...Stephen Peles 2001 © Yale University, New Haven, Connecticut 06520 2001 Schenker's Argument and the Claims of Music Theory Leslie D. Blasius Studies in Music Theory and Analysis vol. 9 New York: Cambridge University Press, 1996 200 pp. NOTES 1...

...Robert O. Gjerdingen Robert O. Gjerdingen is the author of several books, articles, and reviews in the fields of music theory, music perception, and eighteenth-century musical style. He has served on the editorial boards of Music Theory Spectrum , the Journal of Music Theory , and the...

...Stefano Mengozzi Stefano Mengozzi is associate professor of musicology at the University of Michigan. He is the author of The Renaissance Reform of Medieval Music Theory: Guido of Arezzo between Myth and History (2010). McKinney Timothy R. Adrian Willaert and the Theory of...

...Rebecca Maloy David Russell Williams and C. Matthew Balensuela Music Theory from Boethius to Zarlino: A Bibliography and Guide Pendragon Press, 2007: 341 pp. ($86.00 cloth) Rebecca Maloy is associate professor of music at the University of Colorado at Boulder. She is the author, most...

...Kyle Adams This article is intended as a solution to a perceived problem with existing theories of pretonal chromatic music: Many modern theories of this repertoire have made anachronistic uses of models from major/minor tonality, and contemporaneous theories were not broad enough to adequately...

...Benjamin Steege Hermann von Helmholtz's theory of melodic “affinity,” which he considered his primary contribution to music-theoretical thought, is inherently historicist in its conception. It seeks not only to explain local tonal relationships but also to provide a rationale for transhistorical...

... Music Theory and Analysis vols. 5, 8, and 10 Ian Bent, general ed. New York: Cambridge University Press, 1994, 1996, 1997 32. He apparently possessed an unusually keen sense of time. One evening in 1927 when he and Furtwängler were together at Hoboken’s house, he reports: “we spend more time...

...David Neumeyer 2001 © Yale University, New Haven, Connecticut 06520 2001 Schenker's Interpretive Practice Robert Snarrenberg Studies in Music Theory and Analysis vol. 11 New York: Cambridge Univ. Press, 1997 xxiii, 175 pp. of that anxiety is offered by Max Nordau (1849–1923) in a...

...William Rothstein 2001 © Yale University, New Haven, Connecticut 06520 2001 Articles on Schenker and Schenkerian theory in The New Grove Dictionary of Music and Musicians , 2nd edition edited by Stanley Sadie executive editor John Tyrrell New York: Grove's Dictionaries, 2001 also available...

...Kofi Agawu Schachter Carl . Edited by Straus Joseph N. , The Art of Tonal Analysis: Twelve Lessons in Schenkerian Theory , Oxford University Press , 2016 : v + 295 pp. ( $45.00 cloth) Copyright © 2018 by Yale University 2018 Works Cited Agawu Kofi . 2009...

...Edward Klorman Swinkin Jeffrey , Performative Analysis: Reimagining Music Theory for Performance , University of Rochester Press , 2016 : vii + 260 pp. ( $95.00 cloth) Copyright © 2018 by Yale University 2018 Works Cited Austin J. L. 1962 . How to Do Things with...

... we today understand as grouping, chunking, and subjective rhythmicization. In the absence of anything resembling a modern theory of cognition, Holden’s account of how we can perceive music chiefly relies on the actions of posited mental faculties, including attention, memory, imagination, and...

...Edward Pearsall Among current theories of cognition, Gerald Edelman's Theory of Neuronal Group Selection is one of the most successful in showing how the mind is grounded in neurobiological activity. Edelman brings together ideas concerning the selective adaptability of the brain and the interplay...

... durch die neuesten Kunstschöpfungen bewirkten Umgestaltung und Weiterbildung der Harmonik.” Neue Zeitschrift für Musik 54 : 4 -5, 9–14, 21–24, 29–34, 41–43, 53–54, 61–64. Mooney, Kevin. 1996 . “ The `Table of Relations' and Music Psychology in Hugo Riemann's Harmonic Theory .” Ph.D. diss...

.... ______. 1997 . “Pathway, Blockage, and Containment in Density 21.5.” Theory and Practice 22 : 35 –54. Butler, David. 1992 . The Musician's Guide to Perception and Cognition . New York: Schirmer Books. Carey, Norman, and David Clampitt. 1989 . “Aspects of Well-Formed Scales.” Music Theory Spectrum...

...Dora A. Hanninen 2001 © Yale University, New Haven, Connecticut 06520 2001 Agawu, Kofi. 1996 . “Ambiguity in Tonal Music: A Preliminary Study.” In Theory, Analysis, and Meaning in Music, edited by Anthony Pople. Cambridge: Cambridge University Press. Alegant, Brian and Donald McLean...

...Matthew Brown; Panayotis Mavromatis Unfoldings: Essays in Schenkerian Theory and Analysis Carl Schachter edited by Joseph N. Straus New York: Oxford University Press, 1999 vi + 294 pp. 2001 © Yale University, New Haven, Connecticut 06520 2001 REVIEWS Unfoldings: Essays in...

....: Pendragon Press. Chatman, Seymour. 1980 . Story and Discourse: Narrative Structure in Fiction and Film . Ithaca, N.Y.: Cornell University Press. Campbell, Joseph. 1949 . The Hero with a Thousand Faces . New York: Pantheon. Caplin, William E. 1998 . Classical Form: A Theory of Formal Functions...

... Instruments . Trans. William Mitchell. New York: W. W. Norton. Baker, Nancy Kovaleff. 1988 . “Der Urstoff der Musik: Implications for Harmony and Melody in the Theory of Heinrich Koch.” Music Analysis 7/1 : 3 -30. Barnett, Gregory. 2002 . “Tonal Organization in Seventeenth-Century Music Theory...

..., Thomas. 1987 . “Rameau's `L'Art de la Basse Fondamentale'.” Music Theory Spectrum 9 : 18 -41. ____. 1993 . Rameau and Musical Thought in the Enlightenment . Cambridge: Cambridge University Press. Cohen, Albert. 1971 . “La Supposition and the Changing Concept of Dissonance in Baroque Theory...