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tonal pairing
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Journal Article
Journal of Music Theory (2015) 59 (1): 63–97.
Published: 01 April 2015
... several concepts related to tonal disunity in Russian- and English-language sources, including tonal pairing, directional tonality, and mutability, and offer my own definition of mutability, understood in Schenkerian terms. I then briefly discuss these phenomena in the style to which the Vigil belongs...
Journal Article
Journal of Music Theory (2014) 58 (1): 25–56.
Published: 01 April 2014
... comparison between Roesner’s interpretation of the outer movements of the String Quartet in A minor as examples of deficient two-part expositions and readings of them instead as instances of the continuous type. The first movement of the Second Symphony illustrates that the tonal pairing of the A-minor...
Journal Article
Journal of Music Theory (2020) 64 (2): 203–240.
Published: 01 October 2020
..., such as form-functional contrast among P, S, C, and coda; characteristics that signal end-of-the-beginning versus end-of-the-end functions for cadences; the interaction of tonal pairing and formal design; and Dvořák’s recapitulatory reinterpretations of his expositional strategies. The analyses illustrate...
Journal Article
Journal of Music Theory (2012) 56 (2): 225–283.
Published: 01 October 2012
... in Bellini of tonal pairing, usually (but not always) involving relative keys. The sonorità or focal melodic pitch, long associated with Verdi’s operas, is found to play a unifying role in the second-act finale of Norma . Issues of reception history, text criticism, and analytical methodology are also...
Journal Article
Journal of Music Theory (2007) 51 (2): 187–210.
Published: 01 October 2007
...Matt BaileyShea This article analyzes Hugo Wolf's Auf eine Christblume I and II in relation to Robert Bailey's concept of the “double-tonic complex.” These songs project an intricate pairing of D and F# tonalities that often result in various hexatonic relationships. My interpretation associates...
Journal Article
Journal of Music Theory (1999) 43 (1): 135–163.
Published: 01 April 1999
... one of the richest topics of research in the field; and much that is
useful and productive has come out of it, including innovative ideas on
tonal pairing, symmetrical pitch formations (in particular, equal octave
division), and dissonant prolongations. Yet the field remains wide open,
with little...
Journal Article
Journal of Music Theory (2005) 49 (2): 301–332.
Published: 01 October 2005
... Urlinie. At the other
extreme, we find several compositions with nontonic endings, which we
may understand in terms of tonal pairing, directional tonality, and the
double-tonic complex, categories originally developed for the study of
nineteenth-century music. The remainder...
Journal Article
Journal of Music Theory (2016) 60 (1): 51–88.
Published: 01 April 2016
... Schumann concerto sonata form tonal pairing Schenkerian analysis late style Works Cited Abbate Carolyn . 2004 . “Music: Drastic or Gnostic?” Critical Inquiry 30 / 3 : 505 – 36 . Aldwell Edward Schachter Carl . 2011 . Harmony and Voice Leading . 4th ed. Boston...
Journal Article
Journal of Music Theory (2004) 48 (1): 25–68.
Published: 01 April 2004
... of Franz Schubert.” In Theory Only 8/8 : 5 -18. ____. 1996 . “Some Early Examples of Tonal Pairing: Schubert's `Meeres Stille' and `Der Wanderer.'” In The Second Practice of Nineteenth-Century Tonality , ed. William Kinderman and Harald Krebs. Lincoln: University of Nebraska Press. ____. 1999...
Journal Article
Journal of Music Theory (2015) 59 (2): 235–271.
Published: 01 October 2015
... to articulate formally
significant dominant-tonic relationships. Such relationships, presented with
metrical regularity at multiple levels of formal hierarchy, established a stylis-
tic norm wherein pairs of tonally open and tonally closed musical utterances...
Journal Article
Journal of Music Theory (2023) 67 (2): 251–284.
Published: 01 October 2023
...Peter Schubert Abstract Studies of tonality in Monteverdi's madrigals have focused on cadential harmonies at phrase endings, for the most part ignoring the music that comes in between. The present study, focusing on homorhythmic music, identifies three elements lying between chordal arrivals...
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Journal Article
Journal of Music Theory (2001) 45 (2): 345–433.
Published: 01 October 2001
... inversion Cip I <+9, -8, +7> pairs with Cip I <-9, +8, -7>
Cip R Pitch interval ordering under retrograde Cip R <+9, -8, +7> pairs with Cip R <+7, -8, +9>
Example 5a. Some contextual (C) subtypes for analysis of post-tonal and twelve-tone music...
Journal Article
Journal of Music Theory (2015) 59 (2): 273–320.
Published: 01 October 2015
... that, unlike other tonal and atonal classic approaches, the Dasian framework enables the analyst to reconcile the constructional character of a Bartókian idiomatic feature (the combination of distinct and integral scale strata) with the interpretation of harmonic space in terms of scale-segment interaction...
Journal Article
Journal of Music Theory (2006) 50 (1): 65–76.
Published: 01 April 2006
...William Renwick This essay discusses tonal ambiguity in the chorale melody “Das alte Jahr” and suggests a poetic interpretation of Bach's chorale. Expressive elements such as the passus duriusculus , the sospiro , and pervasive chromaticism are woven into a radical tonal plan that reflects...
Journal Article
Journal of Music Theory (2013) 57 (1): 159–191.
Published: 01 April 2013
... conception
of tonality.) Even the chord-pair grammar is not very restrictive, as it allows
Reviews Roeder on Tymoczko 183
twenty-one of the thirty possible successions of different harmonies. Therein
lies a problem: although he calls...
Journal Article
Journal of Music Theory (2022) 66 (1): 135–145.
Published: 01 April 2022
... of the Universal Pictures logo, situating the book's repertorial purview while broaching in microcosm a variety of analytical perspectives germane to an understanding of Hollywood scoring: harmony, tonality, scale, chromaticism, cadence. The introduction then advances three theses. First, the new medium of film...
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Journal Article
Journal of Music Theory (2014) 58 (2): 235–256.
Published: 01 October 2014
... little
sense to Riemann, especially one without rules. Thus, while Riemann’s klangs
are certainly pitch-class collections, and the idea that the spirit of a work’s
tonal and motivic coherence is embodied by the pairing of its upper voice
with its...
Journal Article
Journal of Music Theory (2005) 49 (1): 109–140.
Published: 01 April 2005
... 42 : 167 –80. ———. 2000 . “Weitzmann's Regions, My Cycles, and Douthett's Dancing Cubes.” Music Theory Spectrum 22 : 89 –103. ———. 2004 . “Uncanny Resemblances: Tonal Signification in the Freudian Age.” Journal of the American Musicological Society 57 : 285 –323. Cook, Robert C...
Journal Article
Journal of Music Theory (2003) 47 (1): 155–214.
Published: 01 April 2003
... 20/3 ( 1967 ): 434 -39. Cherlin, Michael. “Schoenberg und Das Unheimliche: Spectres of Tonality.” Journal of Musicology 11/3 ( 1993 ): 357 -73. Dean, Jerry. “Schoenberg's Vertical-linear Relationships in 1908.” Perspectives of New Music 12 ( 1973-74 ): 173 -79. Dahlhaus, Carl...
Journal Article
Journal of Music Theory (2023) 67 (1): 141–169.
Published: 01 April 2023
... equivalence chromatic mediants film television RECENT SCHOLARSHIP HAS recognized within certain styles a range of significatory powers for certain pairings of consonant triads, identified by transformations from neo-Riemannian theory (NRT) and related systems of classification. Among these empowered...
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