This essay provides an extended review of Steven Spielberg’s film The Post, a dramatization of publisher Katherine Graham’s decision to publish the Pentagon Papers in 1971. In the film, Graham is portrayed as standing up to the corporate side of the house in a gallant defense of the right to publish. By comparing and contrasting with other film portrayals of the newspaper business, and by recounting a pressmen’s strike that occurred not long after the moment in time of the film, the essay argues that the power of the press is not always about the First Amendment and the right to publish. It can also be about the exertion of class power, and the struggle that ensues.
Copyright © 2018 Labor and Working-Class History Association
Issue Section:Arts and Media