Search Results for thing

...Joti Rockwell [email protected] Nicholas Stoia . Sweet Thing: The History and Musical Structure of a Shared American Vernacular Form . Oxford University Press , 2021 . Copyright © 2023 by Yale University 2023 you've heard this sort of thing before. You've heard...

... of each segment, phrase, and period), cadential hemiolas emerge as consonant agents, in the large rhetorical scheme of things. These hemiolas, which intensify the end-accented beats, assert the notated meter, not the metrical displacement. In so doing, they either reinforce the basic metrical premise...

... : 78 -107. Foucault, Michel. [1966] 1994 . The Order of Things. New York: Vintage. Hyer, Bryan. 1996 . “Before Rameau and After.” Music Analysis 15 : 75 -100. Judd, Cristle Collins. 2000 . Reading Music Theory: Hearing with the Eyes. Cambridge: Cambridge University Press. Korsyn...

... Now: Current Perspectives in Kittler Studies , edited by Sale Stephen Salisbury Laura , 132 – 53 . Cambridge : Polity . Bogost Ian . 2012 . Alien Phenomenology; or, What It’s Like to Be a Thing . Minneapolis : University of Minnesota Press . Bryant Levy . 2012...

..., a symbolic entity, that is being used to convey something about another, quite different thing, namely, what is in the head or mind of the analyst (or the reader). It is a canonical philosophical question—if there ever was one—what relationship is being said to hold between words, graphs, and other...

... the syntax of [her performance in pointing to the fur and saying “kitty”] should be transcribed as “This is like a kitty,” or “Look at the funny kitty,” or “Aren’t soft things nice or “See, I remember how pleased you are when I say ‘kitty,’ ” or “I like to be petted.” Can we decide...

... of A Supposedly Fun Thing .'' Publishers Weekly , December 30 , 1996 : 47 . Wallace David Foster . 1998 . A Supposedly Fun Thing I'll Never Do Again . New York : Back Bay Books . ———. 1999 . Brief Interviews with Hideous Men . Boston : Little, Brown . Wittgenstein Ludwig...

... in Selected Atonal Compositions . Ph.D. diss., University of Michigan. Lakoff, George. 1987 . Women, Fire, and Dangerous Things . Chicago: University of Chicago Press. Lerdahl, Fred and Ray Jackendoff. 1983 . A Generative Theory of Tonal Music. Cambridge: MIT Press. Lewin, David. 1962...

... period 1955–70. I was led by the title to assume a full-blown theoretical text. In one sense, that is what the book is, but in another, perhaps more fundamental sense it is not, and it is this paradox that comes through most forcefully in reading it. First things first: it is a very good book...

... her as gently as I could while still being truthful, which is to say I broke the bad news to her, and tried to sweeten the bitter pill by pointing out that things could be worse: the translation of the Harmonielehre she was reading is actually an abridgment of the original, with most of the really...

... History of Music Theory 2 (and its predecessor, History of Theory 1), that narrative is a familiar and a conventional one: Music theory begins with the Greeks, who noted things like the relationship between consonances and simple number ratios and who developed sophisticated vocabularies for talking about...

... for and with a reason) and by that very fact a diminishment of our negative freedom, our nonsub­ jugation to hindrances or limitations.6 Post-Kantian modernity, then, is an ethicopractical landscape in which it is in virtue of a certain kind of con- straint, control, and compulsion that certain things we do count...

...Ian Quinn © 2008 by Yale University 2008 Editor’s note eagle-eyed readers may have noticed a few subtle changes in the previ- ous two issues of the Journal of Music Theory. For one thing, the word “Duke” appeared on the spine...

... and the Theory and Philosophy of Music , ed. Hulse Brian Nesbitt Nick . London : Ashgate . Gould Timothy . 1998 . Hearing Things: Voice and Method in the Writing of Stanley Cavell . Chicago : University of Chicago Press . Grosz Elizabeth . 2008 . Chaos, Territory, Art...

... the lack of humanistic writing about music that Cavell laments in the course of his critique, has become a thing of the past. Its intol- erance and self-destructiveness, laid bare two decades later in Susan McClary’s essay “Terminal Prestige” (1989), proved decisive in the end. To say so is nei...

... Analysis: Applications to Four Works for Piano by Contemporary American Composers .” Ph.D. dissertation, University of Rochester. ____. 1997 . “On Association, Realization, and Form in Richard Swift's Things of August.” Perspectives of New Music 35/1 : 61 -114. ____. 2001 . “Orientations...

... should imagine things—to determine the extent to which, and to pinpoint the idiosyncratic manner in which, music has a representational function. Whereas the focus in these two pieces is on what music does, on how and why it gets us to engage in certain kinds...

..., the matter of teaching music theory in the twenty-first century (the conference subtitle) seems to me an urgent one, now that we re twenty years into it, and mingling with leading pedagogues was an excellent opportunity to assess where things stand. That the conference was to be held in Santa Barbara...

... and detailed critiques this work demands (will the knives be sharp I prefer not to compete in that league and will instead offer some- thing less detailed but perhaps more useful to readers of this journal by virtue of its concision and orientation from the music-theory...

...; hidden structures may be perceived in stories in which they cannot be felt; a mathematical order may be discerned in music in which it can- not be heard. Clever critics and analysts who tell us of these things are contributing nothing to our aesthetic interest.” (p. 228) Those theorists who...