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ternary plot

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Journal Article
Journal of Music Theory (2016) 60 (2): 97–148.
Published: 01 October 2016
... precludes the judgment that one parameter is nevertheless much more important than the other. To this end, the geometric space known as the ternary plot is introduced, within which all coherent claims about the interaction of two parameters in a repertoire can be represented; the ternary plot also serves...
Journal Article
Journal of Music Theory (2004) 48 (2): 337–354.
Published: 01 October 2004
..., this one focuses more on the surface—thematic developments and their harmonic and metric ambi- guities. Smith describes the Andante as a blend of “aspects of binary and ternary form with a sonata component” (97). He reads the central section as exhibiting characteristics of both a B section in ternary...
Journal Article
Journal of Music Theory (2009) 53 (1): 95–136.
Published: 01 April 2009
Journal Article
Journal of Music Theory (2003) 47 (1): 41–101.
Published: 01 April 2003
... gradually through the Menuetto proper, so that the entire sec- tion—itself a ternary form—constitutes a single chromatic field. Two of the five chromatics occur in the first part (mm. 1–16): pc 9, AΩ, marks the close of the first phrase and pc 4, EΩ, on the downbeat of m. 9, the begin- 42 Example 1...