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Journal Article
Journal of Music Theory (2006) 50 (1): 111–127.
Published: 01 April 2006
... in Music with Text Oxford University Press, 2006: xii+409 pp. ($65.00 cloth) is an assistant professor of music at the University of Chicago. His book Tonality and Transformation is forthcoming from Oxford University Press. © 2008 by Yale University 2008 Buchler, Michael. 2007...
Journal Article
Journal of Music Theory (2018) 62 (2): 359–368.
Published: 01 October 2018
... . “ Music Theory, Phenomenology, and Modes of Perception .” Music Perception 3 / 4 : 327 – 92 . Copyright © 2018 by Yale University 2018 Bard-Schwarz David Cohn Richard , eds., David Lewin’s “Morgengruß”: Text, Context, Commentary , Oxford University Press , 2015 : ix + 206 pp...
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Published: 01 October 2023
Figure 3. The layout of the text in mm. 14–27 of no. 13, “M' è più dolce il penar” (././ indicate text repetitions). More
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Published: 01 October 2023
Figure 4. Text and translation of “Ecco Silvio” (Morell 2004 ). More
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Published: 01 October 2023
Figure 5. The text of verses 7–9a. More
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Published: 01 October 2023
Figure 6. The text of verses 9b–11. More
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Published: 01 April 2024
Figure 1. Steinbeck's example 1.1, a transcription of the opening of “Ornette,” by the Roscoe Mitchell Sextet. NB: all instruments notated at transposing pitch, though discussed in the main text at concert pitch. Initials to the left of each stave indicate the players. More
Journal Article
Journal of Music Theory (2008) 52 (1): 41–74.
Published: 01 April 2008
...Cristle Collins Judd This article takes Thomas Morley's A Plaine and Easie Introduction to Practicall Musicke (1597) as a point of departure for exploring a group of sixteenth-century texts that place music, especially as represented by musical notation, within the form of a dialogue. Music...
Journal Article
Journal of Music Theory (2009) 53 (1): 95–136.
Published: 01 April 2009
... interpretation of musical narratives must be invested in the semantic level (topics, codes, conventions, genres) as well as the syntactic one (harmony, voice leading). The four archetypes function as structures of the musical text and as master signifiers that the listener uses to organize an interpretation...
Journal Article
Journal of Music Theory (2021) 65 (2): 287–323.
Published: 01 October 2021
... of this article proposes a conceptual revision of lyric form as a conventional configuration of both music and text, which are united by a shared set of music-rhetorical functions. The second part shows how Wagner's lyric forms integrate into the surrounding dramatic continuity as extroverted, performative...
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Journal Article
Journal of Music Theory (2006) 50 (1): 77–101.
Published: 01 April 2006
... of interactions of prolongational, associative, or stretto-like musical figurations in the prelude. These “differences” in orientation become creative and expressive of newly available content, multiplying interactions of composition and text, reception and analysis. © 2008 by Yale University 2008...
Journal Article
Journal of Music Theory (2018) 62 (2): 165–204.
Published: 01 October 2018
... Cantata, op. 31 (1943): (1) the structural composition of complete cycles, including their length, the segmental invariances they produce, and their interaction with Hildegard Jone’s texts; (2) the primitives, potentialities, and surface articulations of aligned cycles, both synchronous and asynchronous...
Journal Article
Journal of Music Theory (2011) 55 (1): 1–41.
Published: 01 April 2011
... of melody and harmony and define the field of possibilities in which each melodic/harmonic change takes place—a “space” in which the changes can be heard as meaningful in relation both to themselves and to the text. Overall, these results suggest how the ostensibly mechanical melodic and harmonic processes...
Journal Article
Journal of Music Theory (2021) 65 (2): 239–285.
Published: 01 October 2021
... semitones express the poetic texts. Example 32. Gesualdo, “Sento che nel partire,” Secondo libro a cinque voci (1594), mm. 1–2. Example 32. Gesualdo, “Sento che nel partire,” Secondo libro a cinque voci (1594), mm. 1–2. Lasso's uses of 5– M3 mi and 8– M3 mi can be viewed as first...
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Journal Article
Journal of Music Theory (2022) 66 (1): 43–62.
Published: 01 April 2022
... later than has been supposed. The conclusion of the article traces the process by which the term root gained ascendancy in English texts and considers how this history fits into larger trends of thoroughbass and harmony instruction. cmm2209@columbia.edu Copyright © 2022 by Yale University 2022...
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Journal Article
Journal of Music Theory (2022) 66 (2): 147–187.
Published: 01 October 2022
...Nathan John Martin Abstract The history of music theory, as it has usually been taught in the United States, has focused on a small canon of texts written mostly in Latin, Italian, French, and German. This article advocates a more expansive view of the subdiscipline's remit by way of three case...
Journal Article
Journal of Music Theory (2010) 54 (1): 91–105.
Published: 01 April 2010
...Richard Beaudoin Examples of borrowing strategies in both musical and philosophical texts are outlined. Cavell's position on quotation as `being the other to one's self' is explored. Three cases of musical versus philosophical modes of borrowing are surveyed: Cavell borrowing Thoreau versus Ignaz...
Journal Article
Journal of Music Theory (2010) 54 (1): 121–140.
Published: 01 April 2010
...Stephen Decatur Smith This article offers a comparative reading of Theodor Adorno's and Stanley Cavell's philosophies of music. It does not attempt a survey or summary of their respective approaches but rather focuses on one moment in a text by Cavell—namely, his reading and critique, in an essay...
Journal Article
Journal of Music Theory (2012) 56 (2): 225–283.
Published: 01 October 2012
... in Bellini of tonal pairing, usually (but not always) involving relative keys. The sonorità or focal melodic pitch, long associated with Verdi’s operas, is found to play a unifying role in the second-act finale of Norma . Issues of reception history, text criticism, and analytical methodology are also...
Journal Article
Journal of Music Theory (2014) 58 (2): 103–154.
Published: 01 October 2014
...Robert Snarrenberg Proceeding from the premise that a nineteenth-century German lyric song is a reading of its text, the author develops new resources for describing acts of reading poetry and establishes the analytical relevance of the approach using examples drawn mainly from songs by Brahms...