invisible forms of blackness—in particular, the labor of black film workers—are inscribed in the film text. It argues...
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Journal Article
liquid blackness (2023) 7 (2): 28–45.
Published: 01 October 2023
...Ashley Hendricks Abstract In the 1920s and 1930s, Duke Ellington collaborated with several directors who narrativized his compositions for short films; Ellington's collaborations A Bundle of Blues (1933) and Symphony in Black (1935) with Fred Waller, Paramount's special‐effects man turned director...
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Image
Published: 01 April 2021
Figure 1. John Akomfrah, Precarity (2017). Three-channel HD color video installation, 7.1 sound, 46 minutes 3 seconds. © Smoking Dogs Films. Courtesy Smoking Dogs Films and Lisson Gallery.
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Image
Published: 01 April 2021
Figure 4. John Akomfrah, Who Needs a Heart (1991). 16 mm, color, stereo, 4:3, dimensions variable, 78 minutes. © Smoking Dogs Films. Courtesy Smoking Dogs Films and Lisson Gallery.
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Image
Published: 01 April 2021
Figure 7. John Akomfrah, Precarity , 2017. Three-channel HD color video installation, 7.1 sound, 46 minutes 3 seconds. © Smoking Dogs Films. Courtesy Smoking Dogs Films and Lisson Gallery.
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Journal Article
liquid blackness (2023) 7 (1): 46–59.
Published: 01 April 2023
...Figure 4. The title of the film, Looking for Langston , already implies a search, which becomes explicit after a brief prologue, when the title text for the film—stylized with the characteristic corner decorations of a silent film's intertitle—appears on-screen. Isaac Julien, Looking...
FIGURES
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Image
Published: 01 October 2023
Figure 1. John Akomfrah, Vertigo Sea , 2015. Three channel HD color video installation, 7.1 sound. 48 minutes, 30 seconds. © Smoking Dogs Films. Courtesy Smoking Dogs Films and Lisson Gallery.
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Image
Published: 01 October 2023
Figure 2. John Akomfrah, Vertigo Sea , 2015. Three channel HD color video installation, 7.1 sound. 48 minutes, 30 seconds. © Smoking Dogs Films. Courtesy Smoking Dogs Films and Lisson Gallery.
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Image
Published: 01 October 2023
Figure 3. John Akomfrah, Vertigo Sea , 2015. Three channel HD color video installation, 7.1 sound. 48 minutes, 30 seconds. © Smoking Dogs Films. Courtesy Smoking Dogs Films and Lisson Gallery.
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Image
Published: 01 October 2023
Figure 4. John Akomfrah, Vertigo Sea , 2015. Three channel HD color video installation, 7.1 sound. 48 minutes, 30 seconds. © Smoking Dogs Films. Courtesy Smoking Dogs Films and Lisson Gallery.
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Image
Published: 01 October 2023
Figure 5. John Akomfrah, Vertigo Sea , 2015. Three channel HD color video installation, 7.1 sound. 48 minutes, 30 seconds. © Smoking Dogs Films. Courtesy Smoking Dogs Films and Lisson Gallery.
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Image
Published: 01 April 2021
Figure 1. John Akomfrah, Purple (2017). Six-channel HD color video installation with 15.1 surround sound. Dimensions variable, 62 minutes. © Smoking Dogs Films. Courtesy Smoking Dogs Films and Lisson Gallery.
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Image
Published: 01 April 2021
Figure 8. John Akomfrah, Auto da Fé (2016). Two-channel HD color video installation, 5.1 sound, 40 minutes 30 seconds. © Smoking Dogs Films. Courtesy Smoking Dogs Films and Lisson Gallery.
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Journal Article
liquid blackness (2021) 5 (2): 121–151.
Published: 01 October 2021
...Alessandra Raengo; Lauren McLeod Cramer Abstract Across his vast body of multimedia art, Kevin Jerome Everson pursues sophisticated formal exercises that deploy representational devices with the aim of achieving “massive abstractions.” Focusing on the sculptural potential of film as a time‐based...
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Journal Article
liquid blackness (2024) 8 (1): 44–65.
Published: 01 April 2024
...Rebecca Kumar Abstract Despite Barry Jenkins's pronounced and intentional allusions to the work of Hong Kong auteur Wong Kar Wai, film scholars have generally made little of the pervasive Asian elements in Moonlight (2016). This essay, however, offers a sustained study of the film's aesthetic...
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