Search Results for volume

... energetic, and, through greater use of new modern instruments, highly electrified. These attributes were, as many have observed, artistic responses to the new urban setting and marked a distinct divergence from the genre's prewar origins. What have received less attention than timbre, tempo, and volume...

... Roger Kamien The recent publication by Cambridge University Press of the first complete English translation of Heinrich Schenker’s three-volume year- book Das Meisterwerk in der Musik (1925, 1926, 1930) is a major event for music theorists.1 It provides ready access to what some consider...

... community. What business do I have reviewing this work? Well, I read the whole thing—and not on commission, either. I shelled out the five hundred dollars for the “early buyer” discount, put volume 1 on my bedside table, and resolved...

... in particular the younger scholars who form the discipline’s leading edge. A selection committee of four scholars unaffiliated with Yale or with any of the eligible authors, chaired ex officio by the editor, will be appointed at the close of each two-volume eligibility cycle (currently...

...) Thomas Christensen The three volumes under review here would normally not get much notice from most music theorists. And who could blame us? Editions of medieval music theory are not exactly bestsellers in our discipline. Even then, Johannes Hollandrinus is not a name that we would have likely...

... Abstracts of Music Literature (since 1967), and Music Index (since 1975). Only IIMP goes back to 1957, and even it lacks abstracts and indication of document types for JMT items up to volume 38.3 RILM entries include articles alone...

... cloth) Rebecca Maloy Music Theory from Boethius to Zarlino is the award-winning companion volume to Music Theory from Zarlino to Schenker by David A. Damschroder and David Russell Williams, published by Pendragon in 1991. Designed “for the non- specialist as a practical and basic...

... Schenkerian ideas.14 The Editorship, Design, and Production Forte was named to JMT’s “editorial committee” his first year on the Yale faculty, which corresponded to volumes 3/2 (1959) and 4/1 (1960). If there were any signs of his new presence, they were relatively subtle.15 One...

... by a selection committee of scholars unaffiliated with Yale University or with any of the eligible authors. The two-year cycle on which the current award is based was 2020–21, or volumes 64 and 65 of the journal. The selection committee for the award consisted of consisted of Victoria Malawey (chair), Nathan...

... and places, Yosef Goldenberg’s article examines the products, undertaking a bibliometric study of the article content of the first forty-eight volumes. The result is, in essence, a meta-analytical study of the discipline of music theory based on what JMT has published over the years...

... Musik14 (facilitated by his student Otto Vrieslander); subvention of both volumes of Kontrapunkt by Baron Alphons von Rothschild, whom Schenker had given music instruction, of Meisterwerk II and Der freie Satz by his stu- dent Anthony van Hoboken, and of Meisterwerk III by Wilhelm Furtwän- gler.An...

... and the present volume. In Conceptual- izing Music Zbikowski describes how cognitive structure shapes how people understand music and that analyses of music similarly reflect cognitive structure (19). Founda- tions of Musical Grammar continues the dialogue between music theory and music cognition, providing...

... be understood as basically consistent and unidirectional, and that it moves toward the final theory,” a “highly systematic and self-contained” theory whose “absolute completion” is represented by The Masterwork in Music, volume 3, and whose “complete presentation” is represented by Free Composi- tion...

... these specialists publish in early music journals or journals of musicology that seem more receptive to topics that precede the onset of tonality. Indeed, three of the contributors to this volume, despite their engagement with music trea- tises and their frequent use...

... Music Theory: Hearing with the Eyes (2000), for which she received the Wallace Berry Award from the Society for Music Theory. Her two-volume edition of the motets by Gioseffo Zarlino appeared in the Recent Researches in Music of the Renaissance series (2006 and 2007) and has been recorded by Ensemble...

... in the first volume of Das Meisterwerk in der Musik, 1925).14 Because the Ursatz is a deep abstraction, an arrhyth- mic representation of underlying elemental counterpoint, it can be some- what misleading to name specific tones from the sounding surface as “the members” of the Ursatz. As Schachter points...

... Bailey, whose development—or amplification—of such notions as “progressive tonality” and “dual tonic complex” has had an important influence on cur- rent approaches to extended tonality. While Bailey is—surprisingly—not represented in the volume, he remains a notable presence, cited by all but three...

... we think of sonata form, we are most likely imagining the scheme laid out by Adolph Bernhard Marx in the third volume of his Lehre von der musikalischen Komposition, an elucidation occupying an unprecedented one hundred detailed pages (Marx 1845, 194–292). This four-volume treatise was based...

... of reference. It is worth bearing in mind, though, that the volume is, by the author’s own account, a lightly revised doctoral dissertation submitted in 1987. Conceived during an era when jazz analysis was still viewed skepti- cally by some theorists, and predating the “new jazz studies,” the book has two...

... contribute the bookend chap- ters of this volume—have amassed a fine selection of essays that not only cover a fair assortment of rock styles (from k.d. lang to Jimi Hendrix) but 495 also present a wide range of analytical perspectives. In fact...