...Michael Bruschi Narushima Terumi Microtonality and the Tuning Systems of Erv Wilson Routledge , 2018 : xvi + 218 pp. ( $155.00 cloth, $54.95 Kindle) Copyright © 2020 by Yale University 2020 Works Cited Becker Howard . 1995 . “ The Power of Inertia .” Qualitative...

... on different conceptual foundations. Keywords key, key signature, notation, clef When John Wilson was appointed to the faculty at Oxford in 1656, he pre- sented an elegant manuscript of his compositions to the Bodleian Library, with the caveat that it should not be consulted until after his death. When...

... (1959) Leonard Bernstein, Chichester Psalms (1965) Neil Diamond, “Cherry, Cherry” (1966) Brian Wilson, “Passing By” (Beach Boys, Friends , 1968) James Pankow, “Colour My World” (Chicago, Chicago II , 1970) Bernstein, “Hymn and Psalm: A Simple Song,” Mass (1971) David Shire, Theme...

... Musicologica Academie Scientiarum Hungaricae 32 / 1–4 : 241 – 62 . Wilson Paul . 1992 . The Music of Béla Bartók . New Haven, CT : Yale University Press . Bartók’s Polymodality The Dasian and Other Affinity Spaces José...

...' .'' Il giornale della musica 5 / 37 : 31 . Wilson Peter Niklas . 1999 . `` Entsubjektivierung und Subjektivität: Scelsis Provokation .'' Musiktexte 81–82 : 57 – 59 . Fraudulence and the Gift Economy of Music...

...’ previous music, discussing such compositionally self-con- scious “baby steps” as “The Warmth of the Sun” and “God Only Knows” as a springboard to the 1966–67 experiments. Harrison also explores the role of the studio as a compositional tool in Brian Wilson’s music; this point is also made in Covach’s...

... the “rhetoric of autonomy” that is itself one of contemporary music’s defining generic traits (Wilson 2004). But this does not diminish the import of the various labels and classificatory schemes that circulate around this reper- toire. Communal patterns of musical...

... in Counter-point . In A New Way of Making Fowre Parts in Counterpoint by Thomas Campion and Rules how to Compose by Giovanni Coprario , edited by Wilson Christopher R. , 41 – 78 . Aldershot : Ashgate . Chadwick George Whitefield . 1897 . Harmony: A Course of Study . Boston : B. F. Wood...

... with looser ties to the ragtime world of the multistrain compo­ sition gained ascendency. Earl Hines, Teddy Wilson, and Art Tatum—­ preeminent among the newer stylists—tended to avoid sixteen-bar strains, even when using the striding left hand as a basis for solo playing, and in­­stead focused...

....” Early Music History 13 : 249 -73. Wilson, Kenneth J. 1985 . Incomplete Fictions: The Formation of English Renaissance Dialogue . Washington, DC: Catholic University of America Press. Winn, Colette. 1993 . The Dialogue in Early Modern France, 1547-1630 . Washington, DC: Catholic University...

...: Metaphorical Projection in Music. Proceedings of the Third Triennial ESCOM Conference in Uppsala. Bach, C. P. E. 1949 [1753]. Essay on the True Art of Playing Keyboard Instruments . Translated and edited by William Mitchell. New York: W. W. Norton. Coker, Wilson. 1972 . Music and Meaning . New...

... .” In Gesture and Sign Language in Human-Computer Interaction, GW 2001, LNCS , edited by Wachsmuth Ipke and Sowa Timo , 241 – 53 . Berlin : Springer . Wilson Margaret , and Knoblich Günther . 2005 . “ The Case for Motor Involvement in Perceiving Conspecifics .” Psychological...

... of Music Theory 7/1 : 99 –126. Hood, William W. and Concepción S. Wilson. 2001 . “The Literature of Bibliometics, Scientometrics, and Informetrics.” Scientometrics 52 : 291 –314. Hook, Julian L. 2002 . “Uniform Triadic Transformations.” Journal of Music Theory 46/1–2 : 57 –126...

... a Detective Story or a Brahms Intermezzo.” Georgia Review 31 : 554 -74. ____. 1982 . “Schubert's Promissory Note: An Exercise in Musical Hermeneutics.” 19th-Century Music 5 : 233 -41. Coker, Wilson. 1972 . Music and Meaning: A Theoretical Introduction to Musical Aesthetics . New York...

... to Wagner's book, the founder and former lead vocalist/guitarist of the rock band Porcupine Tree, Steven Wilson ( 2010 : xi), further notes that “any music that can call itself progressive” creates hybrids, leading me to consider progressive metal very broadly as an eclectic admixture of heavy metal, rock...

... and Practice.” D.M.A. diss., Temple University. Sloboda, John. 1990 . “Music as a Language.” In Music and Child Development: Proceedings of the 1987 Denver Conference , ed. Frank R. Wilson and Franz L. Roehmann, 28 -43. St. Louis: MMB Music. Straus, Joseph N. 1987 . “The Problem of Prolongation...

... Piano Concertos: Dramatic Dialogue in the Age of Enlightenment . Rochester, NY: University of Rochester Press. Kerman, Joseph. 1994 . “Mozart's Piano Concertos and Their Audience.” In On Mozart , ed. James Morris, 151 -68. Washington, DC: Woodrow Wilson Center Press; Cambridge: Cambridge...

...Joel Galand 2000 © Yale University, New Haven, Connecticut 06520 2000 Allanbrook, Wye J. 1994 . “Mozart's Tunes and the Comedy of Closure.” In On Mozart , ed. James M. Morris, 169 –86. New York: Woodrow Wilson Center and Cambridge University Press. Badura-Skoda, Eva. 1972 . Mozart...

.... , and Valentín-Escobar Wilson A. 1994 . “ Memorializing La Lupe and Lavoe: Singing Vulgarity, Transnationalism, and Gender .” Centro Journal 16 , no. 2 : 79 – 101 . Bell Matthew . 2017 . “ Danses Fantastiques : Metrical Dissonance in the Ballet Music of P. I. Tchaikovsky .” Paper presented...