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Journal Article
Journal of Music Theory (2006) 50 (1): 65–76.
Published: 01 April 2006
... a multifaceted perspective on time suggested by the change of year. In particular, the chromatic fourth becomes a tonality-defining element that contrasts the essentially diatonic melody. I suggest that the tonal and motivic balances in the piece reflect the duality of regret for the past and hope for the future...
Journal Article
Journal of Music Theory (2017) 61 (2): 289–296.
Published: 01 October 2017
...Ruth I. DeFord Grant Roger Mathew , Beating Time and Measuring Music in the Early Modern Era , Oxford University Press , 2014 : viii + 309 pp. ( $45.00 cloth) Copyright © 2017 by Yale University 2017 Works Cited Bank J. A. 1972 . Tactus, Tempo, and Notation...
Journal Article
Journal of Music Theory (2020) 64 (1): 37–61.
Published: 01 April 2020
...Guy Capuzzo This article examines Elliott Carter’s most extensive forays into the theory and practice of musical silence: the 2005 composition Intermittences and the 1957 lecture “Sound and Silence in Time: A Contemporary Approach to the Elements of Music.” Taken together, the piece and the lecture...
Journal Article
Journal of Music Theory (1999) 43 (1): 165–190.
Published: 01 April 1999
... and Response to Time.” Psychological Review 96 : 459 -91. Large, E.W., and Jones, M.R. 1999 . “The Dynamics of Attending: How People Track Time-varying Events.” Psychological Review, 106 : 119 -59. McAuley, J.D., and Kidd, G.R. 1998 . “Effect of Deviations from Temporal Expectations on Tempo...
Journal Article
Journal of Music Theory (2023) 67 (1): 187–198.
Published: 01 April 2023
...Stephen S. Hudson [email protected] John Paul Ito . Focal Impulse Theory: Musical Expression, Meter, and the Body . Indiana University Press , 2020 : 398 pp. ( $80.00 hardcover, $25.00 paper). Mariusz Kozak . Enacting Musical Time: The Bodily Experience...
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Journal Article
Journal of Music Theory (2002) 46 (1-2): 127–151.
Published: 01 October 2002
...Justin London SOME NON-ISOMORPHISMS
BETWEEN PITCH AND TIME
Justin London
1. Claims of Isomorphism
The idea that a single principle governs each and every musical para-
meter goes back at least to the Pythagoreans, who...
Journal Article
Journal of Music Theory (2004) 48 (2): 325–336.
Published: 01 October 2004
...Danuta Mirka Justin London Hearing in Time: Psychological Aspects of Musical Meter Oxford University Press, 2004: x+195 pp. ($39.95 cloth) 2004 © Yale University, New Haven, Connecticut 06520 2004 Baker, Nany Kovaleff, ed. and trans. 1983 . Introductory Essay on Composition. New...
Journal Article
Journal of Music Theory (2021) 65 (1): 11–16.
Published: 01 April 2021
...Richard Cohn Abstract Scholars of music and dance have subtly different conceptions of musical time, which can lead to misunderstandings in interdisciplinary communication. These conceptual distinctions may be rooted in the embodied experience of performance: the energy required to create dance...
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Published: 01 October 2022
Figure 3. Lerdahl and Jackendoff's time-span reduction of Bach's “O Haupt Voll Blut und Wunden.”
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in Approximate Set Theory: Chord Categories, Voicings, and Interval Cycles
> Journal of Music Theory
Published: 01 April 2023
Figure 8.1. Shostakovich using time and register to articulate the different octatonic fragments of a nine-note scale in mm. 51–56 ( A ) and mm. 66–72 ( B ) of the Seventh String Quartet, III.
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in Investigating Music-Dance Relationships: A Case Study of Norwegian Telespringar
> Journal of Music Theory
Published: 01 April 2021
Figure 1. A time-line pattern often referred to as the standard pattern , shown with the main beat (metrical interpretation).
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Published: 01 April 2023
Figure 3. Graph of Intermission 6 based on the performance corpus. The thickness of each edge indicates the number of times a sequence occurred, and the size of each vertex indicates the number of edges directed toward it.
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Journal Article
Journal of Music Theory (2009) 53 (1): 1–56.
Published: 01 April 2009
... if they interpret the same time span, metric cubes permit the comparison of meters that interpret different time spans. Furthermore, a metric cube posits a different kind of adjacency relation: while Cohn's most recent metric space connects two meters if their ordered pulse representations differ by only one pulse...
Journal Article
Journal of Music Theory (2007) 51 (1): 5–49.
Published: 01 April 2007
...Ludwig Holtmeier This essay explores the understanding of tonality and in particular the concept of chord, as demonstrated in the Italian thoroughbass tradition, especially in the didactic tradition of partimenti . For a long time this tradition was entirely overlooked because of the dominance...
Journal Article
Journal of Music Theory (2008) 52 (1): 13–40.
Published: 01 April 2008
...Sarah Fuller Hucbald of St. Amand's treatise Musica took shape in the late Carolingian era in a time of intense and independent music-theoretical activity. Hucbald has been recognized as a pioneer who brought elements from Greek music theory to bear upon plainsong, but his view of mode has been...
Journal Article
Journal of Music Theory (2017) 61 (2): 143–170.
Published: 01 October 2017
..., and bridge sections in a corpus of two hundred rock songs. I begin with an overview of the corpus itself, followed by a discussion of my methodology. I then present the results of my study, which quantifies harmony via two main approaches: the proportion of time spent on a chord root and the average duration...
Journal Article
Journal of Music Theory (2019) 63 (2): 231–260.
Published: 01 October 2019
...Stephen Guerra Pitch spaces such as the circle of fifths model change through time in a composition, recording, or improvisation. Metric spaces theorized over the past twenty years do the same for changes (notated or not) in meter. Trajectories in either space and their potentially reinforcing...
Journal Article
Journal of Music Theory (2021) 65 (2): 185–237.
Published: 01 October 2021
... musicians manipulate the backbeat to present listeners with affordances for the enactment of different forms of time. As part of the listener's experience, the function of meter is intimately linked with the function of the musical context in which it is found. To ask “Why is there meter...
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Journal Article
Journal of Music Theory (2010) 54 (1): 37–60.
Published: 01 April 2010
... of time, however, the distance between Cavell's and the postmodernists' views concerning subjectivity and the role of the arts in defining it have become increasingly clear. In Cavell's scenario, a contemporary listener or critic confronted with the new music faces a sort of existentialist crisis: he...
Journal Article
Journal of Music Theory (2010) 54 (1): 61–74.
Published: 01 April 2010
... is characterized by its disavowal of the market. Commercial transactions are disguised or renounced, while ostensibly altruistic gifts (of time, money, labor, or prestige) are valorized. Controversies involving pianist Joyce Hatto and composer Giacinto Scelsi are examined to show why fraudulence represents...
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