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taruskin

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Journal Article
Journal of Music Theory (2012) 56 (2): 285–291.
Published: 01 October 2012
...Richard Taruskin Richard Taruskin is the Class of 1955 Professor of Music at the University of California at Berkeley. Horlacher Gretchen Building Blocks: Repetition and Continuity in the Music of Stravinsky . Oxford University Press , 2011 : xii+220 pp. ( $49.95 cloth...
Journal Article
Journal of Music Theory (2006) 50 (1): 128–139.
Published: 01 April 2006
...Daniel Harrison Richard Taruskin The Oxford History of Western Music ; Oxford University Press, 2004: 6 vols., xxxiii+854+758+830+826+557+329 ($699.00 cloth) © 2008 by Yale University 2008 Daniel Harrison is the Allen Forte Professor of Music Theory at Yale University. His...
Journal Article
Journal of Music Theory (2004) 48 (2): 295–324.
Published: 01 October 2004
....” In Texte zur Musik , 1 : 189 -210. Cologne: DuMont. Taruskin, Richard. 1996 . Stravinsky and the Russian Traditions . Berkeley and Los Angeles: University of California Press. Van den Toorn, Pieter C. 1983 . The Music of Igor Stravinsky . New Haven and London: Yale University Press. Walsh...
Journal Article
Journal of Music Theory (2000) 44 (1): 231–236.
Published: 01 April 2000
...). Maintaining an effec- tive tension between these demands was an accomplishment Stravinsky’s admirers continue to emulate. A second important source for Cross is the work of Richard Taruskin, whose closing sentences in Stravinsky and the Russian Traditions might almost serve as an explanation...
Journal Article
Journal of Music Theory (2011) 55 (1): 147–153.
Published: 01 April 2011
...-ranging writings of Richard Taruskin (1985, 1996). Even within this recent perspective, however, we acknowledge differing pri- orities in theorizing and systematizing octatonicism, as well as some heated scholarly debate. But if we look back beyond van den Toorn’s initial locus of enquiry...
Journal Article
Journal of Music Theory (2020) 64 (2): 283–291.
Published: 01 October 2020
.... Richard Taruskin (2014) strenuously reserves agency for actual human subjects. And Wye Jamison Allanbrook (2014: 117), in a discussion of Mozart s Piano Sonata in F major, K. 332, argues that agential interpretation is mis- leading: The impulse to posit a single guiding voice behind this expressive...
Journal Article
Journal of Music Theory (2024) 68 (1): 149–155.
Published: 01 April 2024
... composers over the course of those two centuries. And then there is the rest of Europe. Schenker at least was explicit in his exclusion of those repertories. Our Germano-centric methods can do little to illuminate, for instance, Berlioz—surely one of the great musical innovators. Richard Taruskin...
Journal Article
Journal of Music Theory (2016) 60 (2): 213–262.
Published: 01 October 2016
... and diatonicity In a review of Forte’s Harmonic Organization of “The Rite of Spring” (1978) that sparked a fiery exchange, Richard Taruskin (1979) took umbrage at Forte’s neglect of possible remnants of tonal practice in Stravinsky’s harmonic mate- rials...
Journal Article
Journal of Music Theory (2024) 68 (1): 157–163.
Published: 01 April 2024
... by Kostka and Payne. 8 Harrison 2016 and Tymoczko 2011 , as cited by Yust, are two such cases, and Harrison ( 2016 ) also cites Taruskin 2005 . 9 Harmony is another word with far too many thorns on it that I also think isn't without hope. Works Cited Harrison Daniel . 2016...
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Journal Article
Journal of Music Theory (2022) 66 (2): 291–302.
Published: 01 October 2022
... . Straus Joseph N. 2014 . “ Harmony and Voice Leading in Stravinsky .” Music Theory Spectrum 36 , no. 1 : 1 – 33 . Taruskin Richard . 2010 . Music in the Early Twentieth Century . New York : Oxford University Press . Temperley David . 2018 . The Musical Language of Rock...
Journal Article
Journal of Music Theory (2013) 57 (2): 433–449.
Published: 01 October 2013
... internationale de critique génétique 4 : 51 – 67 . Taruskin R. 1993 . Review: Kevin Korsyn, “Towards a New Poestics of Musical Influence” (1991) and Joseph N. Straus, Remaking the Past: Musical Modernism and the Influence of the Tonal Tradition (1990) . Journal of the American Musicological...
Journal Article
Journal of Music Theory (2023) 67 (1): 141–169.
Published: 01 April 2023
... (Lehman 2018 : 100). Still others have attended to transpositionally related (T ±4 ) triads that share a single common tone, LP or PL transformations such as {C minor ↔ E minor} and {C major ↔ E major}, claiming an association with a broad array of attributes (Taruskin 2005 : 61–118; Cohn 2012a 17...
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Journal Article
Journal of Music Theory (2006) 50 (2): 253–275.
Published: 01 October 2006
..., ≥ ≈ ≥ Taruskin (1985) assesses the impact of such progressions seventh, and ninth above absent root A (=C 6). In terminol- ≥ ≥ on the further development of harmonic practice in the nine- ogy familiar to most readers, this represents a conversion...
Journal Article
Journal of Music Theory (2016) 60 (1): 51–88.
Published: 01 April 2016
... . Suurpää Lauri . 2005 . “The Undivided Ursatz and the Omission of the Tonic Stufe at the Beginning of the Recapitulation.” Journal of Schenkerian Studies 1 : 66 – 91 . Taruskin Richard . 2011a . “Catching Up with Rimsky-Korsakov.” Music Theory Spectrum 33 / 2 : 169 – 85...
Journal Article
Journal of Music Theory (2011) 55 (2): 167–220.
Published: 01 October 2011
... . The Musical Symbol: A Study of the Philosophic Theory of Music . Ames : Iowa State University Press . Fechner Gustav . 1860 . Elemente der Psychophysik . Leipzig : Breitkopf und Härtel . Forte Allen . 1986 . “ Letter to the Editor in Reply to Taruskin .” Music Analysis 5/2–3 : 321...
Journal Article
Journal of Music Theory (2017) 61 (1): 59–109.
Published: 01 April 2017
... in the Epistemology of Music.” Sign Systems Studies 29 / 2 : 657 – 81 . Taruskin Richard . 1989 . “Reply to Brown and Dempster.” Journal of Music Theory 33 / 1 : 155 – 64 . ———. 2011 . “Catching Up with Rimsky-Korsakov.” Music Theory Spectrum 33 / 2 : 169 – 85 . Vaihinger Hans...
Journal Article
Journal of Music Theory (2022) 66 (2): 189–222.
Published: 01 October 2022
... Abraham for the New Grove and modified in Taruskin 1993 . 6 Zavlunov 2014 offers a useful primer on holistic analysis; Zavlunov 2020 furnishes biographical details for the method's chief founders. 7 Mazel’ 1987 considers some of the differences between the Asaf'yevan system...
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Journal Article
Journal of Music Theory (2016) 60 (2): 181–212.
Published: 01 October 2016
... . Music and Twentieth-Century Tonality: Harmonic Progression Based on Modality and the Interval Cycles . New York : Routledge, Taylor and Francis Group . Taruskin Richard . 2009 . “A Surrealist Composer Comes to the Rescue of Modernism.” In The Danger of Music and Other Anti-utopian Essays...
Journal Article
Journal of Music Theory (2015) 59 (2): 191–234.
Published: 01 October 2015
... Kompozitor . Starr Daniel . 1984 . “Derivation and Polyphony.” Perspectives of New Music 23 / 1 : 180 – 257 . Tarakanov Mikhail . 1971 . “Zametki o novum sochineniy” (“Notes about a New Composition”) . Sovetskaya muzïka 35 / 7 : 33 – 39 . Taruskin Richard . 1995...
Journal Article
Journal of Music Theory (2000) 44 (1): 127–169.
Published: 01 April 2000
... Friedrich Daniel. 1812 . Von der Rosalien. Vermischte Schriften . Vol. 1 , 220 -26. Zurich. Sisman, Elaine. 1982 . “Small and Expanded Forms: Koch's Model and Haydn's Music.” Musical Quarterly 68 : 444 -75. Taruskin, Richard. 1996 . “Dispelling the Contagious Wagnerian Mist.” New York Times...