...Robert O. Gjerdingen Robert O. Gjerdingen is the author of several books, articles, and reviews in the fields of music theory, music perception, and eighteenth-century musical style. He has served on the editorial boards of Music Theory Spectrum , the Journal of Music Theory , and the Journal...

...Stephen Peles Schenker's Argument and the Claims of Music Theory Leslie D. Blasius Studies in Music Theory and Analysis vol. 9 New York: Cambridge University Press, 1996 200 pp. 2001 © Yale University, New Haven, Connecticut 06520 2001 NOTES 1. Apparently, there are examples in the original...

...Stefano Mengozzi Stefano Mengozzi is associate professor of musicology at the University of Michigan. He is the author of The Renaissance Reform of Medieval Music Theory: Guido of Arezzo between Myth and History (2010). McKinney Timothy R. Adrian Willaert and the Theory of Interval Affect...

...Kofi Agawu Schachter Carl . Edited by Straus Joseph N. , The Art of Tonal Analysis: Twelve Lessons in Schenkerian Theory , Oxford University Press , 2016 : v + 295 pp. ( $45.00 cloth) Copyright © 2018 by Yale University 2018 Works Cited Agawu Kofi . 2009 . “ The Dynamics...

...Edward Klorman Copyright © 2018 by Yale University 2018 Swinkin Jeffrey , Performative Analysis: Reimagining Music Theory for Performance , University of Rochester Press , 2016 : vii + 260 pp. ( $95.00 cloth) Works Cited Austin J. L. 1962 . How to Do Things with Words . 2nd...

... we today understand as grouping, chunking, and subjective rhythmicization. In the absence of anything resembling a modern theory of cognition, Holden’s account of how we can perceive music chiefly relies on the actions of posited mental faculties, including attention, memory, imagination, and...

...Edward Pearsall Among current theories of cognition, Gerald Edelman's Theory of Neuronal Group Selection is one of the most successful in showing how the mind is grounded in neurobiological activity. Edelman brings together ideas concerning the selective adaptability of the brain and the interplay...

... die neuesten Kunstschöpfungen bewirkten Umgestaltung und Weiterbildung der Harmonik.” Neue Zeitschrift für Musik 54 : 4 -5, 9–14, 21–24, 29–34, 41–43, 53–54, 61–64. Mooney, Kevin. 1996 . “ The `Table of Relations' and Music Psychology in Hugo Riemann's Harmonic Theory .” Ph.D. diss...

.... ______. 1997 . “Pathway, Blockage, and Containment in Density 21.5.” Theory and Practice 22 : 35 –54. Butler, David. 1992 . The Musician's Guide to Perception and Cognition . New York: Schirmer Books. Carey, Norman, and David Clampitt. 1989 . “Aspects of Well-Formed Scales.” Music Theory Spectrum...

... researcher in history of music and musicology at the Università Cattolica del Sacro Cuore in Milan. She is the author of numerous essays on the history of Italian music theory in the eighteenth and nineteenth centuries. Abbate, Alessandro. 2007 . “Due autori per un testo di contrappunto di scuola...

...Benjamin Steege Hermann von Helmholtz's theory of melodic “affinity,” which he considered his primary contribution to music-theoretical thought, is inherently historicist in its conception. It seeks not only to explain local tonal relationships but also to provide a rationale for transhistorical...

... theory of consonance to assess and explain the interaction of rhythms as well as the interaction of pitches. At several points in his 1739 Tentamen novae theoriae musicae (Attempt at a New Theory of Music), Euler suggests that everything he has written about consonance should also apply to duration...

...Joel Galand Joel Galand is associate professor of music theory and associate director of the School of Music at Florida International University. James Hepokoski and Warren Darcy Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata . Oxford...

...Rob Schultz The advent of the numerical representation of contour was a watershed in the development of musical contour theory. Both Michael L. Friedmann and Robert D. Morris pioneered the practice by mapping pitches in ascending registral order onto the subset of nonnegative integers from 0 to n...

...Matthew Arndt Matthew Arndt is assistant professor of music theory at the University of Iowa. Morgan Robert P. . Becoming Heinrich Schenker: Music Theory and Ideology . Cambridge University Press , 2014 : xx+275 pp . ( $99.00 cloth) © 2016 by Yale University 2016 Works Cited...

...C. Catherine Losada C. Catherine Losada is associate professor of music theory at the College-Conservatory of Music, University of Cincinnati, and president of Music Theory Midwest. She has published articles and reviews in the Journal of Mathematics and Music, Music Analysis, Music Theory...

...Jason Yust The discrete Fourier transform on pitch-class sets, proposed by David Lewin and advanced by Ian Quinn, may provide a new lease on life for Allen Forte's idea of a general theory of harmony for the twentieth century based on the intervallic content of pitch-class collections. This...

...Dora A. Hanninen 2001 © Yale University, New Haven, Connecticut 06520 2001 Agawu, Kofi. 1996 . “Ambiguity in Tonal Music: A Preliminary Study.” In Theory, Analysis, and Meaning in Music, edited by Anthony Pople. Cambridge: Cambridge University Press. Alegant, Brian and Donald McLean. 2001...

...Matthew Brown; Panayotis Mavromatis Unfoldings: Essays in Schenkerian Theory and Analysis Carl Schachter edited by Joseph N. Straus New York: Oxford University Press, 1999 vi + 294 pp. 2001 © Yale University, New Haven, Connecticut 06520 2001 REVIEWS Unfoldings: Essays in Schenkerian Theory...

..., Seymour. 1980 . Story and Discourse: Narrative Structure in Fiction and Film . Ithaca, N.Y.: Cornell University Press. Campbell, Joseph. 1949 . The Hero with a Thousand Faces . New York: Pantheon. Caplin, William E. 1998 . Classical Form: A Theory of Formal Functions for the Instrumental Music...