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...Kofi Agawu The Aesthetics of Music Roger Scruton New York: Oxford University Press, 530 pp., 1999 xx, 530 pp 2000 © Yale University, New Haven, Connecticut 06520 2000 REVIEWS The Aesthetics of Music Roger Scruton New York: Oxford University Press, 1997; paperback ed., 1999 xx...

...Kevin Holm-Hudson Understanding Rock: Essays in Musical Analysis Edited by John Covach and Graeme M. Boone New York: Oxford University Press, 1997 xiii, 219 pp. 2000 © Yale University, New Haven, Connecticut 06520 2000 Understanding Rock: Essays in Musical Analysis Edited by John...

...John Rothgeb Heinrich Schenker: Nach Tagebüchern und Briefen in der Oswald Jonas Memorial Collection, University of California, Riverside Hellmut Federhofer Studien zur Musikwissenschaft vol. 3 Hildesheim: Georg Olms, 1985 ix, 380 pp. 2001 © Yale University, New Haven, Connecticut 06520...

... ed. New York: Cambridge University Press, 1994, 1996, 1997 2001 © Yale University, New Haven, Connecticut 06520 2001 32. He apparently possessed an unusually keen sense of time. One evening in 1927 when he and Furtwängler were together at Hoboken’s house, he reports: “we spend more...

...Stephen Peles Schenker's Argument and the Claims of Music Theory Leslie D. Blasius Studies in Music Theory and Analysis vol. 9 New York: Cambridge University Press, 1996 200 pp. 2001 © Yale University, New Haven, Connecticut 06520 2001 NOTES 1...

...David Carson Berry This article addresses the role played by Allen Forte in establishing the Journal of Music Theory as a journal of record for the American discipline of music theory, as it emerged and evolved in the 1960s. The journal was founded at Yale University in 1957 by editor David...

... universe. In Musica , a substratum of preexistent modal knowledge replaces Boethian number relationships as the foundation underlying basic elements of music theory. 2008 2008 Sarah Fuller is professor of music at Stony Brook University. Her recent publications on medieval music theory include...

...Justin Hoffman Recent music-theoretical research has proposed two ways of mapping the pitch-class set universe. Fourier spaces, constructed by Quinn, relate sets to one another based upon their composition from members of interval cycles, reflecting what might be called “harmonic quality.” Voice...

... by Schneider’s contemporaries and direct predecessors shows that the Solo-Recapitulation trajectory does not appear in these pieces, suggesting that Schneider may have pioneered the approach. Copyright © 2019 by Yale University 2019 jazz Maria Schneider form corpus Works Cited Belck Scott...

...Tahirih Motazedian Neumeyer David , with contributions by Buhler James Meaning and Interpretation of Music in Cinema Indiana University Press , 2015 : xv + 317 pp. ( $90.00 cloth, $36.00 paper, $9.99 e-book) Copyright © 2019 by Yale University 2019 Works Cited...

.... Copyright © 2018 by Yale University 2018 John Holden history of music theory musical cognition attention perception Works Cited Adelson Edward H. 1999 . “ Layered Representations for Vision and Video .” In Proceedings of the IEEE Workshop on Representation of Visual Scenes , 3...

... organization and ultimately between the work’s monothematicism and its sense of tonality. Copyright © 2018 by Yale University 2018 Jean Sibelius Tapiola scale collections tonality Works Cited Anderson Julian . 2004 . “ Sibelius and Contemporary Music .” In The Cambridge Companion...

..., and embodiment, which juxtapose Lewinian thinking with the phenomenology of Maurice Merleau-Ponty. Copyright © 2018 by Yale University 2018 transformational theory performance analysis musical instruments phenomenology popular music Works Cited Aubin Jean-Pierre Frankowska Hélène...

... for the often ungraspable but omnipotent laws that Webern imagined in the world around him. Copyright © 2018 by Yale University 2018 cycles transformation theory neo-Riemannian theory Anton Webern twelve-tone theory Works Cited Antokoletz Elliott . 1986 . “ Interval Cycles...

... on connections between schematic skeletons and statistical learning research. Finally, it offers an analytical application to the opening phrase of Mozart’s aria “Dies Bildnis ist bezaubernd schön,” which is briefly compared to Niccolò Piccinni’s “Una povera ragazza.” Copyright © 2018 by Yale University 2018...

... by their supple form-content synergies serve as case studies: the Andante from Mendelssohn’s octet for strings in E♭ major, op. 20, and the first movement from Dvořák’s string quartet in E♭ major, op. 51. Copyright © 2019 by Yale University 2019 sonata form reversed recapitulation Felix Mendelssohn...

...Janet Bourne Zbikowski Lawrence Foundations of Musical Grammar Oxford University Press , 2017 : 272 pp. ( $44.95 cloth) © 2019 by Yale University 2019 Works Cited Barsalou Lawrence . 1999 . “ Perceptual Symbol Systems ” Behavioral and Brain Sciences 22 , no. 4...