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liquid blackness seeks to carve out a place for aesthetic theory and the most radical agenda of Black studies to come together in productive ways, with the goal of attending to the aesthetic work of blackness and the political work of form. In this way, the journal develops innovative approaches to address points of convergence between the exigencies of Black life and the many slippery ways in which blackness is encountered in contemporary sonic and visual culture.

The journal showcases a variety of scholarly modes, including audio-visual work and experimental and traditional essays. It aims to explore who can do theory (scholars, artists, activists, individuals, and ensembles), how theory can be done (in image, writing, archiving, curating, social activism), and what a Black aesthetic object is (“high”/“low” art, sound and image, practice and praxis).

Articles are published under a Creative Commons license (BY-NC-ND) and are open immediately upon publication. Authors are not charged any fees for publication and retain copyright in their articles. Readers may use the full text of articles as described in the license.

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